CurtainUp
CurtainUp
The Internet Theater Magazine of Reviews, Features, Annotated Listings
HOME PAGE

SITE GUIDE

SEARCH


REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
A CurtainUp Review
'Radiance

"I’ve dropped a lot of bombs in my time---seems like the Big Gimmick is just another one. "— Lewis
"That bomb is no gimmick, I can assure you." — Laurance
'Radiance
Kohl Sudduth and Ana Reeder)
(Photo credit: Monique Carboni)
The year is 1955, Los Angeles. It’s the middle of the afternoon and Air Force Captain Robert Lewis (Kohl Suddeth) has been walking up and down Hollywood Boulevard unable to find a bar open for business, that is until he finds himself in a dive (modestly evoked and stocked by designer David Meyer) called the El Gato Negro. He stands in the doorway for a long time and it doesn’t seem as if he is going to get a drink, at least not from May (Ana Reeder), a sexy, zaftig blonde with a pretty face who appears to have been stuffed into her tight strapless green party dress. She acknowledges the potential customer without indicating that she is, in fact, an employee, no less the bar’s resident accountant, May’s couldn’t-care-less attitude is duly acknowledged by the man whom she wouldn’t be expected to recognize as the co-pilot of the Enola Gay.

May has just been left alone by Artie (Kelly Aucoin) the bar’s proprietor to watch the place while he goes to the bank to withdraw her long overdue salary. May’s intimate relationship with Artie is more than insinuated. She admits her lack of accounting skills to Lewis (she puts down the numbers backwards). Her primary skill appears to be undulating her curves and sashaying around the premises though she doesn't get much of a rise out of the man in civilian clothes who apparently has other things on his mind.

Thankfully, it is the things troubling Lewis that will begin to spark our concern and attention during Cusi Cram’s eventually interesting play. It's central character is Captain Robert Lewis whose memory of his experience as the co-pilot of the Atom Bomb-carrying flying fortress is about to be televised live on the popular television show This is Your Life. Fleeing from the TV studio, Lewis has taken refuge in the bar in an attempt to hide and avoid having to re-live the experience that has haunted him for the past ten years.

The scene in the bar where Lewis and May have become engaged in a kind of boozy, unaffecting camaraderie, is the framing device that serves as a catalyst for play's reality based drama within it. It is triggered with the appearance of a determined and ultimately persuasive TV producer Joe Waxman (Aaron Roman Weiner) who has been on a search and rescue mission to get Lewis back to the studio where the expected guests include a Japanese priest and a group of unseen victims of Hiroshima.

With the reluctant Lewis’ memory jostled, the play proceeds in flash-back. We're taken back the horror of the mission and the events of the time preceding it in 1945 at the officer’s bar on Tinian Island in the South Pacific. There we see how Lewis deals with the rivalry that forms the basis of his tense relationship with Colonel Paul Tibbets, the pilot of the Enola Gay. Equally interesting is his conversation with William Laurence, a science journalist who tries his best to convince Lewis why he should go along and record the event. Also peripherally involved is Evelyn, a sweet and cheerful Red Cross nurse. It should be noted that Ms Reeder dons and gloriously fills up the nurse’s white uniform. Aucoin is also as unrecognizably credible in his role, as is Weiner as the inflexible Tibbets.

Cram's dark comedy A Lifetime Burning received laudatory reviews when it was produced by Primary Stages in 2009. She's had other plays successfully presented at the Williamstown Festival. With Radiance she has found a compelling real life subject for dramatic investigation. It's a noteworthy attempt to probe into the question of Lewis’ sense of collective guilt, his personal remorse, and even the intellectually heartless blow-back from society to the event. I only wish the payoff, despite it being inspired by historic truth, could have been less predictably contrived. I would also have been more inclined to appreciate the play’s purpose if Cram hadn’t book-ended the otherwise facts-based play in such a silly and irrelevant way.

Suzanne Agins’s neat and tidy direction validates her continuing connection to Cram (Lucy and the Conquest at Williamstown Theatre Festival where she was Artistic Associate for New Plays from 2005-2007). Agins has also brought out some engaging performances from Labrynth Theater Company members Sudduth and Weiner, as well as from Reeder as a bar girl non-pareil and from AuCoin. AuCoin and Weiner's double roles were impressively expressive.

Radiance may not be as dramatically gritty a play as is often presented by the Labrynth Theater Company. But it earns its place as a worthy dramatic consideration of how the dark side of man’s nature was able to forever change the course of human destiny.

Radiance by Cusi Cram
Directed by Suzanne Agins
Cast: Ana Reeder (May/Evelyn), Kelly AuCoin (Artie/Laurence), Kohl Sudduth (Rob), Aaron Roman Weiner (Waxman/Tibbets)
Scenic Design: David Meyer
Costume Design: Emily Pepper
Lighting Design: Nick Francone
Sound Design: Daniel Kluger
Running Time: 1 hour 20 minutes, no intermission
Labrynth Theater Company, 155 Bank Street
(212) 513 – 1080
Tickets: $35.00
Performances: Tuesday through Friday at 8 PM; Saturday at 2 and 8 PM; Sunday at 2 and 7 PM.
From 11/07/12 Opened 11/16/12 Ends 12/08/12
Review by Simon Saltzman based on performance 11/13/12
REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of  Radiance
  • I disagree with the review of Radiance
  • The review made me eager to see Radiance
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email. . .also the names and emails of any friends to whom you'd like us to forward a copy of this review.

Visit Curtainup's Blog Annex
For a feed to reviews and features as they are posted add http://curtainupnewlinks.blogspot.com to your reader
Curtainup at Facebook . . . Curtainup at Twitter
Subscribe to our FREE email updates: E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message. If you can spare a minute, tell us how you came to CurtainUp and from what part of the country.
Slings & Arrows  cover of  new Blu-Ray cover
Slings & Arrows- view 1st episode free




Anything Goes Cast Recording Anything Goes Cast Recording
Our review of the show

Book Of Mormon MP4 Book of Mormon -CD
Our review of the show
amazon




©Copyright 2012, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com