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 | A CurtainUp Review Little Shop of Horrors 
 
                  Revivals  of   hit  shows   inevitably   run   into   competition   with    earlier  permutations  of   themselves.   This   is   certainly   true   of   Little  Shop  of  Horrors,   the story  of   a  nebbishy   fellow   with a  bent  for   horticultural  experiments  and  a yen  for    his  co-worker   in  a  failing   flower shop.    A   catchy  pop  score  helped  to  transform  this  basically   mediocre   sci-fi   fantasy   into   an   endearing,  fun  send-up  of   the  movie genre  that  spawned it.  It   ran and  ran   (2 209  performances!)  just  as   Seymour's  plant  Audrey II  (named  after  the dumb  blonde  he  adores)   grew  and  grew.
                     |   Carla J. Hargrove as Ronnette, DeQuina Moore as Chiffon and Trisha Jeffrey as Crystal
                          (Photo:  Paul Kolnik )  
                         |  
 The   Little  Shop  that's  moved  to  the  more upscale  uptown  neighborhood   across  the  street  from  Hairspray, (review 	) another  movie  inspired  show,  this  one   about   big  hair  instead  of  a  big  and scary plant,    is   a  lively  and   entertaining   continuation  of   the   R & R (recycling and  reviving)    trend  that   is   the  name  of    the  game  for  producing   Broadway musicals  nowadays.    Shop   has  enough  going  for  it  to  keep   audiences  of  all  ages   coming  to the  Virginia,  perhaps     not   for  five  years  but   most likely     for   a   healthy run.
 
 Note that   "all   ages!".   To  give  the  original show's  fans   a  nostalgia  fix  and  also  enchant     their  kids       with   non-threatening    fairy  tale  magic,   the  current  production has      Crayola   brightened   the elements  that  make  Little Shop   more   kin to   the   grisly  Sweeney  Todd   than  the   big-hearted  Hairspray.
 
 
 
                  Rather  than   waste  more     time   comparing   the  old  and  the current  Little  Shop,  and  thus reviewing  the  show that's  long  gone  as well  as  the one  that  just opened,   I've  included   facts  about  the original  after  the  production notes  and  song list at   the  end   of  the  production  notes.      To  move  on  to  what's  on  stage   now,  it's  directed  smoothly  and with pep    by   Jerry Zaks   and  choreographed  by  Kathleen Marshall.  Scott Pask's  flower shop within  a crooked  row house  set and  William Ivey Long's   snazzy  costumes   colorfully  evoke the  skid row  neighborhood  and  '50s  rock   era.
                     |   Kerry Butler as Audrey, Hunter Foster as Seymour
                          (Photo:  Paul Kolnik )  
                         |  
 The      top  of  the line  cast   is  led   by    Hunter Foster  who,  after  playing   the  hero   of  another spoof musical,  Urinetown, (Review)  has now  assumed  the  role  of   the anti-heroic  Seymour  --    a   male  version  of   Dorothy Parker's  girl with glasses    at  whom   boys   don't  make  passes.    Kerry  Butler,  who   was  last  seen  as     Hair  Spray   Tracey  Turnblad's   best   friend Penny,   plays  Audrey  with  winsome   kookiness   though  she  never  manages  to  make  you  overcome  a  certain queasiness   about  accepting    an  abused   woman  as   a   comic  character.          On  the  other hand,   Douglas  Sills    makes it  easier  to  laugh  at  the    sadistic    dentist-boyfriend    by  going  all   the  way  over  the top  in  his  portrayal.   Sills  also  demonstrates  his   versatility   by  doubling  up  in  several   other roles.   Foster,  Butler  and  Sills   all   have  singing    voices  that   do  justice   to  the  catchy   and   occasionally  touching  Menken-Ashmore   tunes.   The  same  is  true   for    the  three  women  who  make up the singing  and dancing     Greek   chorus.
 
 
 
                  Not  to  be overlooked  in  tallying  up   the  show's  assets,   is   Rob  Bartlett's       Mushnik.   Bartlett   evokes  enough  of  Zero  Mostel's   persona   to  make  him  a  worthy  candidate   the next  time  The  Producers  needs  a new   Max  Bialystock.   (Should  Bartlett   trade  Mushnik for Max,    Lee Wilkof,  the original   Seymour  who's  currently  in  a  limited  run    off-Broadway  gem  called  Four Beers.
                     |   Rob Bartlett as Mushnik
                          (Photo:  Paul Kolnik )  
                         |  
 The  real star  of  the enterprise  is   of  course  Audrey  II,   a   spectacular   plant-puppet  created  by  and  masterfully  manipulated  by   members  of  the Jim Henson Company.    The  deep, booming  voice  of  Audrey  II   belongs to   Michael  Leon Wooley  who,  besides   demanding     "Feed  Me"  from  inside  the   giant  blood  sucker,  also    sings   zestfully    on   the  stoop  outside   Munchnick's   store.
 
 In   the  tradition   of    punishing   all  who  let   greed  consume  their   more noble  instincts,   Little  Shop  of  Horrors  is   a   gory  fairy  tale  without  possibility  for  a  happy   ending.    People  who   follow   world  events may  find  themselves  looking   beneath and  beyond  the  campy doings  and  connect  the  implausible  with  the  awful  realities   that  lie   at  the  end  of  the  road  for  all who allow the  hunger for  power and  fortune    to  win   out  over    more   wholesome   choices.
 
 
 
                  
                     | Little Shop of Horrors Book & Lyrics: Howard Ashman, based on the film by Roger Corman & screenplay by Charles Griffith
 Music & Lyrics: Alan Menken
 Directed by Jerry Zaks.  Choreographed by  Kathleen Marshall
 Cast: Rob Bartlett (Mushnik), Kerry Butler (Audrey), DeQuina Moore (Chiffon), Trisha Jeffrey (Crystal), Carla J. Hargrove (Ronnette), Hunter Foster (Seymour), Anthony Asbury, Bill Remington, Martin P. Robinson, Douglas Sills, Michael-Leon Wooley and Matt Vogel (Derelicts and Skid Row Occupants), Mr. Sills (Orin, Bernstein, Luce, Snip and Everyone Else), Mr. Wooley (the Voice of Audrey II) and Mr. Robinson, Mr. Asbury, Mr. Remington and Mr. Vogel (Audrey II Manipulation).
 Set Design:  Scott Pask
 Costume Design:  William Ivey Long
 Lighting Design: Donald Holder
 Sound Design: T. Richard Fitzgerald
 Puppet Design:  The Jim Hensen Company,  Martin P. Robinson
 
 Wig & Hair Design: Robert-Charles Vallance
 Music Coordinater:  John Miller
 Original Vocal Arrangements: Robert Billig
 Orchestra:  Conductor -- Henry Aronson,
Associate Conductor -- John Samorian, Keyboards -- Henry Aronson, John Samorian, Guitars/Mandolin --John Benthal, Bass -- Steve Gelfand, Drums -- Rich Mercurio, Percussion -- David Yee, Trumpets -- Tony Kadleck, Dave Spier, Woodwinds - Tom Murray, Matt Hong
 Running time:  2 hours with one 15 minute intermission.
 Virginia, 245 W. 52d St. (7th/8th Avs),  212-239-6200
 From 8/29/03; opening 10/02/03.
 Preview performances:Tue - Sat at 8pm; Sat at 2pm; Sun at 3pm; thereafter: Tue at 7pm; Wed - Sat at 8pm; Sat at 2pm; Sun at 3pm.  $56-96
 
  OK  for ages 8 and up. Reviewed by  Elyse Sommer  based on October 8th  performance
 |  
| Musical Numbers  |  
| Act One   
Little Shop of Horrors/  	Chiffon, Crystal, Ronnette
Downtown (Skid Row)/  	Company
Da-Doo /	Seymour, Chiffon, Crystal, Ronnette
Grow for Me/ 	Seymour
Ya Never Know/ 	Mushnik, Seymour, Chiffon, Crystal, Ronnette
Somewhere That's Green/  	Audrey
Closed for Renovation/  	Mushnik, Seymour, Audrey
Dentist! /	Ohn, Chiffon, Crystal, Ronnette
Mushnik and Son/  	Mushnik, Seymour
Git It /	Seymour, Audrey Il, Chiffon, Crystal, Ronnette
Now (It's Just the Gas)/ 	Orin, Seymour | Act Two 
Call Back in the Morning/ 	Audrey, Seymour
Suddenly Seymour/ 	Seymour, Audrey, Chiffon, Crystal, RonnetteSuppertime / 	Audrey II, Chiffon, Crystal, RonnetteThe Meek Shall Inherit/ 	Seymour, Chifibn, Crystal, Ronnette,
	Bernstein, Luce, SnipSominex/Suppertime' (Reprise)/ 	Audrey, Audrey IISomewhere That's Green (Reprise)/	AudreyFinale: Don't Feed  the Plants/	Company
 |  
                  
                     | Some Background Notes   
The  70- minute long   black and  white  movie  by  Roger Corman on which  the show is based was shot in 1960 in two days.  It  was  tagged as Grade Z and featured  a then little known actor named   Jack Nicholson as   Wilbur Force,   the nasty dentist's patient  who liked pain enough to declare  "No novocaine. It dulls the senses! "
 
 
  In  1982  Howard Ashman and composer Alan Menken transformed it into a low-budget  
(about $15,000 ) send-up  of low-budget  sci-fi/horror flicks and early-'60s pop music.  Its success was considered   a  big surprise -- the surprise being  that  such a  basically dumb movie   could  metamorphose into such  an endearing  stage musical.  It  was Ashman and Menken's  first  hit and led  to their  becoming  Disney's darlings  with    The Little Mermaid  and  Beauty and the Beast.   After Ashman  died  (of AIDS in 1991),   Tim Rice  Joined  Menken  to complete  Aladdin.
The first  Little Shop   ran  off-Broadway,  at  the  for more than five years   (opening 7/27/82     and closing 11/01/87 after    2209  performances)  and  seeded  a successful film version.  Its  homes,  first   the  WPA  and  later  the Orpheum Theatre on Second Avenue,  were  decidedly less  glamorous  and  spacious than the Virginia.  
 The Off-Broadway opening night cast: Hy Anzell as Mr. Mushnik,   Sheila Kay as Davis Ronnette, Ellen Greene as Audrey, Lelani Jones as Chiffon, Franc Luz as Orin/Bernstein/Snip/Luce/Everyone Else, Martin P. Robinson as Derelict/Audrey II (Manipulation), Ron Taylor as Voice of Audrey II, Jennifer Leigh as Warren Crystal  and 
Lee Wilkof as Seymour.  Actors  taking over   the original  roles  included  Anthony B. Asbury as Derelict/Audrey II (Manipulation), Fyvush Finkel as  Mr. Mushnik,  Robert Frisch as  .Orin/Bernstein/Snip/Luce/Everyone Else, Faith Prince as  Audrey  and Marsha Waterbury as Audrey.   The   role considered  to  be  the  career  making one   was   Ellen Greene's  Audrey
One  of  the original  creations for Audrey II   once  toured with a Smithsonian exhibition about biological engineering. 
Audrey II  in  the  original  wound  its  blood-thirsty  tentacles   all around  the  theater  so  that  the  entire   audience  could  get  the  intimate  sense  of  being  in  a   fun house  of  horror.   In  the   larger Virginia Theater  Audrey II   still   makes  a monster move off-stage,  but   only  the   front  and  center section  of  the  orchestra   gets  that   sense  of   being  swallowed  up   by    the  horrible  but  magical    Audrey.    
The show  influenced such other off-beat musicals as Urinetown, Bat Boy, Reefer Madness, and   the current  big  Broadway hit  Hairspray.
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