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A CurtainUp Review
Let Me Down Easy


Everyone pays a flat rate. Brent Williams, rodeo bull rider.—
Anna Deavere Smith
(Photo: Joan Marcus)
To call Anna Deavere Smith's Let Me Down Easy a play is a mistake. It does no justice to any definition of what a play is or to Anna Deavere Smith's unique style of gathering and imparting information. Nor is it a riff on President Obama's healthcare agenda. It is an evening of portraits, less harsh and polemic than Smith's previous one-woman, multi-character shows —Twilight: Los Angeles, about the 1992 riots in that city and Fires in the Mirror, about racial tension between African-Americans and Jews in Brooklyn.

The production currently playing at Arena Stage's Kreeger Theater is the first stop on a national tour is the culmination of ,the multi-talented Smith's interviews with three hundred people on three continents. After extrapolating from those verbatim lines that are relevant to the main subject — dying, a subject that remains as relevant today as when the piece was first seen in New York two years ago (New York Review).

Smith is a marvelous mimic. Inevitably, some characters are more interesting than others. Lauren Hutton comes over as a shallow ditz; cyclist Lance Armstrong regards his illness as just another mountain to climb. ""I never felt bad about being competitive,""he says and that includes his cancer. Sports writer Sally Jenkins' assessment of Armstrong is that "all athletes aren't happy until they burn themselves up." The brilliant choreographer Elizabeth Streb, best known for throwing herself and her dancers against walls from great heights, muses about death, ""some people just embrace the danger, the fire. I was on fire."" Eve Ensler, feminist author of The Vagina Monologues unsurprisingly turns the subject of death into "there's sex and there's your body."

The most poignant monologues come from Ruth Katz, who gets the same nonchalant and inefficient care others are exposed to until her job as dean of Yale Medical School is revealed. Equally moving are the words of Kiersta Kurtz-Burke, a doctor at Charity Hospital in New Orleans during the days following the catastrophic hurricane Katrina. She comments "you see the desperation of being poor in this country. I am ashamed of our country."

Let Me Down Easy is not all downers. Not at all. Smith and director Leonard Foglia mix up the vignettes so that you may be on the verge of tears of sympathy one moment and laughing the next. Former Texas Governor Ann Richards, always good for a one-liner, does not disappoint. And movie critic Joel Siegel, whose response to the specter of losing his life is not just "let me down easy," but the best laugh of the evening when he tells comedian George Burns' joke about a gorgeous woman offering an old man "super sex.""His answer: "I'll take the soup."

It should be noted that Riccardo Hernandez's set has non -distracting white furniture and three ceiling to floor mirrors --A Chorus Line redux or reflections of the audience that seem to be saying,"listen, buddy, this could be you." Ms. Smith wears a no-nonsense white shirt and navy pin-striped pants. Although it is the words that carry Let Me Down Easy, the ending, however, is as visually dramatic as it is verbally definitive. It will not leave you laughing. It will leave you thinking.

Let Me Down Easy, written and performed by Anna Deavere Smith
Directed by Leonard Foglia.
Set by Riccardo Hernandez
Costume by Ann Hould-Ward
Running time: 95 minutes, no intermission.
Arena Stage/Kreeger Theater, 1101 6th Street, SW, Washington, DC; 202-554-9066; www.arenastage.org.
From December 31, 2010 to February 13, 2011.
Followed by a national tour: Columbus, Ohio's Wexner Center for the Arts in the Lincoln Theatre (February 22-27, 2011), Philadelphia Theatre Company (March 18-April 10, 2011), and San Diego Repertory Theater and La Jolla Playhouse in association with Vantage Theatre (April 27-May 15, 2011)
Scottsboro Boys cast album
The Scottsboro Boyse


bloody bloody Andrew Jackson
Bloody Bloody Andrew Jackson


broadwaynewyork.com


amazon




©Copyright 2011, Elyse Sommer

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