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A CurtainUp Review
Slipping,


There are houses. Houses with trucks and mini-vans and basketball hoops in the driveway. Boys with tight jeans and boxers.— Eli —Eli
Slipping
Seth Numrich and Macleod Andrews. (Photo by Paula Court)
In his Author's Notes, Daniel Talbott informs his audience that Slipping his first full-length play, "fell out. . . very messy, jumbled and personal." He claims that the work which followed "has been about simplifying — cutting away the fat and trying to find only what is essential." If this is so, one hates to imagine what Talbott's first draft might have looked like.

Slipping is a coming-of-age story about Eli (Seth Numrich), a gay high school senior. Following his father's suicide, Eli has moved from San Francisco to Des Moines with his mother, Jan (Meg Gibson).

Back in San Francisco, Eli's boyfriend, Chris (Adam Driver), was a sadistic, vindictive young man who brutalized Eli and left him so scarred he is almost incapable of forming another relationship. But in Iowa he meets the sweet, all-American Jake (MacLeod Andrews), who teaches him how to love again. The scenes careen back and forth between Iowa and California, allowing for a heavy-handed comparison of the sweet and sour boyfriends.

But Eli has much more to contend with. His mother, it turns out, was not only unfaithful to his father but she never loved the poor schlemiel to begin with. And she apparently made little effort to hide her affairs from this patient and loving husband. No wonder he killed himself.

Eli, on the other hand, always loved his father, who enjoyed telling dirty jokes and kept little lists reminding him to look up obscure facts, often to he could please his wife or son. Eli could never understand why his father refused to assert himself. (So, of course, he has become a younger, gayer version of his father.) He wishes it were his mother and not his father who had died.

It's too bad Eli's father never appears onstage. He is the most interesting character in the play. It would have been great to find out how he felt about his son and wife. And it certainly would have been informative to discover how he would have reacted to having a gay son (one suspects with love and understanding).

If Slipping is truly a personal story, then it is remarkably like a host of other tales of gay angst — the boyfriend who is reluctant to tell the world about his sexual orientation, the sadistic lover who insists he is not gay, the disengaged mother. It sometimes seems as if these characters escaped from another play and quietly slipped into this one – honestly, no pun intended.

Director Kirsten Kelly's attempt to tell this story with a single set is every bit as misinformed and confusing as the script. Nor has she resisted the self-defeating lure of nudity onstage (not once, but several times).

Perhaps, given the circumstances, it's not fair to expect the actors to deliver sterling performances. Could they have made original or at least somewhat interesting characters out of the material Talbott gave them?

Talbott writes, "Slipping is a love story about two boys in a suburb in Iowa in 2006 at the shore of legalized marriage and Obama. Maybe that means it's about hope and change." Real hope and change might mean seeing plays that depict gay people as something more than a collection of anxieties, neuroses and sadomasochistic impulses.

Slipping
By Daniel Talbott
Directed by Kirsten Kelly
Cast: Seth Numrich (Eli), Meg Gibson (Jan), Macleod Andrew (Jake), Adam Driver (Chris)
Scenic Design: Lauren Helpern
Costume Design: Chloe Chapin
Lighting Design: Joel Moritz
Sound & Projection Design: Brandon Epperson
Props Design: Eugenia Furneaux-Arnends
Fight Director: Christian Kelly-Sordelet
Running Time: 85 minutes, no intermission Piece by Piece Productions and Rising Phoenix Repertory in association with Rattlestick Playwrights Theater, 224 Waverly Place. 212 868-4444 www.risingphoenixrep.org
From 7/28/09; opening 8/04/09; closing. 8/15/09
Monday through Friday at 8pm, and Saturday at 5pm and 9pm, with a special added performance on Sunday, August 2 at 7pm 
Tickets: $20
Reviewed by Paulanne Simmons Aug. 10, 2009
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