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Writing for Us
A CurtainUp London London Review
Architecting


You're also a racist now.— film director to Margaret Mitchell
Architecting
Kristen Sieh and Jake Margolin
(Photo: Eamonn McGoldrick)
We are told that Architecting started as a scratch piece at Battersea Arts Centre in 2006 and was ten minutes long in its inception in New York. Mysteriously, when it was reviewed by Curtain Up's Jenny Sandman in New York, it was 150 minutes long and has now been extended by another half an hour after the collaboration between the TEAM and the National Theatre of Scotland. At three hours, it is overly long and its amalgam of scenes and themes makes a disparate, devised patchwork which needs the focus of a scriptwriter and editor.

Like the curate's egg, there are parts of Architecting which are good. I enjoyed Scarlett O'Hara (Kristen Sieh) stammering and spluttering her words as Margaret Mitchell's (Lana Lesley) typewriter keys get stuck in a powerful visual interpretation of the relationship between the writer, the imagined character and the page. I also enjoyed the film script re-write of Gone With the Wind which includes a character who turns out to be Martin Luther King's grandfather and of course the device stolen from Rocky Horror of corsets (and crinoline boned petticoats) for all. Jill Frutkin's singing voice is lovely and I would have enjoyed hearing more music.

I felt the History of America according to Margaret Mitchell can only be one part of the picture. While Jake Margolin's geeky Harvard historian Henry Adams is working on his imperfect cardboard model of the most perfect building, Chartres Cathedral, I was set thinking about my response to the architecture of Reagan National Airport in Washington, which, with its stained glass windows, glass domes and marbled halls seemed to me to be as close as the modern age gets to cathedrals. The multipurpose but makeshift set with its door and drop hatch is used ingeniously as a bar and shop and there are some dramatic moments when the advertising tarpaulins drop.

We are told that the National Theatre of Scotland have had a hand in this production and there is a magnificent piece of their trademark, the choreographed movement in the second act, as they talk about the Katrina march. The people jump forward but they are thrown back only to reassemble. We hear about the rebuilding of New Orleans after Hurricane Katrina with the fictional new housing estate Phoenix Meadows with its mansion-plexes which incense Margaret Mitchell with their incorrect columns and the advertising spiel of "There are no limits only edges in this closed community." >Architecting could do with more of both limits and edges. For Jenny Sandman's viewing of the play in New York with plenty of plot detail go here Architecting

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Architecting
Written by the TEAM
Additional Collaborating Writers: Davey Anderson, Nathan Wright, Lucy Kendrick Smith
Directed by Rachel Chavkin

With: Frank Boyd, Jill Frutkin, Libby King, Lana Lesley, Jake Margolin, Kristen Sieh
Design: Nick Vaughan
Lighting: Jake Heinrichs
Sound: Matt Hubbs
Video Design: Brian Scott
Running time: Three hours with one interval
Box Office: 020 7638 8891
Booking to 14th November 2009
Reviewed by Lizzie Loveridge based on 5th November 2009 performance at the Pit, Barbican Centre, Silk Street, London EC2 (Tube: Barbican/Moorgate)

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