CurtainUp
CurtainUp
The Internet Theater Magazine of Reviews, Features, Annotated Listings
HOME PAGE

SITE GUIDE

SEARCH


REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Connecticut
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
A CurtainUp Review
Mother

Whatever.— Kate
Mother
Buck Henry and Holland Taylor
(Photo: Alison Cartwright)
Ever since Oedipus, it seems the stage can't get enough of dysfunctional families. These families are characterized by a demonic or devious, or demonically devious mother, an ineffectual or missing father and precocious and persistently bickering children. There are variations on the theme.

Of course, in modern-day family dramas, the gods don't interfere. Or if they do, it's generally through a car accident or a fatal disease. Sometimes one wishes the gods would make their desires known quicker, ending a play that goes on too long and says too little.

Mother, Lisa Eberole's new play, making its world premiere at The Wild Project Theater, is fairly true to form. Its one distinguishing characteristic is that it takes place on New Years Eve and director Andrew Grosso and set designer Sandra Goldmark have turned the stage into the dining room of an upscale resort in West Virginia. The program, in the form of a menu, continues the conceit.

The play's other distinguishing characteristic is that the cast is led by the formidable Emmy award-winning Holland Taylor who plays Kitty Leroy, the mother of the family, opposite Buck Henry who is her husband, Joseph Leroy.

Ms. Ebersole herself plays Kate Leroy, whose main function in the play is to antagonize her brother Jackie (Haskell King). There arguments seem to be based on the theory that they are siblings and siblings always engage in something called "sibling rivalry."

There are, however, some real problems in the Leroy family. Mr. Leroy has lost much of the family fortune. Everyone seems to suspect Jackie is a closeted homosexual. Mrs. Leroy drinks too much and suffers from migraines. Kate can't keep a man. And a mysterious family, the Wilsons, also at the resort, has a penchant for kidnapping various Leroys, although Ebersole never makes clear why.

After various members of the family leave the stage to go scouting for each other, it becomes clear that the Wilsons are primarily a device to get some family members out of the way so other family members can talk about them. Which is pretty odd as the Leroys are a bunch of talkers, not a one of them seems capable of keeping a secret.

Through it all the admirable Chester (the excellent Keith Randolph Smith), a resort employee and family friend, tries to keep peace and sanity, with occasional moments of success.

Ebersole and Grosso work hard to make the play seem naturalistic. Patrons willing to pay $30 are seated at tables onstage and served a glass of Prosecco. And Ebersole, perhaps under the belief that the average American is incapable of articulating a lengthy thought, limits her sentences to about a half dozen words at most. Unfortunately, the staccato effect thus produced seems much more artificial than the longer more evocative sentences of more ambitious playwrights who have some faith in the attention span of the average theatergoer.

Although King and Ebersole never manage to do much with their snarky dialogue, Henry has his moments, and Taylor virtually lights up the stage to such a degree that she is sorely missed when the playwright finds some excuse to get her offstage.

Kitty Leroy is the wife of a man who is clueless and incompetent, and the mother of self-involved children who refuse to grow up. She is the only character written with any depth and played with any sensitivity. Kitty Leroy deserves a better family. Holland Taylor deserves a better play.

Mother
By Lisa Ebersole
Directed by Andrew Grosso
Cast: Buck Henry (Joseph Leroy), Holland Taylor (Kitty Leroy), Lisa Ebersole (Kate Leroy), Haskell King (Jackie Leroy), Keith Randolph Smith (Chester), David Rosenblatt (waiter)
Set Design: Sandra Goldmark
Costume Design: Becky Lasky
Lighting Design: Brian Jones
Sound Design: Daniel Kluger and Brandon Wolcott
Running Time: 75 minutes, no intermission
The Wild Project 195 East 3rd Street www.mothertheplay.com 212-352-0255
From 7/08/09; closing 8/01/09
Mondays, Wednesdays through Saturdays at 8pm. (No performances Tuesdays & Sundays)
Tickets: $25
Reviewed by Paulanne Simmons July 11, 2009
Try onlineseats.com for great seats to
Wicked
Jersey Boys
The Little Mermaid
Lion King
Shrek The Musical


South Pacific  Revival
South Pacific


In the Heights
In the Heights


Playbillyearbook
Playbill 2007-08 Yearbook


Leonard Maltin's Classic Movie Guide
Leonard Maltin's 2008 Movie Guide


broadwaynewyork.com


amazon




©Copyright 2009,

GUCCI

|

Aluminium Chronograph

|

PEAK new fashion ladies venting air spring heighten casual sport shoes P8004E

|

Tiffany & Co Hook and Eye Ring

|

mbt shoes

|

MBT Shoes

|

Tiffany&Co Daisy 925 sterling silver rings

|

Rolex

|

Louis Vuitton

|

Affliction Boots

|

Nike Shoes

|

Nike Dunk

|

MP5 Wholesale

|

Atlanta Falcons

|

Abercrombie Pants Wholesale 002

|

Louis Vuitton

|

UGG Boots Mulberry Genuine Australia classic Tall Ugg Boots

|

GUCCI Handbags

|

UGG Boots Classic Argyle Knit Chocolate 5879

|

Louis Vuitton Business Card Holder Ebony

|

MBT Men's Kisumu Tan Sandals

|

MBT Chapa

|

ugg boots

|

MBT Kisumu 2 White Men's Sandals

|

Nike Shoes

|

Louis Vuitton Monogram Denim Messenger Bag PM m95865

|

Bailey Button Uggs

|

Sexy Costume QS0169

|

Phone Wholesale

|

Bikinis Sets

|

Wholesale

|

Car DVD Player

|

LV

|

Tourbillon

|

Tiffany tiffany replica ring

|

Superleggera J12 White

|

Tiffany

|

rolex

|

Mouse Wholesale

|

Nike Air Max 2003

|

Monogram Groom

|

GUCCI

|

Wholesale

|

Nike Air Max LTD (dark blue/white) No.372340

Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com