CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
HOME PAGE

SITE GUIDE

SEARCH


REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
Connecticut
DC
Philadelphia
Elsewhere

QUOTES

On TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us


Butterfly Valves,Globe Valves,Plug Valves link check valve, ball valve, valves Butterfly valves 2011.06.05, Gate valve,, Ball Valves,Gate Valves,Check Valves globe valve, butterfly valves, flange
China Valve manufacturer and Supplier


A CurtainUp New Jersey Review
Yesterdays: An Evening with Billie Holiday




I Love ya, so I sing for ya — Vanessa Rubin as Billy Holiday
Vanessa Rubin
The most recent opening night at the Crossroads Theater Company was memorable for two reasons: It was wonderful to see their theater, the winner of the 1999 Tony Award for Outstanding Regional Theater, filled to capacity. The event was Yesterdays: An Evening with Billie Holiday starring Vanessa Rubin. One could say that the life of the late and legendary jazz singer was as turbulent and as fraught with ups and downs as was this theater.

In a strange and comforting way, it is heartening to see the theater enjoying a renewed future. Dedicated since 1979 to enriching and diversifying the representation of African-American culture, Crossroads had a financial setback in 2000 that forced its closing for two years. Since it reopened in 2002, it has been slowly and steadily rebuilding its support base. Sadly Holiday didn't have the resources or the support base to help her survive. So it is also heartening to see that the Holiday legacy is attracting fine singers like Rubin who keep the Holiday canon alive.

Staged as a final gig in a nightclub in 1959 just two months before Holiday's death at the Metropolitan Hospital in Manhattan, Yesterdays provides the appropriate setting for a glimpse at Holiday's physical decline. That there is only a glimmer of her greatness is regrettable. However progressively intoxicated and drug-enslaved, Holiday was intent on sharing her talent until the bitter end.

In this her last public performance, she intersperses her repertoire with biographical digressions, many about her "mom" and her idols Louis Armstrong and Bessie Smith. Amusingly enacted, Rubin gets laughs for these diverting moments, including one in which she describes a family funeral run amok. She is backed up and on occasion held up by a terrific trio -- Levi Barcourt (piano), David Jackson (bass), Bernard Davis (drums) -- that have an opportunity to shine from the overture with a rousing version of (appropriately) "Lady Be Good."

The structure of this musical play, as written by Reenie Upchurch and directed by Woodie King Jr., basically relies on Rubin's ability to finesse her way from each song to a section devoted to animated narrative. However, Upchurch's script gives way too much irrelevant and non-essential business to the musicians, often awkwardly inserted. There are also too many bumpy transitions for Rubin, who, while successfully capturing the essence of Holiday's style, is deigned to sustain and magnify Holiday's state of inebriation, later infused with heroin. It's rather like an overdose for the audience.

Rubin rarely sings without a glass of whatever in her hand, sometimes clutching the microphone to steady herself. One can only admire Rubin's efforts to create and sustain a character filled with remorse and rage as well as with the will and the need to share her principal gift. She lets us know she is aware of the narcotic agents standing at the back of the theater, waiting to take her away as soon as she stops singing. At one point, she loses her cool and her confidence, leaves the stage in high dudgeon and throws a tantrum and returns — feeling better.

Rubin looks terrific in a stunning white gown (credit to costume designer Ali Turns) and with Holiday's signature white gardenias placed on the side of her sleek pulled back hair. What I appreciated most about Rubin, a New York based jazz vocalist, composer and lyricist, was the way she connects with the audience in a manner not unlike that of Bette Midler. That may seem like a stretch, but it isn't, as one observes the slightly ribald and ribbing I've-got-your-number insinuations that Rubin uses when picking out and flirting with a member of the audience, "Michael, I'm taking you back to Baltimore. "

Beginning with the obligatory "Good Morning, Heartache," the mood is, indeed, heavy on the heartache. Rubin plunges deep into the sorrows of"Strange Fruit, " the plaintive "God Bless the Child, " the reflective "Yesterdays. " These are balanced by the bouncy "Them There Eyes, " and "Gimme a Pigfoot, " among 16 songs in all, one of which is performed winningly by drummer/vocalist Davis.

A trifle long at over two hours, is greatly enhanced by Antoinette Tynes lighting but less so by scenic designer Anthony Davison black back curtain. But who needed more than the embracing voice of Rubin to celebrate the memory of a musical icon?

Yesterdays: An Evening with Billie Holiday
By Reenie Upchurch
Directed by Woodie King, Jr.

Cast: Vanessa Rubin (Billie Holiday), Bernard Davis (Drummer/vocalist), Levi Barcourt (Pianist), David Jackson (Bassist)
Musical Director: Levi Barcourt
Scenic Designer: Anthony Davison
Costume Designer: Ali Turns
Lighting Designer: Antoinette Tynes
Running Time: 2 hours 15 minutes including intermission
Crossroads Theatre Company, 7 Livingston Avenue, New Brunswick, N.J.
(732) 545 - 8100
Tickets ($40 - $50)
Performances Evenings: 8 PM; February 17, 18, 19, 20, 24, 25, 26. Matinees: 3 PM; February 26, 27
Previews began 02/17/11
Opened 02/19/11
Closes 02/27/11
Review by Simon Saltzman based on performance 02/19/11
Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to CurtainUp and from what part of the country.


Visit Curtainup's Blog Annex
For a feed to reviews and features as they are posted add http://curtainupnewlinks.blogspot.com to your reader
You can also contact us at Curtainup at Facebook . . . Curtainup at Twitter
Visit Curtainup's Blog Annex
You can also contact us at Curtainup at Facebook . . . Curtainup at Twitter


REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of Yesterdays: An Evening with Billie Holiday
  • I disagree with the review of Yesterdays: An Evening with Billie Holiday
  • The review made me eager to see Yesterdays: An Evening with Billie Holiday
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

>Feel free to add detailed comments in the body of the email and state if you'd like your comments published in our letters section. . .also the names and emails of any friends to whom you'd like us to forward a copy of this review.

You can also contact us at Curtainup at Facebook or Curtainup at Twitter and Curtainup's Blog Annex
Google
 
Web    
www.curtainup.com
South Pacific  Revival
South Pacific


In the Heights
In the Heights


Playbillyearbook
Playbill Broadway Yearbook


broadwaynewyork.com


amazon



©Copyright 2011, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com