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A CurtainUp Review
Microcrisis

"There's only one rule of craps and it's the same rule of banking . . . it's all about leverage." — Bennett
Microcrisis
Kevin Bergen and Bi Jean Ngo
(Photo credit: Seth Rozin)
Tricksters and scoundrels have been around in oral tradition since the misty dawn of legends, and they’ve strutted and sidled across world stages for centuries. Ben Jonson’s dizzyingly brilliant Volpone, and his contemporary, playwright Massinger’s crafty Sir Giles Overreach are just two examples of schemers who preyed on innocents until, brought down by their own scheming, they got their comeuppance. Civilization has advanced since those bad old days. In the brave new world of finance, with the bailout approach to grand theft bank, you know who’ll get shafted and who will make out like a bandit.

Convoluted madcap transactions transpire in Mike Lew’s Microcrisis, but it’s not necessary to be knowledgeable about the messy details of financial instruments or large scale scams to enjoy this show. You’ll catch on and soon feel all too conversant in financial slight of hand.

A slick rogue banker, Bennett, deftly played by Kevin Bergen, swiftly dupes the fools and the credulous with his global microcredit scam. His enabler, a new NYC Federal Reserve boss played by Frank X, helps him make mincemeat out of regulatory structures. Frank X, whose fans know he’s always worth the price of admission, also plays the role of poor Acquah, the trusting borrower in Ghana who frames the story.

Microcrisis satirizes villain and innocent alike, and the once-naïve get skewered. Represented by a student intern who wants to do good in the third world, this last category provides the most potentially interesting dramatic possibilities. Suckered in up to her eyeballs, the intern--actually much too quickly-- succumbs to the lure of easy money, helping herself instead of others. Then when everything comes crashing down she protests her innocence and rails against the predators.

InterAct’s production is beautifully cast. Dave Johnson (of recent Puck fame at the Lantern) does a Harvard brainiac slacker to a turn. Hannah Gold as the well-intentioned intern, and Bi Jean Ngo (as a perky light-up android and also a berserk Moody’s rating agent), are both promising comediennes-- and both are too loud for the confined space. Maia Desanti is a regular chameleon in her roles.

Caitlin Lainoff’s minimalist set of neutral matching wall and floor tiles accommodates her recurring video projections, which lend a helpful sense of locale to shifting scenes. The visuals are tightly coordinated with Mark Valenzuela’s music and sound effects.

The concept of microcredit for the greater good gets turned on its ear, just as this noble (and Nobel) idea has sometimes fallen victim to fraud in real life. Full of a crazy mix of humor and moral outrage, Microcrisis speeds along at a frenetic pace. Is it afraid to risk getting bogged down with a pause or two for gravitas? Would lingering reveal that the swindle at hand may be too true-to-life and too offensive to laugh at? Never mind. Microcrisis drives home its point and still pays off with a windfall of fun and laughs. Forget how much you lost in the last global financial crisis, and enjoy.

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Microcrisis
by Mike Lew
Directed by Seth Rozin
Cast: Kevin Bergen, Frank X, Hannah Gold, Dave Johnson, Bi Jean Ngo & Maia Desanti
Scenic Design and Video Design: Caitlin Lainoff
Lighting Design: Peter Whinnery
Costume Design: Anna Frangiosa
Sound Design: Mark Valenzuela
Jan 20- Feb 12, Opening Jan 25, 2012
85 minutes
Reviewed by Kathryn Osenlund based on 01/26 performance. InterAct Theatre Company, Mainstage of The Adrienne, 2030 Sansom Street
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