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A CurtainUp Review
The Mark of Zorro
It is most probably the TV series that grandparents who take their grandchildren to Visible Fictions' The Mark of Zorro at The New Victory Theater will remember best. It is narrated and performed by a cast of three, Tim Settle, Denise Hoey and Neil Thomas). They use a script by Davey Anderson, enhanced by cardboard cutouts and Dav id Trouton's enticing music. The show is directed by Douglas Irvine, who seems to have a perfect understanding of the infinite boundaries of children's imaginations. The play traces Zorro's history, from the murder of his father through his becoming the trusted servant of his father's friend, Don Carlos Quintero, governor of California, to his emergence as the masked hero. There are a few good sword fights, plenty of close calls and daring escapes, and burgeoning love (Isabella, the governor's daughter quickly falls in love with Zorro, not realizing he is really the faithful Diego). Like all good children's shows, The Mark of Zorro is infused with a great deal of humor. The bad guys are so bad we have to laugh at them. Because, as children know so well, sometimes the best way to defeat evil is just to make fun of it. The show's designer, Robin Peoples, has created a wonderfully versatile set with panels that open and close to reveal formerly hidden spaces. Prison cells, stables, inner and outer rooms and the wide open country all appear within seconds. The Mark of Zorro tells a complicated if familiar story. It takes a lot of imagination and attention to follow the plot as it alternates between narration and dialogue. But the children seem completely and enthusiastically up to the task. At seventy minutes, this is a bit long for a children's show. But it is so visually inventive and the story so intriguing the time, like Zorro, gallops by.
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