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A CurtainUp London London Review
The Magic Flute



Mozart would be first surprised and then delighted!— Sir Simon Rattle conductor on this production
The Magic Flute
Pauline Malefane as the Queen of the Night
(Photo: The Young Vic )
What would Mozart have made of this South African version of The Magic Flute? He probably would have enjoyed the vitality and lack of pretence of the performers who come from the township of Khayelitsha near Cape Town and this back to basics production would have reminded him of the inspiration of his local community for whom he wrote The Magic Flute. But everything else about Impempe Yomlingo would have seemed magically different. From the wonderful instrumental introduction on marimbas conducted by the vital Mandisi Dyantyis we know that we are in for a feel good evening at The Cut's favourite young, community embracing theatre.

The performers are multi-talented as they switch from marimba playing to taking singing roles in this community versiuon of Mozart's opera. The whole is played with much humour and light hearted comedy by these musician performers who often live in poor housing, and as Kwame Kwei Armah tells us in the programme, many sleep on concrete floors in the township or look after sick and dying members of their families before and after gruelling rehearsals.

The testing of Tamino to see if he is worthy of the daughter of the Queen of the Night, Pamina (Philisa Sibeko) becomes a rite of passage for a young Xhosa boy and the High Priest Sarastro (Simphiwe Mayeki) is an African tribal chieftain. The Papageno (Zamilie Gantana) scenes are great fun as the large bird catcher, here decked out in a witty camouflage suit, comically chases after the pretty chorus of little birds. When he meets his Papagena (Thozambo Mdliva) the whole audience is smiling. The assistants of the queen of the Night are am impressive trio and the Queen of the Night herself, Pauline Malefane, with her Medusa-like headdress has a tremendous singing range. Tamino plays his flute while a trumpeter plays behind him and percussion on glass water bottles provides the music of the magic but almost all of the music is on the versatile marimbas. I liked too the costumes, some are inspired by tribal dress and other would seem to be fantasy or a parody of haute couture.

The night I saw it there were quite young children in the audience but on the whole it would be better to listen to the Young Vic's advice that this production is more suitable to the over tens. This production is twinned with Ikrismas Kherol a version of Dickens' A Christmas Carol where a female Scrooge, Pauline Malefane looks back on the days of apartheid, and which I have not yet seen.

THE MAGIC FLUTE
Written by Wolfgang Amadeus Mozart
Words and Music: Mandisi Dyantyis, Mbali Kgosidintsi, Pauline Malefane, Nolufefe Mtshabe
Adapted and directed by Mark Dornford-May
Artistic Collaborator: Charles Hazlewood

Starring: Pauline Malefane, Mandisi Dyantyis, Mhlekazi Andy Mosiea, Zamile Gantana, Philisa Sibeko
With: Malungisa Balintulo, Clyde Berning, Nolunthando Boqwana, Khanyiso Gwenxane, Thomakazi Holland, Mzwandile C Kambule, Mbali Kgosidintsi, Bongiwe Mapassa, Sibusiso Matshikiza, Simphiwe Mayeki, Zanele Gracious Mbatha, Lungelwa Mdekazi, Thozamo Mdliva, Tembisa Mlanjeni, Zebulon K Mmusi, Xolani Momo, Luthando Mthi, Nolufefe Mtshabe, Siyanda Ncobo, Asanda Ndlwana, Busisiwe Ngejane, Sonwabo Ntshata, Luvo Rasemeni, Poseletso Sejosingoe, Fikile Thani
Choreography: Lungelo Ngamlana
Costume Design: Leigh Bishop
Lighting: Mannie Manim
In association with the Baxter Theatre Centre
An Isango Portobello and Young Vic co-production
Running time: Two hours 20 minutes with one interval
Box Office: 020 7928 6363
Booking to 19th January 2008
Reviewed by Lizzie Loveridge based on 28th November performance at the Young Vic, the Cut, Waterloo, London SE1 (Rail/Tube: Waterloo/Southwark)

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