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A CurtainUp London London Review
The Man Who Had All the Luck



Man is a jelly fish. The tide goes in and the tide goes out. When are you going to get used to it? — Shory
He roared my mother to her grave. — Hester
The Man Who Had All the Luck
Andrew Buchan as David Beeves
(Photo: Johan Persson)
This very earliest of Arthur Miller's plays, The Man Who Had All the Luck which precedes All My Sons by three years, ran for four days in 1944 in New York. As the box office worker at London's excellent Donmar Warehouse theatre quipped, "We've already beaten that!" While it cannot bear comparison with the greatest of Miller's work, it gets a stunning production with director Sean Holmes making sure of the clarity of Miller's message. Some of the characters whom we can recognise as emergent here find their full expression in Miller's later great plays; the father with such sporting ambition for his son so that the son fails for both of them, the drunk who disappoints everyone including ultimately himself, the wife who just about holds everyone together and the man who survives the First World War only to get ironically left wheelchair bound after an accident in the house of a prostitute in Paris.

Obviously when Miller wrote this play he couldn't have known what revulsion the fur trade would cause some animal lovers and so the desire for the mink farm to fail all round may be a more common reaction these days! However the nice and unassuming young man thinks his luck may be finally up when his neighbour's mink get sick. It is of course his sound judgment which is undoubtedly responsible this time for his success. But this production seems very far away from the person described in the programme notes, which are taken from Miller himself writing in Timebends about this play, of the successful man who committed suicide. Was the man on whom the play was based testing out his own good luck, testing the fates to see if he could survive even death by his own hand?

The London performances are outstanding. Andrew Buchan takes the lead as the essentially decent young man who fears a price has to be paid for all his good fortune. I liked too Michelle Terry as his wife Hester and Shaun Dingwall as the earnest German motor mechanic who goes into business with David Beeves. Nigel Cooke as Father Beeves and Felix Scott as his baseball protege son, Amos, who never makes it to the big league deliver a small but sensitive tragedy. Gary Lilburn is Augie Belfast the scout who has to break the bad news to father and son and the extended family. Miller is at his best when dealing with disappointment. Aidan Kelly as Shory serves as a counterpoint to David Beeves' lucky persona. I do not think we had a real Marmon on stage but it was a very beautiful cream and brown old American style car. The sets were otherwise wooden but authentic.

Miller called the play a fable and his theme seems to be, as vocalised by Gus " You can't help it when God drops the other shoe but whether you lie there or get up, that's up to you."

The play was revived at the Williamstown Theatre Festival in 2002 and then brought to Broadway. To read the reviews go here (New York)

The Man Who Had All the Luck
Written by Arthur Miller
Directed by Sean Holmes

Starring: Andrew Buchan
With: Mark Lewis Jones, Aidan Kelly, Sandra Voe, Nigel Cooke, Feliz Scott, Micherlle Terry, James Hayes, Roy Sampson, Shaun Dingwall, Gary Lilburn.
Design: Paul Wills
Lighting: Paule Constable
Sound: Christopher Shutt
Running time: Two hours 25 minutes with one interval
Box Office: 0870 060 6624
Booking to 5th April 2008
Reviewed by Lizzie Loveridge based on 6th March 2008 performance at The Donmar Warehouse, Earlham Street, London WC2 (Tube: Covent Garden)

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