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Broadway By the Year: The Musicals of . . .
By Elyse Sommer
(last reviewed shows are on top)
NEW! The Broadway Musicals of 1965| The Broadway Musicals of 1954| The Broadway Musicals of 1947 The Broadway Musicals of 1964, Part II| The Broadway Musicals of 1959| The Broadway Musicals of 1938| The Broadway Musicals of 1928| The Broadway Musicals of 1978| The Broadway Musicals of 1968| The Broadway Musicals of 1956| The Broadway Musicals of 1930|The Broadway Musicals of 1962|The Broadway Musicals of 1955|The Broadway Musicals of 1945|The Broadway Musicals of 1929| 2005 Schedule for Broadway By the Year |The Broadway Musicals of 1963| From Brooklyn to Hollywood | The Broadway Musicals of 1949 | The Broadway Musicals of 1935 | The Broadway Musicals of 1926 |The Broadway Musicals of 1960 |
About the Broadway by the Year Series Since he started writing, producing and hosting this entertaining Monday night series, Scott Siegel has gained a large following who attend each event. Having joined the crowd, we've decided to merge our reports so that you can look up who appeared for which year without clicking beyond this page.
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The Broadway Musicals of 1965
As our host/historian at Mondays BBTY event made clear, 1965 was an eventful year. The first large troop shipment to Vietnam led to the first draft card burnings, people on the East Coast survived the Great Blackout, and Bill Cosby became the first African-American to co-star in a dramatic series. Always one to find some statistics to prompt "those were the days" sighs, Siegel also recalled that filling up your jalopy cost you 24cents a gallon. His always aptly amusing comments peppered his introductions throughout the evening.
In looking at the program, I saw a lot of shows that didn't ring a bell. Nor did I see more than a couple of songs that immediately sent a melody into my ear. And yet, this turned out to be a super enjoyable evening, with sublime talent and sophisticated staging. Lots of dancing. Plenty of the unplugged numbers to deliver the music with nothing between you and the sound. Even the ensemble performers got into the pure sound act!
I'm tempted to say that Marc Kudisch with his operatic voice and terrific sense of humor was the star. But there was also Brian d'Arcy James with a fetching mustache (probably grown especially for his gig in Port Authority currently at the Atlantic Theater) and that fine singer and actor, Greg Edelman who, like Kudish and James has charm to spare. And yes, this dynamic trio did a number together!.
While the men were great, they were matched by the talented ladies — especially, the very fine Julia Murney and a, new to me, cabaret diva par excellence, Julie Reyburn. Lorin Lotarro and Dave Eggers not only performed but earned a stand-up and cheer bravo for their choreography and musical staging. Kendrick Jones, the young tapper who's become a favorite with BBTY regulars (and that's practically everyone at Town Hall!) was on hand to turn a flop number, " Slippy Sloppy Shoes," into a Town Hall show stopper, which he choreographed it himself. He returned in Act two with Melinda Sullivan for a droll piece called " Opposites" from another little known show, Skyscraper.
Some of the most rousing songs came from 1965's best known, biggest hit, Man of La Mancha. Marc Kudisch led the entire company in its big anthem number, " Impossible Dream". It was gloriously unplugged. Below is the running order of all the songs, their show sources and performers.
See you at the BBTY season finale, The Broadway Musicals of 1979.
Song List Act I
Sing Happy (Flora, the Red Menace/ Kander & Ebb)- Julia Murney & The Broadway by the Year Boys (Stuart Capps, Kevin Worley, J. Austin Eyler, David Eggers and Eric Sanagata)
On a Wonderful Day Like Today (The Roar of the GreasePaint, The Smell of the Crowd/Leslie Bricusse & Anthony Newley)- Lorin Latarro, Melinda Sullivan, Shannon Lewis[Unplugged]
Man of La Mancha (Man of La Mancha/Mitch Leigh & Joe Darion) - Marc Kudisch
Do I Hear a Waltz? (Do I Hear a Waltz?/Richard Rodgers & Stephen Sondheim) - Gregg Edelman
We're Gonna Be All Right (Do I Hear a Waltz?/Richard Rodgers & Stephen Sondheim)- Julie Reyburn & Brandon Cutrell (On a Clear Day On A Clear Day You Can See Forever/Burtan Lane & Alan Jay Lerner) - Julia Murney
The Joker (The Roar of the GreasePaint, The Smell of the Crowd/Leslie Bricusse & Anthony Newley)- Gregg Edelman w/Melinda Sullivan & Shannon Lewis
What Did I Have That I Don't Have? (On a Clear Day On A Clear Day You Can See Forever/Burtan Lane & Alan Jay Lerner)- Julie Reyburn
Slippy Sloppy Shoes (La Grosse Valise/Gerard Calvi/Harold Rome) - Kendrick Jones
She Touched Me (Drat the Cat/Milton Schafer) - Brian d'Arcy James
Why Did I Choose You? (The Yearling/Michael Leonard/Herbert Mann) - Gregg Edelman
Delilah Done Me Wrong (La Grosse Valise/Gerard Calvi/Harold Rome) - Marc Kudisch w/Shannon Lewis [Unplugged]
A Quiet Thing (Flora, the Red Menace/ Kander & Ebb)- Julia Murney
Come Back to Me (On a Clear Day On A Clear Day You Can See Forever/Burtan Lane & Alan Jay Lerner) - The Broadway by the Year Boys [Unplugged]
Song List Act II
It's All The Same (Man of La Mancha/Mitch Leigh & Joe Darion) - Shannon Lewis & Broadway by the Year Boys
Take the Moment (Do I Hear a Waltz?/Richard Rodgers & Stephen Sondheim)- Marc Kudisch
Who Can I Turn To? (The Roar of the GreasePaint, The Smell of the Crowd/Leslie Bricusse & Anthony Newley) - Brian d'Arcy James [Unplugged]
Everybody Has the Right to be Wrong (Skyscraper/James Van Heusen & Sammy Kahn) - Gregg Edelman w/Julia Murney
Feeling Good (The Roar of the GreasePaint, The Smell of the Crowd/Leslie Bricusse & Anthony Newley) - Julie Reyburn w/Lorin Latarro & Stuart Capps (dancers)
She's So Far Above Me - Brandon Cutrell
Look at That Face (The Roar of the Grease Paint, The Smell of the Crowd/Leslie Bricusse & Anthony Newley) - Marc Kudisch, Gregg Edelman, Brian d'Arcy James
Opposites (Skyscraper/James Van Heusen & Sammy Kahn)- Kendrick Jones & Melinda Sullivan
Aldonza (Man of La Mancha/Mitch Leigh & Joe Darion) - Julia Murney
If I Ruled the World (Pickwick/Leslie Bricusse) - Gregg Edelman
Nothing Can Stop Me Now (The Roar of the GreasePaint, The Smell of the Crowd/Leslie Bricusse & Anthony Newley) - Brian d'Arcy James
Impossible Dream (Man of La Mancha/Mitch Leigh & Joe Darion) - Marc Kudisch & Company [Unplugged]
The Broadway Musicals of 1954
I wasn't able to catch this, the second in this season's by the year series. But the show went on— as always created, written, hosted by Scott Siegel. Frequent guest Scott Coulter made his directing debut and musical direction was by BBTY maestro Ross Patterson.
Though I wasn't there to check out the usual and new suspects for the 1954 event myself, my friend and colleague, Simon Saltzman told me that the evening was once again enhanced with choreography. As he said: "Josh Rhodes proved to be a scholar of steps in seven lively danced numbers, including the frenetically funny "Hernando's Hideaway. " Act II placed more emphasis on dance with slick and ever sliding dancer Kendrick Jones choreographing his big number "Slide, Boy, Slide." Pajama Game, which had the lion's share of songs, featured another song and dance number, "Steam Heat, " choreographed by BBTY favorite, Noah Racey.
The next in the series is on Monday May 12th and will focus on the year 1965. Here's the complete line-up of what I -- but hopefully, NOT you— missed last Monday:
(*indicates that the number was choreographed by Josh Rhodes) Act I:
1. Racing With the Clock / The Pajama Game: Group
2. You've Got To Be a Little Crazy / The Girl in Pink Tights: Emily Skinner, Paul Schoeffler Natalie Belcon
3. *It's Never Too Late to Fall in Love / The Boyfriend: Debbie Gravitte and Harvey Evans
4. I'd Rather Wake Up By Myself / By the Beautiful Sea: Emily Skinner
5. One Man Ain't Quite Enough / House of Flowers: Natalie Belcon
6. When I Went Home / Cut from Peter Pan: Scott Coulter
7. *I'll Never Be Jealous Again / The Pajama Game: Mark Priceand Emily Skinner
8. Windflowers / The Golden Apple: Sierra Bogges
9. Captain Hook's Waltz / Peter Pan: Paul Schoeffler
10. Lazy Afternoon / The Golden Apple: Debbie Gravitte
11. *Hey There / The Pajama Game: Cheyenne Jackson
12. *Won't You Charleston With Me? / The Boyfriend: Mark Price and Jen Cody
Act II:
1. Slide, Boy, Slide / House of Flowers: Natalie Belcon and Kendrick Jones - choreographed by Kendrick Jones Cheyenne Jackson, Emily Skinner, Sierra Bogges
2. Lottie Gibson Specialty / By the Beautiful Sea: Jen Cody [Unplugged]
3. Fanny / Fanny: Sean Coulter [Unplugged]
4. I Have to Tell You / Fanny: Emily Skinner
5. *I Won't Grow Up / Peter Pan: Harvey Evans, Bert Michaels, Don Percassi
6. *Hernando's Hideaway / The Pajama Game: Mark Price and Jen Cody
7. I'm Flying / Peter Pan: Scott Coulter.
8. A Sleepin' Bee / House of Flowers: Natalie Belcon [Unplugged]
9. Steam Heat / The Pajama Game: Noah Racey and Melinda Sullivan [Unplugged] - choreographed by Noah Racey
10. I'm Not At All In Love / The Pajama Game: Debbie Gravitte
11. *There Once was a Man / The Pajama Game: Cheyenne Jackson and Sierra Bogges
12. Distant Melody / Peter Pan: Emily Skinner w/ Sean Coulter, Mark Price, Paul Schoeffler
13. Never Never Land / Peter Pan: Company
The Broadway Musicals of 1947
Impresario Scott Siegel launched his invaluable Broadway By the Year series with a truly grand night of singing and dancing. If I had to sum up the evening in one word, it would be MORE. More songs sung unplugged— by the powerhouse voices of Alexander Gemignani, Eddie Korbich, Marc Kudisch and , Howard McGillin plus Christiane Noll's velvety soprano. More dancing -- with a roster that included two choreographers, director-choreographer-performer Jeffry Denman and choreographer-performer Noah Racey (their co-choreographed rendition of "Necessity" would surely make Fred Astaire and Gene Kelly smile and applaud from their dancers' corner of the Great Beyond); plus a guest appearance of the remarkable young tapper Kendrick Jones. More sizzle and chemistry thanks to the return of many Broadway by the Year stalwarts who have through these shows developed the close-knit feel of a repertory company. And, of course, more of the familiar pleasures of maestro Siegel's amusing and informative introductory comments (history teachers should be required to sit in on one of these evenings to learn how to make facts and dates fascinating and funny) and the excellent accompaniment of Ross Patterson's Little Big Band.
What about the shows that lit up the marquees in '47? The big hits were two fantasy shows, Finian's Rainbow and Brigadoon. Allegro, not nearly as big a hit as Rodgers and Hammerstein's Oklahoma, nevertheless yielded some hit-home tunes, as beautifully illustrated by the three selections featured (see the list of songs in running order below). Kurt Weill's and Langston Huges' Street Scene based on Elmer Rice's Pulitzer Prize winning play eventually joined opera repertories, was a natural for being presented as in an opera, without amplification. As always Siegel managed to prove that even a complete flop has redeeming qualities. And so the 4-performance Louisiana Lady, made a rare show-stopping comeback with Kendrick Johnson's astounding tap rendition of a number called "Cuckoo Cheena."
As if the stellar line-up of Broadway and Off-Broadway stars weren't enough, there was a guest appearance by Christine Pedi singing "Civilization" from Angel in the Wings in the voice of the twenty-one-year-old unknown who sang it back in 1947. The surprise Pedi-Elaine Stritch collaboration not surprisingly had the audience in stitches.
Naturally, it all should be seen and heard to appreciate this series, so I'll stop here and follow the running list of songs, with a lineup of what's ahead for the Broadway by the Year season so that you can mark them on your must see calendar.
Running Order of the numbers and their performers:
ACT ONE
Almost Like Being in Love - Brigadoon, Howard McGillin and ChristianeNoll
When I'm Not Near the Girl I Love - Finian's Rainbow, Eddie Korbich
Security - Meredith Patterson, Erin Crouch & Kristen Beth Williams (choreographed by Jeffry Denman)
A Fellow Needs A Girl - Allegro, Marc Kudisch
How Are Things in Glocca Morra? - Finian's Rainbow, Kerry O'Malley The Heather on the Hill - Brigadoon, Jeffry Denman & Meredith Patterson(choreographed by Jeffry)
If It Were Easy to Do - Angel in the Wings, Donna Lynne Champlin
1000 Island Song - Angel in the Wings, Eddie Korbich (w/Men)
Wouldn't You Like To Be On B'way? - Street Scene, Marc Kudisch (w/Kristen Beth Williams)
Old Devil Moon - Finian's Rainbow, Noah Racey (choreographed by Noah)
Lonely House - Street Scene, Howard McGillin (unplugged)
What Good Would the Moon Be? - Street Scene, Christiane Noll(unplugged)
I'll Go Home with Bonnie Jean - Brigadoon, Alexander Gemignani w/ Men
ACT TWO<br> I'll Go Home with Bonnie Jean (Redux) - Brigadoon, Alexander Gemignani w/ Men
Papa Won't You Dance with Me? - High Button Shoes, Erin Crouch & Kristen Beth Williams w/ Alexander Gemignani
Cuckoo Cheena - Louisiana Lady, Kendrick Jones (choreographed by Kendrick)
So Far - Allegro, Donna Lynne Champlin From This Day On - Brigadoon, Howard McGillin and Christiane Noll (unplugged)
Come to Me, Bend to Me - Brigadoon, Alexander Gemignani (unplugged)
Moon-Faced, Starry-Eyed - Street Scene Jeffry Denman and Meredith Paterson (choreographed by Jeffry)
Civilization - Angel in the Wings, surprise guest star Christine Pedi
The Gentleman is A Dope - Allegro, Kerry O'Malley
Necessity - Finian's Rainbow, Jeffry Denman and Noah Racey (co-choreographed by Jeffry & Noah) The Balalaika Serenade - Music in the Heart, Marc Kudisch (unplugged)
There But For You Go I - Brigadoon, Eddie Korbish (unplugged)
While There's A Song To Sing - Howard McGillin and Christiane Noll, Donna Lynn Champlin, Alexander Gemignani (unplugged and a cappella)
Look To The Rainbow - Finian's Rainbow,Donna Lynne Champlin w/ Company
Come and Get It Day - Finian's Rainbow, Dancers, Kerry O'Malley & Alexander Gemignani and Company (choreographed by Jeffry)
The season will continue April 7 with The Broadway Musicals of 1954 (directed by Scott Coulter with musical direction by Ross Patterson); May 12 with The Broadway Musicals of 1965 (directed by Marc Kudisch with musical direction by Ross Patterson) and June 16 with The Broadway Musicals of 1979 (directed by Emily Skinner with musical direction by Ross Patterson).
The Broadway Musicals of 1964, Part II
The last of the Broadway by the Year concerts was the second time for the year 1964, and the first time I couldn't attend. There were other firsts to mark the star-studded concert: First ever apearances for Beth Leavel, Gregg Edelman, and David Pittu. . .first return to the series for Stephanie J. Block. Veteran BBTY performers in the show included: Liz Callaway, Joyce Chittick, Scott Coulter, Sean Martin Hingston , Devin Richardsand Sarah Uriarte Berry. The reason for this first ever sequel (the first 1964 concert was done in June 2002) was that it was a year with, as Scott Siegel put it " one killer musical after another:": Funny Girl, Fiddler on the Roof, Hello, Dolly! Anyone Can Whistle, Golden Boy, What Makes Sammy Run.
In lieu of a first-hand report, I'll let the final list of numbers performed suffice and speak for itself and, in case you're wondering what the woman unfailingly acknowledged as his one and only looks like, I'm including a picture of the loving two-some taken at the Drama Desk Awards party.
While you'll have to wait until Fall to see another in the Broadway by the Year series, Scott Siegel won't be lolling around a beach but keeping busy with a 3-part summer festival at Town Hall: A Night at the Operetta on July 16, Broadway's Rising Stars on July 23, and All Singin! All Dancin! on July 30.
ACT ONE
To Life - All from Fiddler on the Roof
Everbody Says Don't from Anyone Can Whistle - Gregg Edelman
This is the Life from Golden Boy- Devin Richards
You Better Love Me, from High Spirits: - Stephanie J Block
Everything I Want, from I Had A Ball- Sean Martin Hingston
Night Liz - Lizz Callaway
You Are Woman from Funny Girl - Edelman/Block
Do You Love Me? from Fiddler On the Roof - David Pittu/Beth Leavel
My Hometown, from What Makes Sammy Run? - Scott Coulter
Far From the Home I Love , from Fiddler On the Roof - Sarah Uriarte Berry
My Fortune Is In My Face, fromm Fade Out, Fade In - Edelman
Now I Have Everything, from Fiddler On the Roof - Pittu/Callaway
God Bless the Human Elbow from Ben Franklin In Paris - Berry (with 3 guys)
Soon - Band, from Bajour
Yes I Can from Golden Boy - Pittu
To Be Alone with You, from Ben Franklin In Paris- Berry and Coulter, with Onlookers
Come Play Wiz Me, from Anyone Can Whistle- Sean Martin Hingston and Joyce Chittick, dance duet
See What It Gets You, from Anyone Can Whistle, - Callaway
Funny Girl - Leavel
I Wanna Be With You from Golden Boy- Richards (Off Mike)
There's Always a Woman from Anyone Can Whistle - Block/Leavel
With So Little to Be Sure Of from Anyone Can Whistle - Edelman/Callaway
It Only Takes a Moment, from Hello, Dolly- Coulter
Don't Rain On My Parade, from Funny Girl- Block
Keep the Home Fires Burning, from Oh, What A Lovely War - Callaway and All
To Life Reprise - All
The Broadway Musicals of 1959
When the amiable Marc Kudisch dons the director's hat for a BBTY evening, you can expect a lively, humor-filled evening and with the director often right up front with a solo of his own, or to team up with his cast. Those expectations were more than met on Monday, April 30th by a cast that, besides Kudisch (handsomer than ever with his head no longer shaved), featured Mary Bond Davis, Manoel Feliciano, Mark Jacoby, Nancy Lemenagers, Sarah Jane McMahon, Josh Prince, Emily Skinner. And, oh yes, Bruce Vilanch or the more outrageously comic turns came on stage in a pink satin robe and wasn't too shy to sing "Shy" from Once Upon a Mattress.
The evening had the advantage of focusing on a plummy year that introduced such hits as Fiorello, Gypsy, Once Upon a Mattress, The Sound of Music and Redhead -- not to mention the Western themed Destry Rides Again inspired by the popularity of TV Westerns like Gunsmoke. While the BBTY regulars always include plenty of people old enough to have enjoyed the premieres of the shows highlighted, even those too young to remember a year when seeing these shows premiere would have set them back no more $9 at most had no trouble recognizing many of Monday's offerings.
One of the smartest things Kudisch did was to bring along his colleagues from the recent City Opera production of The Pirates of Penzance , that production's model Major-General and Mabel, Mark Jacoby and Sarah Jane McMahon. Jacoby, a Broadway veteran with a fine tenor voice who seems to shine in just about any role was terrific whether singing on or off-mike. McMahon is a pretty, trim opera soprano whose trilling is thrilling. She can also act up a storm and is not averse to doing a somesault and showing off her amazing yoga proficiency. She has all the makings of a brunette Kristin Chenoweth.
Jacoby and fellow actor-musician from the recent actor-musician cast revival of Sweeney Todd, Manoel Feliciano, added the John Doyle evening. When the non-instrument playing Kudisch joined them for "You Gotta Get a Gimmick" from Gypsy using two pocket lights as his actor-musician "gimmick" the trio brought down the house.
Besides the great songs and the comic shtick, there was also some welcome choreography created and performed by Nancy Lemenagers and Josh Prince, In case I seem to have forgotten the man who created the series, not to worry. Siegel, the man in black, was there with his usual treasure trove of contextual anecdotes and trivia. He got into the fun spirit with a brief juggling act. Can a solo aria a la Siegel be far behind?
Since 1964 was truly a banner year, the BBTY season will conclude on Monday June 18th with The Broadway Musicals of 1964, Part II. And if you think Scott Siegel and his lovely wife Barbara, then take off to lounge around some cool lake or pool, think again. Scott's ever fertile brain has come up with a new series, The Summer Broadway Festival. It features three consecutive July Mondays: July 16th, A Night at the Operetta; July 23, Broadway's Rising Stars; July 30, All Singin!All Dancin!, the Song & Dance of the Great White Way. The series to be presented, as usual, at the Town Hall.
The Song list in Running Order and with an * to indicate unplugged or unamplified performance: ACT 1
*The Sound of Music (Emily, SJ, Jacoby, Mano)
I'll Marry the Very Next Man (Emily)
I'm Back in Circulation (Jacoby)
Spring Can Really Hang You Up the Most (Mano)
Do Re Mi (SJ)
Old Fashioned Girl (Marc w/Mary Bond)
Take Me Along (Josh/Nancy & SJ./Mano)
Shy (Bruce)
When Did I Fall in Love? (Jacoby)
*Yesterday I Loved You (Marc & SJ)
All I Need is the Girl (Josh)
You Gotta Get a Gimmick (Marc, Mano, Jacoby)
Some People (Emily)
ACT 2
Entracte: Love Held Lightly (from Saratoga)
Let Me Entertain You (Nancy, SJ, Bruce)
I Say Hello (Emily)
Edelweiss (Jacoby, Marc, Mano)
I Wish It So (SJ)
Ballad of the Sad Young Man (Marc)
Rose Lovejoy of Paradise Alley (Mano)
But Yours (Emily & Bruce)
I'll Try (Josh & Nancy)
Everything's Coming Up Roses (Mary Bond)
*Climb Every Mountain (SJ)
So Long, Farewell (Company)
The Broadway Musicals of 1938
It's hard to top the season's opening BBTY evening devoted to the Broadway Musicals of 1928. But thanks to a lineup of singers with gorgeous voices, the year 1938 did indeed prove to be worth celebrating. As usual there were durable hits, some lesser known but worth another turn on stage tunes. And, of course, these monthly feasts for the ears and musical nostalgia lovers, wouldn't be the clubb-y, fanfests without "Professor" Scott Siegel to provide fascinating tidbits to give context to the evening -- tidbits like 1938 product launches for Nescafe, nylon, fluorescent lighting; the fact that Superman flew into our lives and hearts, and that our troubles in the Mideast might well date back to the discovery of oil in Saudi Arabia. On a more ominous note, it was also the year of Kristallnacht in Germany and Hitler's Anschluss.
Though the Great White Way still had plenty of neon lit marquees (98 according to Siegel), that was below the usual minimum of at least a hundred. A number of the more memorable songs were written for less than memorable shows.
Some of the catchiest and most familiar tunes ("Fallin in Love with Love", "This Can't Be Love" and "Sing For Your Supper", all beautifully sung, came from Lorenz Hart and Richard Rodger's The Boys From Syracuse. Other enduring numbers began life in less than memorable shows. A showstopper when introduced by a Broadway newcomer, Mary Martin in a lesser Cole Porter called Leave It to Me, was also a showstopper as delivered with great flair by Shanon Lewis. And guess who played Daddy for Shanon? None, other than our MC-scholar and ready-for-anything host! Siegel also gamely donned a cowboy hat as part of the fun of a hilarious novelty number, "The Dying Cowboy", from Girl From Wyoming by three of the evening's leading men— Martin Vidnovik, Hugh Panaro and Adam Lazar.
The requisite unplugged songs (identified with asterisks in the song and performer list below) triggered the usual mix of pleasure and regret—pleasure to hear beautiful voices in their natural state; regret that this has become such a rare treat (even opera houses are starting to introduce amplification).
A visual highlight of the evening (besides all the lovely divas and handsome men) was provided by Andy Blankenbuhler, the choreographer of the new Off-Broadway hit In the Heights. His "Rick-a-tinka Man" was choreographed and performed as a gift to his wife to celebrate the 11-month birthday of their own little boy.
Director Emily Skinner didn't just take a bow, but came out singing "I'll Be Seeing You" (from Right This Way). Where but at a Broadway by the Year evening can you expect to see a choreographer dance his own number, and a director to take the stage with a song?
If you missed the show, look for it to become a CD as these evenings usually do. And make sure not to miss The Broadway Musicals of 1959 on April 30th — a most musically fruitful year that seeded Gypsy, Fiorello!, Once Upon A Mattress, The Sound of Music /i>, and more!
Song, Show and Performer List (*indicates off-mike or unplugged performance)
ACT ONE
Sing For Your Supper-Boys From Syracuse/ Christiane Noll, Sarah Uriarte Berry, Connie Pachl
How Long Can Love Keep Laughing/ Sing Out The News- Hugh Panaro
Spring Is Here-I Married An Angel/Sarah Uriarte Berry
What Is That Tune?/You Never Know/ Aaron Lazar and Shannon Lewis
Most Gentlemen Don't Like Love/ Leave It To Me Connie Pachl
This Can't Be Love - Boys From Syracuse/ Sarah Uriarte Berry and Hugh Panaro
My Heart Belongs to Daddy / Leave It To Me Shannon Lewis
My Heart is Unemployed - Sing Out The News/ Hugh Panaro
There Had To Be A Waltz/ Christiane Noll
At Long Last Love- You Never Know/Ensemble
One of These Fine Days- Sing Out The News/ Martin Vidnovik
No You Can't Have My Heart - You Never Know/Barbara Walsh
*I Can Dream, Can't I?- Right This Way/Aaron Lazar
ACT TWO
Fuddle De Duddle - Hellzapoppin/ entr'acte * I'll Tell the Man in the Street -I Married An Angel /Martin Vidnovik
*Falling in Love with Love - Boys From Syracuse Christiane Noll
Tomorrow - Leave It To Me/Ensemble
I Married An Angel -I Married An Angel/ Hugh Panaro
Lullabye of the Plain - Girl From Wyoming/ Ray McLeod
The Dying Cowboy - Girl From Wyoming/ Martin Vidnovik, Hugh Panaro and Aaron Lazar
Rink-a-Tinka Man - Who's Who/ Andy Blankenbuhler
Nickel Under Your Foot -Craci'le Will Rock Barbara Walsh
Joe Worker - Cradle Will Rock/ Ray McLeod
It Never Was Anywhere You - Knickerbocker/ Aaron Lazar and Sarah Uriarte Berry
September Song -Knickerbocker/ Martin Vidnovik
I'll Be Seeing You - Right This Way/ Emily Skinner
The Broadway Musicals of 1928
One of the many charms of Scott Siegel's Broadway By the Year evenings at Town Hall is that it's become something of a club at which people equally smitten with musical theater and Siegel's always wry and witty narration come together sort of like members of a book club. The regulars, and that accounts for a large segment of the audience, tend to sit in the same seats season after season which abets pre-show and intermission schmoozing.
There's lots of enthusiastically received familiarity on stage too: The unassuming Siegel in his hallmark black suit at the side of the stage interspersing his introductions with always apt anecdotes about the year being celebrated. . . Ross Patterson and his Little Big Band center stage. . . and BBTY favorites like gorgeous (gorgeous looks, gorgeous voice) Nancy Anderson and Eddie Korbich, the best interpreter of musical novelties on any stage. New performers and directors joining the BBTY family and of course a new year to be put in the spotlight provide just enough of that something new to keep the series fresh.
The latest Broadway Musicals focusing on the year before the Great Depression promised to be a somewhat radical departure from the usual scenario. Bob Martin, the co-creator and Narrator of the Broadway hit about a 1928 musical, The Drowsy Chaperone , seemed to be substituting for Siegel. But no, it turned out that the audience was going to be double blessed with two narrators — or rather one in charge (Siegel) and the other (Martin) drolly acting as the straight man trying to rival Siegel's "fun facts" patter.
And so Siegel dished up the usual assortment of facts about the shows from which songs were to be performed, along with details about 1928 inventions like Double, Double Bubble Gum, Rice Krispies, the Lazy Boy similar to the chair used by Martin's Man in the Chair Character, and famous 1928 babies like Edward Albee, Marian Seldes and Harold Prince. The Tony-Award winning assistant narrator was delightfully incapable of matching Siegel's ability to tie fun facts to the subject at hand, and instead created a running joke about Walter Mondale that managed to go on and on without falling flat.
But enough about the narrators. What about the music? In a word, terrific.
I can't recall a BBTY with so many instantly recognizable and wonderful to hear again songs representing , among others, the talents of musical greats like George M. Cohan, Cole Porter, the Gershwin Brothers, W. C. Handy, Lorenz Hart, Richard Rodgers and operetta king Sigmund Romberg and shows like and the Earl Carroll Vanities. Director Joel Froomkin ensured that everything blended and moved without slow spots and every number seemed made to order for the performer in the spotlight. Leah Hocking got things off to a riotous start with a vamp-y rendition of "Let's Do It" that even engaged maestro Ross Patterson in the fun. BBTY stellar diva Nancy Anderson found a wonderful partner for "You Took Advantage of Me" in BBTY newcomer, matinee handsome and strong of voice Max von Essen. Anderson also did one of the much anticipated un-miked numbers ("Wanting You)" with Paul Schoeffler.
The whole ensemble offered a terrific variety of styles—Lari White's torchy " Lover Come Back to Me", Lumiri Tubo's blues-y "St. Louis Woman," and the men's rousing "Stourthearted Men." — torchy Lari White's. Eddie Cantor must have been smiling down from that corner of the great beyond reserved for show biz greats on another Eddie's (Korbich) very Cantor-like "Makin' Whoopie" The evening was enhanced by the choreographic elements created by several of the performers, with Joyce Chittick and Jeffry Denman's "Heavenly Hop " a standout.
As the song list below indicates, I could go on and on, but these shows have to be seen and heard rather than read about—so get your ticket now for The Broadway Musicals of !938 just a month from now.
The songs and names of those who performed them at the February 26th evening event are as follows:
ACT I
Bob Martin Let's Do It - Leah Hocking
You Took Advantage of Me - Max von Essen & Nancy Anderson Makin' Whoopie - Eddie Korbich
Ever Since the Movies Learned to Talk - Paul Schoeffler
Billie - Nancy Anderson
I Like You as You Are - Eddie Korbich w/Joyce Chittick
Got Myself Another Jockey Now - Lumiri Tubo
My Wife is On a Diet - Eddie Korbich, Max von Essen, Paul Schoeffler Which - Leah Hocking
Lover Come Back to Me - Lan White
You're the Cream in My Coffee - Jeffry Denman
Why Must We Always Be Dreaming? - Max von Essen Wanting You - (off mike) - Paul Schoeffler & Nancy Anderson
ACT II
Entr'acte: New York Serenade - Ross Patterson Little Big Band Stouthearted Men - Group
Love Me or Leave Me - Lari White
A Room With a View - Jeffry Denman
Oh What a Night for Love - Joyce Chittick
I Wanna Be Loved by You - Nancy Anderson
Hooray for Captain Spaulding - Eddie Korbich w/Leah Hocking, David Colbert, chorus St. Louis Woman - Lumiri Tubo
I Can't Give You Anything But Love (with counterpoint) - Max von Essen Heaven Hop - Jeffry Denman & Joyce Chittick
Softly, As in a Morning Sunrise - (off mike) Paul Schoeffler w/Louis Villabon & Nancy Anderson (tango) Crazy Rhythm - group
Hello, I Must Be Going - Full Cast
i The Broadway Musicals of 1978
The theater's the show must go on mantra got a workout at the final concert of the Broadway by the Year series. Last minute absentees: Felicia Finlay, Cheyenne Jackson, Nancy Lemenager. Present and making sure the absences would not spoil the fun and as usual excellence of the Evening: Bryan Batt, Joyce Chittick, Mary Bond Davis, Chuck Cooper Julie Gannye, Sean Martin Hingston, Nancy Opel, Christine Pedi, Noah Racey, Lennie Watts, Lari White -- and of course the host with the most tidbits about musical theater history, Scott Siegel, and the excellent Ross Patterson and his Little Big Band.
Actually Mary Bond Davis, who stepped in for Finlay to sing not one but two numbers from Ain't Misbehavin' was so good that more of her easy presence and big voice proved to be a real crowd pleaser. Another show stopper from that well represented show was Chuck Cooper's terrific rendition of "Your Feets Too Big"
The series has given yet another performer, Bryan Batt, a chance to direct as well as act and sing. Batt gussied up many of the numbers with simple visual props. I would have liked to have relinquish his backstage role for more than his single appearance, the delightful "Lawyers", from A Broadway Musical, one of the 1978 season's several flops Scott Siegel dug out of the musical chestnut archives.
As always the evening included some lively choreography. Everybody was thrilled to see the charming Noah Racey break into several tap routines to mark his recovery from an injury. Another crowd pleaser was a big, deliiciously vulgar Las Vegas number from Ballroom, performed by Joyce Chittick and Sean Martin Hingston and choreographed especially for BBTY by Andy Blankenbuehler.
Not surprising the performers were top drawer and delivered the songs with panache even though the lineup included far fewer than usual that were familiar to large segments of the audience, including this viewer. I guess that's why I can't say that I totally agree with Siegel that this was a great year for musical theater fans, and I could have lived without having Working quite so overworked (six selections, and not all ideally suited to the performers). But then this was an evening with many of the creatives involved with the shows in the audience (including the Working's most ardent advocate and one of its composers, Stephen Schwartz). On the other hand I was happy that Ain't Misbehavin' got another hearing -- especially since Fats Waller' star faded way too early in his career and during his "forgotten " period sold Aint't Misbehavin's title song for $500.
And, oh, yes, there were several of BBTY's trademark unmiked songs. For a whole evening of listening to unamplified voices, put a star next to November 13th when the third Broadway Unplugged concert is scheduled, with the talent already committed to include Marc Kudisch and Tony winner (Jersey Boys) John Lloyd Young.
Song list for the June 19th concert in running order
Act One
A Broadway Musical - Group (A Broadway Musical)
Lawyers - Bryan Batt (A Broadway Musical)
Doatsy Mae - Lari (Best Little Whorehouse) It's An Art - Christine Pedi (Working)
I'm Just Wild About Harry - Julie (Eubie!) Just A Housewife - Nancy Opel(Working)
Fathers And Sons - Lennie Watts(Working)
Honeysuckle Rose - Mary Bond Davis (Aint Misbehavin')
Mean To Me - Mary Bond Davis (Aint Misbehavin')
The Mason - Carolee Carmello (Working) Keepin' Out Of Mischief Now - Noah Racey (Aint Misbehavin')
Ain't Misbehavin' - Chuck Cooper & Mary Bond Davis(Aint Misbehavin')
Act Two
Entr'acte - Railbird (The Band) (Angel)
Your Feets Too Big - Chuck Cooper(Aint Misbehavin')
I Rise Again - Christine Pedi (On The Twentieth Century)
Millwork - Lari White (Working)
Lullaby Of Baby To Baby - Julie Gannye (Runaways)
I'm Great Big Baby - Lennie Watts(Eubie!)
Hard Candy Christmas - Julie Gannye, Nancy Opel, Christine Pedi, Lari White(Whorehouse)
More Of The Same - Joyce Chittick and Sean Martin Hingston (Ballroom)
There's A Terrific Band And A Real Nice Crowd - Lari White (Ballroom)
Never - Nancy Opel (On The Twentieth Century) Fifty Percent - Carolee Carmello(Ballroom)
Joint Is Jumpin' - Full Company
The Broadway Musicals of 1968
Another Monday at Town Hall, another crowd of Broadway Musicals of 1968 stalwarts to settle into the by now familiar set-up: commentary to set the scene for the chosen year's musical offerings by host Scott Siegel, the songs rendered by BBTY regulars as well as new to the series talent.
1968 was a monumental year in terms of major historic upheavals -- the assassinations of Martin Luther King and Robert F. Kennedy, Walter Cronkite's pessimistic take on Vietnam prefacing the beginning of the end of that unpopular war. But it wasn't exactly a banner year for musicals.
Not that 1968 didn't have some hits -- after all it was the year of Hair which is still enjoying regional revivals and which provided the evening with its opening and closing ensemble numbers, "Aquarius" and "Let There the Sunshine In." It was also the year of Burt Bacharach's only Broadway show, Promises, Promises (as Siegel explained, Bacharach didn't enjoy his Broadway experience, apparently preferring everything to be the same as on a recording, rather than different every night).
Kander and Ebb's Zorba enjoyed reasonable success but overall, the year made for an evening with more songs from flops than usual which also posed a bigger challenge than ever for Siegel's commentary and the performances to make a silk purse out of some of the sows' ears. Unsurprisingly, our witty and knowledgeable host managed to trot out enough trenchant observations to make the talking part of the evening better than ever.
First time director Brad (The Producers) Oscar showed a nice touch for focusing on novelty numbers and the cast managed to make even the less than memorable songs gain altitude. The novelty emphasis paid off big time with a triple threat, show-stopping dance rendition of "Turkey Lurkey" from Promises, Promises, choreographed by Christina Marie Norrup and danced by her and fellow Broadway hoofers Kim Shriver and Courtney Young. Another novelty show stopper was the Lenya-like Lorinda Lisitza's "Das Chicago Song" from New Faces of 1968.
The complete cast consisted of the following: Brad Oscar (who also directed), Scott Coulter, Annie Golden, Adam Grupper, Lisa Howard, Lorinda Lisitza, Bill Nolte, Jack Noseworthy; singer/dancer/choreographer, Jeffry Denham and dancers Christina Norrup, Kim Shriver and CourtneyYoung. This was the penultimate show of this season. For its season closer the series will be moving right up with The Broadway Musicals of 1978 on Monday, June 19th. For the record, a list of all the numbers, the shows they came from and who performed them below:
Song list for the May 1st concert in running order
ACT ONE
Aquarius (Hair) -- Shayna and Company
She Likes Basketball (Promises, Promises) - Jack
Panache (Darling of the Day) - Bill
Why Can't I Walk Away? (Maggie Flynn) - Brad
Hungry (Leonard Sillman's New Faces of 1968) - Annie
In Love with a Fool (I'm Solomon) - Lorinda
Loving You (The Education of Hyman Kaplan) - Adam
Love In a New Tempo (Leonard Sillman's New Faces of 1968) - Bill Nolte
Let's See What Happens (Darling of the Day) - Jack and Lorinda
Only Love (Zorba) -- Lisa
The Dangerous Age (Her First Roman) - Brad and Adam
I'll Never Fall In Love Again (Promises, Promises) -- Jack & Annie
Promises, Promises (Promises, Promises) - Scott
Give My Regards To Broadway (George M) - Jeffrey {dance -- OFF-MIKE;
ACT TWO
ENTRA'CTE - Here is Where I Belong (Here is Where I Belong)
I Fell in With Evil Companions (Her First Roman) - Brad and the Men
The Butterfly (Zorba) - Lisa and Scott
Frank Mills (Hair) - Annie
Easy to Be Hard (Hair) - Shayna
Das Chicago Song (Leonard Sillman's New Faces of 1968) - Lorinda
Knowing When to Leave (Promises, Promises) - Lisa
I Don't Remember You (The Happy Time) - Jack
Turkey Lurkey Time (Promises, Promises) - (dance) Christina, Kim, and Courtney
Just For Today (Her First Roman) - Lisa
I've Got to Be Me (Golden Rainbow) - Scott Life Is (Zorba) - Company Let the Sunshine In (Hair) - Company
The Broadway Musicals of 1956
There's only one thing I don't like about the Broadway By the Year series. It seems as if no sooner have I posted my comments on the latest in Scott Siegel's musical nostalgia feasts than it's time to head for Town Hall again -- a reminder of time's almost scary way of rushing by. But, of course, that's not Scott Siegel's fault. He and the stellar performers he assembles for his BBTY series can try to help us recapture some of the highlights of a particular year on Broadway, or come across some shows and songs we never heard before -- but they can't stop the clock from moving forward.
At any rate, impresario Siegel was dapper as ever for the April 3rd BBTY 1956 evening -- perhaps more so, what with a colorful new bow tie and matching cummerbund to brighten his man in black look. As usual, his commentary put the songs in context. As he reminded those too young to remember 1956 a ringing bell that year didn't mean Verizon but Judy Holiday the switchboard operator in The Bells are Ringin'. It was also a highly productive years, bringing a ton of inventions that included the TV remote control. While that productiveness brought just a dozen musicals to Broadway, they were the result of an incredible array of talent and produced a slew of hits.
One of those shows, Li'l Abner, was more than just a musicalized comic strip but has been a standard on the regional theater and high school production roster -- it also provided Meryl Streep with her first leading lady role. Marc Kudisch and Ashley Brown got into blue jeans to recreate Daisy Mae and the title character for the Town Hall audience. Kudisch, who shold have a major Broadway starring vehicle written just for him, also partnered with director Emily Skinner for a gorgeous off mike rendition of "My Heart is Full of You" from Most Happy Fella. The pair also did a fun "Just in Time" from Bells are Ringin'
While there was only one big dance number, "I'm Available" from Mr. Wonderful (performed by Rachelle Rak and choreographed by Denis Jones), but that one was a Wow!!!. As for Candide, which was well represented, Ashley Brown's voice may not have Barbara Cook or Kristin Chenoweth's sky high reach, but in Glitter and Be Gay she compensated with a highly amusing delivery-- and truly glittered, courtesy of a raid on Barbara Siegel's most sparkling rhinestones.
I could go on, but will stop by urging you to mark your calendar for the May 1st The Broadway Musicals of 1968, and with a listing of the complete cast and song list.
The complete cast: Christine Andreas, Brent Barrett, Ashley Brown, Brandon Cutrell, John Treacy Egan, Marc Kudisch, Connie Pachl, Rachelle Rak, Devin Richards, Emily Skinner.
Act I
Overture
Standing on the Corner (Most Happy Fella) - Devin, Brandon, John Egan plus cast
Somebody, Somewhere (Most Happy Fella) - Christine; Druthers (Li'1 Abner) Ashley!Marc
I've Grown Accustomed to Her Face (My Fair Ladv) - Brent
April in Fairbanks (New Faces of 1956) - Connie
You Were Dead You Know (Candide) - Ashley Brandon
I Met a Girl (Bells Are Ringin') - Marc
On the Street Where You Live (My Fair Lady) - John Egan
Show Me (My Fair Lady) - Christine
I'm Past My Prime (Li'I Abner) - Ashlev/John Egan
My Heart is so Full of You (Most HappV Fella) - Emily/ Marc, OFF MIKE
Act II
Entra'cte
Glitter & Be Gay (Candide) - Ashley
My Love (Candide) - Brent
Don't Tell Me (Happy Hunting) - Connie/John Egan
It Must Be So (Candide) - Brandon
Too Close For Comfort (Mr. Wonderful) - Devin
Mr. Wonderful (Mr. Wonderful) - Connie
I'm Available (Mr. Wonderful) - Rachelle dance
I Could Have Danced All Night (My Fair Lady) - Christine
Just in Time (Bells Are Ringin') Marc/Emily
Joey. Joey, Joey (Most Happy Fella) - Brent
The Party's Over (Bell's Are Ringin') - Christine -- OFF MIKE Make Our Garden Grow (Candide) Emir/Mare - Full Cast - OFF MIKE
The Broadway Musicals of 1930
The sixth season of Broadway by the Year series got off to a grand start on Monday, March 6th. While this was a depressing year in terms of the country's state of denial about the economy, with the worst still to come, there was penty to cheer about on the Great White Way -- 32 musical productions. Acoording to impresario Scott Siegel's trenchant as ever commentary, "there may have been a shortage of cash but certainly not of songs", and those 32 productions certainly outnumbered the new musicals opening during the 2005-06 season. The cornucopia of musical riches Siegel had to choose from, included the Gershwin Brother's Strike Up the Band and Girl Crazy. As Siegel noted, the latter show starred a 21-year-old Ethel Merman and featured a newcomer named Ginger Rogers while its pit pand musicians included Benny Goodman, Gene Krupa, Jimmy Dorsey and Glenn Miller.
Mark Kudisch, himself one of the musical theater's most accomplished singers, directed the show with imagination and humor. "I've Got Rhythm" by the full company made for a bang-up beginning. After that Kudisch astutely , and often playfully, had the talented performers -- some BBTY veterans, some welcome new additions like Celia Keenan-Bolger of The 25th Putnam County Spelling Bee fame -- alternate between solos, duets and ensemble arrangements. To underscore the aura of an evening that was more than a concert, Andy Blankenbuehler choreographed two numbers for Sean Martin Hingston and Shannon Lewis. Their amusing tango from Nina Rosa was one of the evening's big show stoppers, as was the 5-man military parade that gave us a rousing "Strike Up the Band."
I could go on, so the best way to sum up the evening's plentiful pleasures is with a list of the songs, their show origins and performers. As you can see, several numbers were, as is traditional for this invaluable series, performed without amplification.
Act I
Overture - Ross Patterson's Little Big Band
I Got Rhythm (Girl Crazy) - Full Company
Take Me Back to Manhattan (The New Yorkers) - Deven May (unamplified)
Embraceable You (Girl Crazy) - Michael Winther and Celia Keenan-Bolger
On the Sunny Side of the Street (The International Revue) - Miles Phillips
He Came Along (Smiles) - Mary Testa
Soon (Strike Up the Band) - Emily Skinner and Douglas Ladnier
Memories of You (Blackbirds of 1930) - Michael Winther
Exactly Like You (The International Revue) - Sean Martin Hingston
If I Were You, Love, I'd Jump Right in the Lake (Smiles) - Deven May
I've Got a Bug in My Head (The International Revue) - Celia Keenan-Bolger
But Not For Me (Girl Crazy) - Nancy Anderson
Strike Up the Band (Strike Up the Band) - Miles Phillips, Douglas Ladnier, Michael Winther, Sean Martin Hingston, Deven May
I Happen to Like New York (The New Yorkers) - Mary Testa
Act II
Entracte: Let's Go Eat Worms in the Garden (Fine & Dandy - Ross Patterson's Little Big Band
Right From the Start of It (Three's a Crowd) - Marc Kudisch
Time On My Hands (Smiles) - Deven May, with Shannon Lewis
My First Love--My Last Love (Nina Rosa) - Mary Testa
Body & Soul (Three's a Crowd) - Douglas Ladnier
Barbary Coast (Girl Crazy) - Jennifer Simard
He Was Too Good to Me (Simple Simon) - Celia Keenan-Bolger
Ten Cents a Dance (Simple Simon) - Nancy Anderson
Serenade of Love (Nina Rosa) - Sean Martin Hingston and Shannon Lewis
Who Cares? (Who Cares?) - Michael Winther (unamplified) Love For Sale (The New Yorkers) - Celia Keenan-Bolger, Nancy Anderson, and Emily Skinner (unamplified)
I've Got a Crush on You (Girl Crazy) - Emily Skinner
Get Happy (The 9:15 Revue) - Full Company
The Broadway Musicals of 1962
The year 1962 proved an excellent choice for winding up this season's Broadway by the Years series. Plenty of hit shows and enough songs worth rescuing from the great theatrical beyond neighborhood reserved for flops. The cast too comprised the as always enjoyable mix of Broadway by the Year regulars and newcomers -- plus a couple of unannounced surprise performers from Le Cage aux Folles.
The tradition of presenting some numbers unplugged got off to a grand start with the first up surprise guest, Robert Goulet, proving that he still has charm to spare and a voice rich enough to sing "If Ever I Would Leave You," without amplification. The other surprise guests were two of the long-legged Cagelles from Le Cage who brought down the house with their appearance in "Everybody Ought to Have a Maid" from A Funny Thing Happened to Me On the Way to the Forum.
The last Broadway by the Year show-stopping guest star, Bryan Batt, donned a new hat this time around as director. Except for the disappointment of an injury that prevented him from putting on his performer's hat for at least once number, his directorial debut rated an A+. The multi-talented Batt (he is also a successful designer and can be seen on the Style Network's Guess Who's Coming to Decorate) is sure to wear the director's hat again, though of course one hopes he'll continue to give us the pleasure of watching his performances.
Host Scott Siegel, sporting a spiffy white jacket and black shirt, added his usual informative and amusing narration to put a historical frame around the songs. Thus we were reminded that 1962 not only brought the first ever show with music and lyrics by Stephen Sondheim (Forum) but saw the first American troops sent to Vietnam. We learned that Irving Berlin was 72 when Mr. President was enough of a disappointment to turn him into a recluse for the rest of his long life. To once again prove that there are a few jewels buried in every flop, that show's Secret Service was a first act highlight. It was delightfully staged and ably sung by Christine Pedi and Felicia Finley, Pedi, whose comedic talents won many fans for Forbidden Broadway also did a terrific "Miss Marmelstein" from I Can Get It For You Wholesale.
With six strong-voiced, charismatic performers to create a wonderfully integrated ensemble, it's hard to pick favorites. Scott Coulter's thrillingly sweet tenor got plenty of airings. Liz Callaway continues to make her mark as an outstanding ballad singer. Brad Oscar, back in New York after a successful run in The Producers in London, illustrated what it takes to be a top drawer musical theater pro. My favorite Oscar number was his "Momma Momma " from I Can Get It For You Wholesale and his "I'm All I've Got " from a little known show called Bravo, Giovanni. Somewhat surprisingly, his off-mike "Once in a Lifetime " from Stop the World was not as successful as his other numbers.
Instead of going on and on about this favorite and that, I'm including a list of the entire program, in order presented. Before I go, a recommendation to buy your ticket now for the second Broadway Unplugged show on September 19th. Also mark your calendar now for the 2006 Broadway By the Year Monday night shows: March 6, Musicals of 1930. . .April 3, Musicals of 1956. . .May 1, Musicals of 1968. . .June 19, Musicals of 1978.
Broadway by the Year: 1962 Program
ACT I
- Overture (Ross Patterson Little Big Band)
- What a Country / group (All American)
- If Ever I Would Leave You / Robert Goulet
- Secret Service / Felicia Finley & Christine Pedi (Mr. President)
- I've Got Your Number / Scott Coulter (Little Me)
- Momma Momma / Brad Oscar (I Can Get It For You Wholesale)
- Miss Marmelstein / Christine Pedi (Wholesale)
- Nowhere to Go But Up / Scott Coulter & Liz Callaway(Nowhere to Go But Up)
- In the Morning / Felicia Finley (New Faces of 1962)
- What's In It for me? / Brad Oscar & Christine Pedi (Wholesale)
- Once Upon a Time / Danny Gurwin (All American)
- The Other Side of the Tracks / Liz Callaway (Little Me)
- Gonna Build a Mountain / Group (Stop the World / I Want to Get Off)
- Entr'acte: The Kangaroo / Ross Patterson Little Big Band (Bravo, Giovanni)
- Moral Re/Armament / group (New Faces of 1962)
- I'm All I've Got / Brad Oscar (Bravo, Giovanni)
- Mamie in the Afternoon / Scott Coulter (cut from A Family Affair)
- I'm Calm / Christine Pedi (Forum)
- I'm Gonna Get Him / Felicia Finley (Mr. President)
- Everybody Ought to Have a Maid / male trio + Cagelles (Forum)
- Real Live Girl / Danny Gurwin w/Felicia Finley
- What Kind of Fool Am I? / Scott Coulter / off-mike (Stop the World)
- Once in a Lifetime / Brad Oscar - off-mike (Stop the World) T
- he Sweetest Sounds / group (No Strings)
- Comedy Tonight / group tag (Forum)
The Broadway Musicals of 1955
Like the last in Scott Siegel's invaluable Broadway by the Year series, 1955 wasn't exactly abuzz with hits. The one big break-out musical with 1019 performances and numerous revivals, was Damn Yankees. Not surprisingly it was represented with four of its most popular numbers: a show-stopping surprise guest appearance by Bryan Batt for "Those Were the Good Old Days" . . . a drop dead song and dance rendition of "Whatever Lola Wants" by Rachelle Rak (choreographed by Denis Jones). . . "A Little Brains, A Little Talent." by Dee Hoty . . . and to wind things up, a delightful unmiked rendition of "Heart" by Alexander Gemignani, Justin Bohon and Raymond McLeod.
More surprisingly, a long-forgotten flop from that year, Ankles Aweigh, was represented even more prominently than Damn Yankees with five numbers. While even Soctt Siegel's determination to find something good in every show couldn't make any of these songs sound magically memorable, director Emily Skinner (a new role for the golden voiced Skinner) did manage to stage them most enjoyably. A shining example of this was "Be Happy You're a Misfit" from The Vamp, a 60-performance flop with Alexander Gemignani, Liz Larsen, Sal Viviano and Connie Rachl giving the misfits an amusing and tuneful second life.
Siegel, unwilling to keep the golden voiced Skinner entirely back stage in her debut as a director, saw to it that the audience heard her at least once -- and that once was another of the series' traditionally unplugged numbers, "This Is All Very New to Me", from a minor 1955 hit, Plain and Fancy. (The third unplugged song was " Everybody's Got a Home Now " from Pipe Dreams by the big-voiced Raymond McLeod).
In a departure from using only songs from stage productions, Siegel picked one number from the movie version of Cole Porter's Silk Stockings, but not in the stage version which had a respectable 478 performance run. With the nimble-footed Justin Bohon and Rachelle Rak to perform it and Denis Jones once again choreographing , "The Ritz Roll & Rock" was indeed fun to watch -- even though as a song it remains unmemorable. Bohon did his own choreography for "Honeymoon " from Ankles Away)
As usual, the show's creator and host put everything in context with his commentary. So, in case anyone forgot, he noted that there was lots of sex that year to launch the baby boom. It was also the year that saw the birth of Disneyland and the Mouseketeers and Leggo. And eat your heart out car owners, gas was 27cents a gallon.
The next and last of the season's concerts will look at The Broadway Musicals of 1962 which had plenty of hits like Forum, Stop The World I Want To Get Off, Little Me, No Strings, All American, I Can Get It For You Wholesale. The date is Monday, June 13th -- see you there.
The Broadway Musicals of 1945
It's hard to top the perfection of the last installment of The Broadway Musicals by the Year series. Unlike the year 1929, the year 1945 was more notable for ending a horrific world war than a rich harvest of hit musicals. Thus Scott Siegel wisely opted to focus on the one enduring hit show, Carousel, and also to provide his loyal audience with more than the usual offerings of unplugged or unamplified songs.
To further compensate for the emphasis on a single show (seven Carousel numbers, with just one to three entries from lesser known shows), Scott ended the first act with not just a song but a complete scene that beautifully illustrated Marc Kudisch's and Christiane Noll's acting as well as singing talents. While the cast was, as usual, excellent, Kudisch and Noll were, like Carousel, the evening's most sparkling jewels. Kudisch is probably the sexiest bald man on stage since the late Yul Brynner and his voice is glorious.
If I have any complaint it's that Noah Racey, the charming hoofer who's been an increasingly popular member of past BWBY shows was underutilized; also Kerry Butler took casual attire a bit too far with two numbers sung in a dressing gown and I would have liked to see more of the briefly but outstandingly featured Nili Bassman.
Of course, no BBTY would be complete without Scott Siegel's putting it in context for us with his astutlely selected bits of commentary. We learned that the by the time the famous Stage Door Canteen ended along with the war, its hostesses had danced some ten million miles on stage. Scott commented that while 1945 ended the lives of both Jerome Kern and Vincent Youman, it marked the arrival of such future Broadway babies as John Lithgow and James Naughton. Always the gentleman, the only newborn female he mentioned was the elusive Nina of the famous Hirschfeld illustrations. And, yes indeed, Scott's lovely and hard-working wife Barbara was given her usual tribute.
Be sure to mark the next BBTY date on your calendar: Monday, May 2nd -- the year under surveillance, 1955. You might also want to pencil a brand new triple event: A Tribute to Kander & Ebb, 10/21/05 featuring Ann Reinking and Brent Barrett. . . An Evening of Contemporary and Classic Broadway songs by Euan Morton & Louise Pitre, 10/22/05. . .Broadway Originals! featuring Debbie Gravitte and Michael Cerveris. All three evenings at Town Hall and hosted by (who else?) Scott Siegel.
The complete Broadway by the Year 1945 cast: Scott Ailing, Nili Bassman, Kerry Butler, Eddie Korbich, Marc Kudisch, Karen Mason, Christiane Noll, Noah Racey. Direction was by Gabriel Barre and the music by The Ross Patterson Little Big Band.
The Broadway Musicals of 1929
The year 1929, was a bad year for many people, the bad news scenario cresting with October 29th, But for Scott Siegel's retrospectives of Broadway Musicals by the Year, now in its fifth season, 1929 proved to be the best ever. As usual, Siegel, the charmingly low-key and erudite host, regaled the audience with pertinent facts about the year in general and the Broadway Musical scene in particular.
A look around the sold-out house, confirmed the introductory comment about the invention of penicillin being a good thing, since many people there were were apparently born in or close to 1929. Kellog's introduction of Rice Krispies was reflected in the evening's snap, crackle and pop performances by Leslie Anderson, Nancy Anderson, Christine Pedi Andreas, Bryan Batt, Ron Bohmer, Mary Bond Davis, Jeffrey Denman, Noah Racey and Emily Skinner. Given the composers and lyricists with shows on Broadway (Noel Coward Cole Porter, Richard Rodgers, Lorenz Hart, George and Ira Gershwin, Jerome Kern, Oscar Hammerstein II, and more), there were plenty of great selections to choose from -- including many still instantly recognizable standards like "Button Up Your Overcoat," "More Than You Know," "Without a Song," "With a Song In My Heart" and "What is this Thing Called Love?"
To borrow a line from one of the many smart lyrics Gabriel Barre's direction gave the evening a "smooth as satin" polish. Unlike so many current Broadway shows, every one of those lyrics could be heard clearly (including the as usual thrillingly "unplugged" numbers that are a BWBY hallmark). Good as all the previous evenings in this series were, this one seemed an especially perfect blend of ballads and comic numbers to show off these splendid singers' acting chops.
The fact most of the cast members are BBTY veterans has brought an ensemble cohesiveness that belies the short rehearsal time. The duets, trios and company number are enhanced by the sense that these performers are all having a good time and enjoy working together. The show's own Fred Astaire, Noah Racey, continues to charm with his dandy choreography -- someone out there should be writing a musical for him and the adorable and super-talented Nancy Anderson. Throw in parts for Bryan Batt and Emily Skinner -- and for that matter everyone else making 1929 the best ever BBTY -- and it would be a sure-fire winner.
One of 1929's biggest hits, Cole Porter's 50 Million Frenchmen was represented with five songs, starting with an itimate Piaf-like rendition of "You Don't Know Paree" by Christine Andreas. A little known George and Ira Gershwin musical, Show Girl yielded a splendid opening solo "Liza " by Bryan Batt.
With twenty-eight songs and all presented with individuality and great style, I could obviously go on and on, but will instead include a song list below and suggest that you keep your eye out for a CD of the March 7th evening -- and make sure that you don't miss the rest of the BBTY season: The Broadway Musicals of 1945, April 4; The Broadway Musicals of 1955, May 2 and The Broadway Musicals of 1962, June 13. All at The Town Hall, 123 West 43rd Street, 212-840-2824 or 212-307-4100.
Broadway By the Year 1929 Song List
Act I
1) Overture 2) I Can't Remember the Words - Company (minus Mary, Ron, Christine)
(SR) Bryan - 1, Noah - 2, Nancy - 3; (SL) Leslie - 4, Emily - 5, Jeff - 6
3) Liza - Bryan - 1 (SR)
4) You Don't know Paree - Christine - 3 (SR)
5) I've Made a Habit of You - Nancy & Noah - 2 (SR) 6) My Husband's First Wife - Leslie - 1 (SR/SL)
7) I'm Unlucky at Gambling - Emily - 3 (SR) - with Noah (SL) and Jeff (SR)
8) Keep Your Undershirt On - Leslie - 1 & Bryan (SL/SR)
9) Why Can't I - Emily - 5 (SL/SR) & Nancy - 2 (SR) - with Jeff (SR/SL)
10) I Guess I'll Have to Change My Plan - Noah - 4 (SL)
11) Find Me a Primitive Man - Emily - 3 (SR)
- with Jeff (SL), Bryan (SL), Stage Hand (SL), Scott (ONSTAGE)
12) It's You I Love - Nancy (SR)
13) Moanin' Low - Mary (SL)
14) Without a Song - Ron (SR)
Act II
15) A Great Day - Entra'acte
16) If Love Were All - Christine - 6 (SL)
17) I May Be Wrong But I Think You're Wonderful - Nancy & Bryan - 1 (SR/SL)
18) Can't We Be Friends - Leslie - 1 (Leave in stand) (SL)
19) You Do Something to Me - Ron - 6 (SL/SR) - with Leslie (ONSTAGE/SR)
20) Why Was I Born - Mary - 5 (SL)
21) A Ship Without a Sail - Ron - 6 (SL/SR) & Christine - 3 (SR/SL)
22) More Than You Know - Emily (SR)
23) I Want to be Bad - Nancy - 4 (SL) - with Scott (ONSTAGE)
24) Educate Your Feet - Noah & Jeff (SR)
25) Gigolo - Bryan - 1 (Onstage in stand) (SR)
26) What Is This Thing Called Love - Ron - 6 (SR)
27) You've Got That Thing - Mary - 5 (SL) 28) With a Song In My Heart - Company (minus Mary) (SR) Nancy & Noah - 2, Leslie & Jeff - 1; (SL) Emily & Bryan - 5, Christine & Ron - 4 Curtain Call 29) Button Up Your Overcoat - Full Company (Add Mary - 3 (SL))
2005 Schedule for the Broadway By the Year Series
March 7, 2005: The Broadway Musicals of 1929. Featured shows: Fifty Million Frenchmen, Bitter Sweet, Spring is Here, Sweet Adeline, The Little Show, Hot Chocolates, Show Girl.
April 4, 2005: The Broadway Musicals of 1945. Featured shows: Carousel, The Day Before Spring, Up In Central Park, Billion Dollar Baby, Polonaise, The Firebrand of Florence.
May 2, 2005: The Broadway Musicals of 1955. Featured shows: Damn Yankees, Silk Stockings, Pipe Dream, Ankles Aweigh, Plain and Fancy.
June 13, 2005: The Broadway Musicals of 1962. Featured shows: Forum, Stop The World I Want To Get Off, Little Me, No Strings, All American, I Can Get It For You Wholesale.
From Brooklyn to Hollywood
Scott Siegel, who might be regarded as a young and more charming Woody Allen, appeared on stage just long enough to introduce the hostess of this Monday night ode to Brooklyn as seedbed for musical talent, Tovah Feldshuh. Not to take anything away from Siegel, whose wry commentary has contributed as much to the success of the Broadway by the Year series as the incredible lineup of talent, the versatile Feldshuh proved to be quite the "hostess with the mostest." Clearly enjoying a night away from carrying the burdens of Israel on her shoulders as Golda Meir in Golda's Balcony.
Feldshuh got the show off the ground by zestfully singing "The Song's Gotta Come From the Heart" from It Happened in Brooklyn. (She took center stage again in the second act with "My Brooklyn Love Song" from If You Knew Susie. Feldshuh then moved into her narrator/host role that included firing off round after round of jokes, cheerleading the performers -- not to mention plugging her Broadway gig.
With Scott Siegel producing and writing the show, the overall format was basically the same as the Broadway by the Year series relying on the terrific talent at hand to make even no longer familiar songs fun and enjoyable. There were more solos, but the one duet, the ensemble dance number and sole Off Mike song were grand: The duet had Annie Golden join Stephen Bogardus in a lovely rendition of George Gershwin's "Embracable You". . .for the ensemble piece Lennie Watts and Scott Coulter sang a terrific Medley from Saturday Night Fever while Noah Racey put aside his director's baton to dance. . . the single Off Mike song, "I'm the Greatest Star" from Funny Girl was delivered by Sharon McKnight, who also did show stopping Mae West Medley in the second act.
Besides the already mentioned talent, there was the velvet voiced Scott Coulter, power house belters like Natalie Douglas, Christine Pedy and Alix Korey. And not to be overlooked, was that endearing and multi-talented showman Mark Nadler. I'm sure that Danny Kaye must have smiled down from wherever he may be at hearing Nadler recreate some of his most memorable songs. Kudos also to the musicians, Ian Herman (musical director/arranger/pianist), Ritt Henn (bass) and Sean McDanil (drums. --Elyse Sommer, May 4, 2004
The Broadway Musicals of 1949
Psychotherapist Emile Coue's famous dictum "Every day, in every way, I'm getting better and better " has found a new application vis-à-vis Scott Siegel's Broadway By The Year evenings at Town Hall. Just when you've seen an unmatched lineup of stars and it seems as if these evenings are as good as they can be, Siegel's next show proves that the series does indeed keep getting better and better.
No wonder the Broadway By The Year Mondays have been gaining fans faster than you can say "Apple Fritters" -- which in The Broadway Musicals of 1949 was one of several delightful numbers by Cady Huffman, best known as Ulla of The Producers. "Call It Apple Fritters" from Milton Pascal and Richard Stutz's Along Fifth Avenue, one of many minor shows of a particular year in which Siegel typically manages to find a few worthy tunes for one or several of the talented performers to bring to new and enjoyable life. Some of these minor shows were just under-appreciated in their day, as demonstrated by the three lovely songs from Maxwell Anderson and Kurt Weill's Lost in the Stars.
Of course 1949 was also the year that brought us two of the greatest hits ever, Gentlemen Prefer Blondes and South Pacific. The terrific interpretations of the selected songs went a long way to illustrate that this show had "legs " even without Carol Channing. "Bye-Bye Baby" was memorably sung by Marla Schaffel and the velvet-voiced Scott Coulter. And speaking of legs who could resist Cady Huffman slinkily draped over a piano for "Diamonds Are a Girl's Best Friend?"
The South Pacific segments also included some gorgeous new interpretations, and a number of thrilling off mike selections. The ensemble's choral presentation of "Baili Ha'i" was one of the best renditions of that song I've ever heard. There were also two splendid numbers by two of the dynamic ladies of the night, Marla Schaeffel's moving "You've Got to Be Carefully Taught" and Ziemba's delightful "Cockeyed Optimist." (Schaeffel and Ziemba also had a wonderful novelty duet, "You Can Have Him" from Irving Berlin's Miss Liberty). Martin Vidnovic, whose voice seems to have it's own built-in mike, stopped the show with "Some Enchanted Evening" and "This Nearly Was Mine".
While singing -- on or off mike-- gets top priority in all these shows, the few dance numbers were once again knockouts. The charming Noah Racey who also appeared in the Broadway Musicals of 1935 joined the Navy with a diverse ensemble that has all the men -- from the evening's Emile deBeque, Martin Vidnovic, to the endearing, roly-poly Lennie Watts -- sing "There's Nothing Like a Dame" (with even the always modestly at the side of the stage Siegel in a sailor's cap). He also cavorted gracefully with his two colleagues, Nancy Lemenager and Karen Ziemba from tNever Gonna Dance. Watching him and Ziemba take an "Old Fashioned Walk" (from Mis Liberty) stirred hopes that some creative team is going to come up with a great new musical for them.
The year 1949 is an astute follow up to the last show's focus on the Great Depression when many people couldn't afford cars, let alone paying the 17 cents a gallon that was the price during 1949. Siegel's as always informative commentary sets the mood for the more optimistic post war climate in which these famous and not so famous shows were launched. This is echoed musically by the ensemble's opening salvo "It's Great to Be Alive," from Texas Li'l Darlin.
If you missed this and or the 1926 and 1936 events, you've got one more chance on June 14th when the series jumps forward to the year 1963. Performance date: April 19, 2004
| Broadway By the Year: The Musicals of 1949
Creator, writer, host: Scott Siegel Director: Robert Bianca Cast: Scott Coulter,Cady Huffman, Nancy Lemenager, Noah Racey, Marla Schaffel, Karen Ziemba, Martin Vidnovic, Lennie Watts, Robert Westenberg Music: Ross Patterson Little Big Band: Ross Patterson, director, arranger, pianist; Don Falzone, bass; Aaron Heick, woodwinds; Eric Halvorson, guitar/banjo/ukelele Lighting Design: John Gordon Sheet Music Consultant: Michael Lavine |
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The Broadway Musicals of 1935
The year 1935 was a year of sliver thin wallets. It was the height of the Great Depression and instead of its usual feast of new musicals, Broadway launched a mere ten -- and all lost money.
But as the Depression did not deter showman Billy Rose from putting on a costly super spectacle named Jumbo (which besides animal acts featured the music of Rodgers and Hart), neither did it deter Town Hall's own favorite impresario and host Scott Siegel, rom making his retrospective of that year one of his best yet. The year might have been a famine in terms of the number of news shows, but given the pedigree of their composers and lyricists Siegel has managed to translate that famine into a feast.
To accompany his always witty and informative commentary, Siegel assembled a dozen Broadway and cabaret luminaries, twice as many as last time. What's more he had them perform even more of the over two dozen numbers off mike, one of the series' much loved trademark features. Thus, while there were fewer than usual shows to choose from, those shows contained more than enough music from by now legendary composers and lyricists to satisfy the most demanding musical gourmet.
It's hard to single out any of the performers for special praise since all were absolutely superb. Chuck Cooper, the singing washing machine and bus of the Broadway bound Caroline, Or Change, opened and closed the first act with two gloriously unmiked songs from George and Ira Gershwin's Porgy and Bess -- "I Got Plenty of Nothin'" and "Bess, you is My Woman"; the latter a duet with Laurie Williamson whose magnificent diva voice can currently be heard in the ensemble of Wonderful Town.
Douglas Sills, who can be seen every day except Mondays as the sadistic dentist in Little Shop of Horrors, was appealingly romantic in his rendition of "My Romance" from Jumbo and "Begin the Beguine" (from Jubilee). I also liked his amusing vaudeville turn from Earl Caroll's Sketchbook with Todd Murray (new to me but certainly someone whose name I'll look for in future). Karen Akers, after singing a lovely solo, "Little Girl Blues" from Jumbo was the silent object of Sills' flirtatious "Cigarette" from George White's Scandas of 1936.
Emily Skinner and Barbara Walsh rendered a particularly gorgeous off mike "Over and Over Again" (from Jumbo). From the same show, Darius de Haas did full justice to "The Most Beautiful Girl In the World", which also afforded Siegel the chance to toss one of his regular bouquets to his wife Barbara (who is indeed a lovely lady).
While these shows are primarily about beautifully rendered songs (smartly arranged by Ross Patterson), Nancy Lemenager and Noah Racey made this a night for dancing as well as singing. I was so impressed with their grace and charm that if Never Gonna Dance in which they starred hadn't recently closed, I'd go back to see them. Their elegant movements were a lovely and fitting accompaniment for Karen Akers' show closing solo, "Dance My Darlings" from Sigmund Romberg & Oscar Hammerstein II's May Wine.
All the above is of course just a smattering of the goodies dished up during the two hours plus. And while I can't tell you to go see this particular show, I can tell you about the two Broadway By the Year shows that are next in line: On April 19th it's The Broadway Musicals of 1949 and on June 14th its forward to The Broadway Musicals of 1963. The first will highlight songs from South Pacific (Rodgers & Hammerstein), Miss Liberty (Irving Berlin), Touch and Go (Walter & Jean Kerr/Jay Gorney), Lost in the Stars (Weill/Anderson), Gentlemen Prefer Blondes (Jule Styne/ Leo Robin). The second will include songs from Oliver! (Lionel Bart), She Loves Me (Bock & Harnick), Here's Love (Meredith Wilson), 110 in the Shade (Schmidt & Jones), The Girl Who Came to Supper (Noel Coward), and more. Performance Date March 15, 2004.
| Broadway By the Year: The Musicals of 1935
Creator, writer, host: Scott Siegel Director: Melinda Buckley Cast: Karen Akers, Gretha Boston, Chuck Cooper, Darius deHaas, Nancy Lemenager, Todd Murray, Noah Racey, Douglas Sills, Emily Skinner, Lumiri Tubo, Barbara Walsh, Laurie Williamson Music: Ross Patterson Little Big Band: Ross Patterson, director, arranger, pianist; Don Falzone, bass; Aaron Heick, woodwinds; J. McGeehan, guitar/banjo/ukelele Lighting Design: John Gordon Sheet Music Consultant: Michael Lavine |
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The Broadway Musicals of 1926>
The unassuming but oh so witty impresario, Scott Siegel, has done it again. With the help of a star-studded cast of six and Ross Patterson's Little Big Band, Siegel once again delivered an evening full of humorous and informative anecdotes punctuated with marvelously performed melodies from the great and not so great Broadway musicals of the year under consideration. The mix of bite-sized history lessons and music was fun from the time a voiceover of Siegel, tells everyone to "put away your cell phone and put on a smile" until he took his usual place at the side of the stage and congratulated anyone born in 1926 for outwitting the statistical predictions of an average life span of fifty-four.
The year 1926 was, as the narrative portion of the show explains, an optimistic one and on Broadway the names Rodgers & Hart popped up on marquees again and again. Watching this during a much more meager show season, one can only marvel at the total of 40 new musicals that opened -- all available at under $5. Oh, Kay! The Desert Song, The Garrick Gaieties of 1926, Scandals of 1926 are just a few of the shows sampled.
Sutton Foster, best known to New York audiences as that thoroughly modern flapper of Thoroughly Modern Millie, was billed as the guest star. Essentially, like all these evenings, this is an ensemble piece and Nancy Opel and Nancy Anderson had every bit as much star power as Foster. In fact, if I had to pick one of these ladiesas the one I'd most like to see starring in her own big Broadway hit it would be Nancy Anderson. Her rendition of that irresistible toe-tapper and hummer, "Black Bottom" was one of many of the evening's highlights.
As long as I'm wishing on a star, I'd want Marc Kudisch to be Anderson's co-star. Kudisch, who actually played opposite Foster when Millie first opened and most recently has been one of the main reasons to see The Thing About Men, is a return visitor to this series. He is not only a superb show tune belter but a terrific comic actor.
Eddie Korbich, who delighted audiences in last season's final Broadway By the Year, again displayed his physical agility along with his fine voice and comic charm.
Nancy Opel, a theatrical double-dipper who's appeared not only in musicals but in straight plays -- notably as a regular in the short works of David Ives -- was a revelation as a glamorous torch singer. Bill Daugherty added the pleasure of a most satisfying big Irish tenor voice.
The audience seems to love the anecdotes as much as the performances. Siegel's jokes simply refuse to fall flat and his commentary is truly the glue that ties the evening together and justifies another hearing for songs from flops. The viewers were was most ecstatic -- and rightly so -- about the signature "unplugged" numbers delivered as they were originally sung -- without microphones. Accustomed as we've had to become to the hollow sound of over-ampliefied musicals, listening to these pure sounds is indeed a treat.
Since the Broadway By The Year series plays one night readers who weren't at Town Hall on February 9th can only partake of The Musicals of 1926 when it becomes available as a CD, as previous shows have. However, this is, as I said, the first of a 4-show season and as of now tickets are available for The Broadway Musicals of 1935 (March 15th), The Broadway Musicals of 1949 (April 19th), and The Broadway Musicals of 1963 (June 14th).
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The Broadway Musicals of 1960
Unlike Leo Bloom, Scott Siegel didn't really dream of being a producer. But then he's not exactly a nerdy numbers cruncher but a talented fellow whose by-line appears on some forty books and who, with his wife Barbara, has written about film, cabaret and theater for years. In short, while unassuming in manner, Siegel is a bundle of energy and talent who has combined his love of musical theater and writing ability to create a terrific series of musical evenings that have, like the Lyrics and Lyricists and Encores series, attracted a loyal following in just a few years. So far he has donned his three hats -- producer, on-stage host and writer of the informative commentary with which he introduces the songs -- nine times. If the jam-packed house at last Monday's latest edition, The Broadway Musicals of 1960, is any indication, these smartly conceived evenings will take us through many another year in musical theater history.
Each Broadway By the Year evening features a line-up of at least half a dozen top caliber musical theater pros, some taking a night off from their regular gig. For the year 1960 celebration, Tovah Feldshuh put aside her cares as prime minister of Israel (her role in the now off-Broadway, soon to move to Broadway Golda's Balcony) to sing "I Loved You Once in Silence" from Camelot (a show which understandably established the social context for Siegel's astute and often amusing commentary) and two comic turns , complete with hilarious costumes and a somersault (really!).
Marc Kudish, the deliciously pompous Trevor Graydon of Thoroughly Modern Millie, sang a duet with each of the evening's charming and gifted leading ladies, Liz Larsen and Lisa Vroman (Beauty and the Beast's current Christine). Both Kudish and the charismatic Brent Barrett gorgeously fulfilled the By-the-Year mission to present some songs completely off mike -- Barrett with "I'll Never Say No" from The Unsinkable Molly Brown and Kudish with "If Ever I Would Leave" from Camelot.
Rounding out the cast of the 1960 evening were Douglas Ladnier and Eddie Korbich; the latter's nimble-footed "Put On a Happy Face" from Bye Bye Birdie was one of the evening's song-and-dance highlights. While, typical of productions like this, there are no sets, the overall presentation is thoroughly polished with just enough in the way of costumes and choreography to evoke a sense of each of the shows represented. Those shows include not just the big hits, but songs worth a second hearing from shows best forgotten.
Thanks to Town Hall's excellent acoustics and the musicians of Ross Patterson's Little Big Band (bass, drums, woodwinds and piano) who never overwhelm the performers, you hear real voices even when mikes are used -- a refreshing change from so many current Broadway musicals in which the songs seem blasted out of a tunnel as if determined to blast you out of your seat.
If, like me, you've missed some of the previous Broadway By the Year revues, a number of them have been recorded and you'll be able to purchase the CD's at the next show which, in case I've whetted your appetite, you can catch in just a couple of weeks on Monday June 23rd. That show will actually be a repeat since Broadway By the Year 1925 fell victim to a major snow storm. Performance date: June 9, 2003
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Easy-on-the budget super gift for yourself and your musical loving friends. Tons of gorgeous pictures.
Leonard Maltin's 2007 Movie Guide
At This Theater
Leonard Maltin's 2005 Movie Guide
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