HOME PAGE SITE GUIDE SEARCH REVIEWS REVIEW ARCHIVES ADVERTISING AT CURTAINUP FEATURES NEWS Etcetera and Short Term Listings LISTINGS Broadway Off-Broadway NYC Restaurants BOOKS and CDs OTHER PLACES Berkshires London California New Jersey DC Philadelphia Elsewhere QUOTES TKTS PLAYWRIGHTS' ALBUMS LETTERS TO EDITOR FILM LINKS MISCELLANEOUS Free Updates Masthead Writing for Us |
A CurtainUp Review
Gem of the Ocean
| |
Gem Of the Ocean On Broadway
Leon is no stranger to the play or its star. He originated the role of its most transformed character, Citizen Barlow, and directed its star in Everybody's Ruby and last year's award-winning revival of A Raisin in the Sun. The director has lopped a half hour off the original three hours without sacrificing any of its power and color. David Gallo's high-ceilinged design for the house that's equal parts spooky gothic and dark Tara-like plantation (as with many of Wilson's plots, don't ask how a former slave acquired this mansion!) has transferred to the Walter Kerr without a hitch. The other applause-worthy design elements -- Donald Holder's and Dan Moses Schreier's mood building lighting and sound, Kathryn Bostic's original music and Constanza Romera's (Mrs. Wilson in private life) handsomely detailed costumes-- all insure that this ninth play in Wilson's ten-play cycle (the first chronologically) remains true to the first word of its title. Laura Hitcock's review of the Mark Taper production (right after these boxed off comments and production notes) is complete and accurate enough to also apply to the Broadway Gem. Phylicia Rashad is once again remarkable, metamorphosing from her elegant real life self into a grandmotherly portly woman with a palsied left hand (her children are the slaves whose memories she is committed to preserve). Anthony Chisholm, Eugene Lee, Raynor Scheine and John Earl Jelks reprise their committed performances. I was particularly impressed with Jelks, clearly a talent to watch. The three replacement actors, Ruben Santiago-Hudson as the villain (albeit an often funny one), Caesar, and Lisagay Hamilton as his sister, Black Mary, and Eugene Lee as Eli couldn't be better. In fact, if this weren't such a strong ensemble, Santiago-Hudson could be said to walk away with top acting honors. Hamilton is more understated, but she wins enthusiastic and deserved applause in her two monologues-- when she rebels against Aunt Ester's bossiness and disowns her brother. Undoubtedly, Wilson watchers will debate as to how Gem of the Ocean compares to the previous entries in his ambitious cycle. You may hear complaints that it's not as strong or well-made as Jitney and a bit too much like a long social studies lesson. Whatever. . .Wilson's distinctive everyman poetry is not to be missed and Gem is accessible and entertaining. Most importantly it brings the mythical Aunt Ester front and center at long last. LINKS Other Plays by August Wilson: Jitney King Hedley II Ma Rainey's Black Bottom Other Plays Mentioned: Everybody's Ruby Raisin In the Sun CURRENT PRODUCTION NOTES GEM OF THE OCEAN Playwright: August Wilson Directed by Kenny Leon Cast: Anthony Chisholm (Solly Two Kings), Lisagay Hamilton (Black Mary), Ruben Santiago-Hudson (Caesar), John Earl Jelks (Citizen Barlow), Phylicia Rashad (Aunt Ester), Raynor Scheine (Rutherford Selig), Eugene Lee (Eli). Set Design: David Gallo Lighting Design: Donald Holder Costume Design: Constanza Romero Sound Design: Dan Moses Schreier Music Composed and Arranged by Kathryn Bostic Running Time: 2 1/2 hours, with intermission. Walter Kerr Theatre 219 West 48th Street, 212/239-6900 www.gemoftheocean.com From 11/23/04; opening 12/06/04. Reviewed by Elyse Sommer based on December 10th performance |
GEM OF THE OCEAN Playwright: August Wilson Director: Marion McClinton Cast: Anthony Chisholm (Solly Two Kings), Yvette Ganier (Black Mary), Peter Francis James (Caesar), John Earl Jelkes (Citizen Barlow), Phylicia Rashad (Aunt Ester), Raynor Scheine (Rutherford Selig), Al White (Eli). Set Design: David Gallo Lighting Design: Donald Holder Costume Design: Constanza Romero Sound Design: Dan Moses Schreier Music Composed and Arranged by Kathryn Bostic Running Time: Three hours with one 15-minute inermission Running Dates: July 20-September 7, 2003 Where: Mark Taper Forum, 135 N. Grand Ave., Los Angeles, Ph: (213) 628-2772 Reviewed by Laura Hitchcock on July 30, 2003. >Curtain goes down 2/06/05 after 15 preview and 72 regular performances |