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A CurtainUp Review
Penny Penniworth


You're a pretty young thing. I'll fix that. — Miss Havasnort
Penny Penniworth
Christopher Borg, Jamie Heinlein, Jason O'Connell, and Ellen Reilly in Penny Penniworth
(Photo: Ned Thorne)
Penny Penniworth First presented by Emerging Artists Theatre Company in 2002 as part of its Spring EATFest, Chris Weikel's Penny Penniworth was subsequently produced by TOSOS II in the 2003 New York International Fringe Festival. Now, reworked, recast and expanded, it is making its Off-Broadway Premiere at TADA Theatre. This spoof of Dickens is directed by Mark Finley and features a cast of four playing a multitude of comic characters: Christopher Borg, Jamie Heinlein, Jason O'Connell, and Ellen Reilly.

The play, which bears the strongest resemblance to Dickens's Great Expectations, tells the story of Penny Penniworth, a young lady who becomes the factotum of the wealthy, embittered recluse Miss Havasnort (Ellen Reilly) after Penny's childhood love is driven out of town due to an unfortunate event with a wealthy businessman. Penny goes through various trials, adventures and transformations before being reunited with her true love.

Along the way Weikel occasionally abandons Great Expectations in favor of many other works by Dickens: A Christmas Carol, A Tale of Two Cities, Oliver Twist, and if one listens carefully, one will certainly detect traces of D.H. Lawrence, Mary Wollstonecraft Shelley, Jane Austen and perhaps even a bit of Rudyard Kipling. There's also a good deal of Mel Brooks, Monty Python, the Marx Brothers and Sid Caesar in this madcap adventure.

Penny Penniworth is certainly clever, but at times it seemed so derivative this reviewer kept asking herself, "where have I seen this before?"

Like most spoofs, this one is extravagant, naughty and physical. And like most such spoofs and, despite the many twists of its plot and some inspired acting, it goes on too long. The other problem is its lack of focus. At some moments the play seems to be a parody of Victorian times, but at others, it seems to be referencing Gothic romance. On the other hand, the gender twisting at the end is from a purely modern mindset.

Of course, many people will be so caught up in the one-liners, snide asides, unnatural poses and unanticipated turns of events to notice or care. In fact, Penny Penniworth is probably made for serious students of literature who can take great pride in not missing any of the double meanings and clever allusions.

Finley deserves credit for his adroit staging, and the ensemble cast deserves a hardy round of applause for its enthusiasm, energy and the admirable way the actors work together. Reilly was particularly convincing as Miss Havasnort. Still, despite the many excellent elementsts, Penny Penniworth is a new example of some very old stuff.

Penny Penniworth by Chris Weikel
Directed by Mark Finley
Cast: Christopher Borg, James O'Connell, Ellen Reilly, Jamie Heinlein, Set Designer: Tim McMath
Costume Designer: House of Goody
Lighting Designer: Jennifer Granrud
Original Music Composer: Peter Saxe
Running Time: 70 minutes, no intermission Emerging Artists Theater at TADA 15 West 28th Street, 2nd floor (between Broadway & 5th Ave) www.emergingartiststheatre
From 10/01/09; opening 10/05/09; closing 11/01/09.
Wed. - Sat. 8pm, Sun at 3pm and Mon. at 7pm.
Wednesday through Saturday at 8pm, Sunday at 3pm and Monday at 7pm

Tickets: $35 (800) 838-3006
Reviewed by Paulanne Simmons Oct. 5, 2009
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