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A CurtainUp Review
Bad Kid
I have had a chance to review the script of David Crabb’s one-man show Bad Kid. I have also had the opportunity to watch Mr. Crabb perform it. On paper, the words, co-written with Josh Matthews, are amusing, intelligent, and well-written. The story might, or might not have, found its way into a literary journal. But, Mr. Crabb’s major gifts are theatrical. He’s a storyteller par excellence, a two- time Slam champion at The Moth, the acclaimed story-telling venue in New York City. Crabb’s words simply pop in a magical way when he performs them. If reading his script is the equivalent of driving in a Camaro, then watching him perform it is like speeding down the Autobahn in a Lamborghini. Crabb will abduct you into the world of his unusually decadent yet incisive youth and, happily complicit, you’ll jump in for the joyride. He leaps, sweats, dances, cries, cajoles, and entrances his audience in the 90-minute performance of Bad Kid, which recounts his high school years as a Goth rocker in rural Texas. Even if you didn’t take prodigious amounts of drugs and stay out all night in your high school days, you might still identify with Crabb’s hilarious and sometimes poignant takes on youthful friendships and first-time experiences of all sorts. The tales Crabb delivers are the absurd ones that you may still be laughing at uncontrollably while he’s gone on to something else. Several times during the performance I attended, I heard people politely stifling guffaws; the comic gems come so fast and so consistently, that there’s hardly any downtime for an audience to digest them. Yet, this isn’t stand-up comedy; Crabb is looking for something deeper and for the most part, he achieves it, in spite of the sometimes tear-inducing hilarity. See Bad Kid. You may see yourself or someone you know in him.
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