CurtainUp
CurtainUp
The Internet Theater Magazine of Reviews, Features, Annotated Listings
HOME PAGE

SITE GUIDE

SEARCH


REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Connecticut
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
A CurtainUp Review
Smudge


The fact is -- and brace yourself, Smudge, 'cause this is reality — Nothing looks like you. Nothing in nature. Nothing is created like you. Not purposely. You are anti-Darwinism.—--Colby
Smudge
Cassie Beck and Greg Keller
(Photo: Carol Rosegg)
A normal young couple gives birth to a freak of nature, a baby so deformed they cannot hold it, dress it, or even easily discern its sex. That's the subject matter of Rachel Axler's new play Smudge, currently premiering at the Women's Project's Julia Miles Theater. Despite its horror movie premise, this is a thoughtful drama with lots of big questions and an unflinching portrait of the perils of parenthood.

The title refers to the deformed infant, who is described as a girl (though the sex is up for debate) with one eye and no limbs. When we first meet the expectant parents, Colby and Nick (Cassie Beck and Greg Keller), they jokingly call the muddled figure on the ultrasound photo a smudge, and this ultimately becomes the name by which Colby cruelly taunts the infant. While Nick tries valiantly to bond with the infant, Colby refuses to even look at her, instead binging on cheesecake and repeatedly informing the baby just how awful and freaky she is.

Axler, an award-winning comedic television writer, has made this potentially disturbing play a lot more palatable with her deft comic touch. Thanks to the playwright's wit, Colby's sarcasm as well as Nick's uselessness are appealing rather than alienating. Funniest of all is the character of Pete (Brian Sgambati), Nick's sleazy elder brother/ boss, who injects a dose of real-world office humor into the increasingly surreal, fantastical experiences of the parents whose baby may or may not have mind-altering powers).

Director Pam MacKinnon and scenic designer Narelle Sissons have set the play firmly in the office world: bankers boxes, file cabinets and desks serve as backdrop to the action. Smudge herself is never seen. Instead the baby is embodied by a pram fitted with tubes, cords and flashing lights. While the pram itself is appropriately and disturbingly complex, the generic office design doesn't quite mesh with the introspective, quirky play.

MacKinnon is to be complimented, however, for finding and directing actors who embody their characters with charm and intelligence. Keller is quite winning as Nick, the ultimate nice guy who would be a great dad to a normal baby. Beck as Cassie transforms convincingly from a likable young woman to a disconnected and angry mother. And Sgambati seems to get funnier with each line Pete utters.

As noted, this is an ambitious play, one that ponders such big questions as how to communicate and what it means to be alive. In fact, there are moments when Smudge feels a bit overly ambitious— its thematic scope coming at the expense of narrative clarity (and sometimes contrasting awkwardly with Axler's quips and office humor). Towards the end of the play, the storyline begins to feel a little haphazard and unclear depriving it of the needed emotional wallop. That's not to downplay Axler's depiction of realistic, likable characters headed toward breakdown and making Smudge a play that sticks with you, both for its laughs and for its message.

Smudge
Playwright: Rachel Axler
Director: Pam McKinnon
>Cast: Cassie Beck (Colby), Greg Keller (Nick), Brian Sgambati (Pete)>Lighting Designer: Russell H. Champa
Sound Designer: Asa Wember
Costume Designer: Clint Ramos
Scenic Design: Narelle Sissons
Running time: 90 minutes, no intermission
Julia Miles Theater, 424 W. 55th Street, (212) 257-3900, www.womensproject.org
Tickets: $52.
From 1/3/10 to 2/7/10; opens 1/11. Performance schedule: Monday and Tuesday @ 7pm, Thursday through Saturday @ 8pm, and Sundays @ 3pm.
Reviewed by Julia Furay based on January 11th performance.
REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of Smudge
  • I disagree with the review of Smudge
  • The review made me eager to see Smudge
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email. . .also the names and emails of any friends to whom you'd like us to forward a copy of this review.

You can also contact us at Curtainup at Facebook , Curtainup at Twitter and at our Blog Annex
Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to CurtainUp and from what part of the country.
South Pacific  Revival
South Pacific


In the Heights
In the Heights


Playbillyearbook
Playbill Broadway Yearbook


broadwaynewyork.com


amazon




©Copyright 2010, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com