HOME PAGE SITE GUIDE SEARCH REVIEWS REVIEW ARCHIVES ADVERTISING AT CURTAINUP FEATURES NEWS Etcetera and Short Term Listings LISTINGS Broadway Off-Broadway NYC Restaurants BOOKS and CDs OTHER PLACES Berkshires London California New Jersey DC Connecticut Philadelphia Elsewhere QUOTES TKTS PLAYWRIGHTS' ALBUMS LETTERS TO EDITOR FILM LINKS MISCELLANEOUS Free Updates Masthead |
A CurtainUp Review
Bloodsong of Love
By Julia Furay
For those unfamiliar with the genre, spaghetti western is the term rfor the melodramatic and violent Italian westerns filmed in Europe in the 1960s. Like any good Western, Bloodsong of Love features a man looking for justice and love. He's a guitar-carrying outlaw known only as The Musician (Eric William Morris) who's searching for the villain (Jeremy Morse) who kidnapped his wife (MK Lawson) and had him sent to jail. But don't get the wrong idea. Bloodsong of Love is more of a comic riff on the genre than a serious melodrama. Like other Iconis musicals it features a host of offbeat characters and wacky jokes. The fact that The Musician's best friend is a mustachioed Mexican dimwit named Banana (hilariously embodied by Lance Rubin) tells you everything you need to know about this musical's spoofish air. On top of that, there's so much blood and guts as to quickly become cartoonish and the audience members in the first two rows are given ponchos to protect them from being sprayed with blood. All this gleeful goriness and bloodlust and off-color jokes add up to an immature feel that might turn off some audience members. On the other hand, the show is well suited to its the Arts Nova venue and Simpkins has made the most of the tiny space. He's also kept the pace brisk throughout and added some nice bits of physical humor. The scenic and costume design (by Michael Schweikardt and Michelle Eden Humphrey, respectively) feel straight out of a low-budget movie and are just as effective. The performers, all of whom are Iconis vets, have energy to spare, great comic timing, and fantastic voices to boot. Especially noteworthy is Morris as The Musician who both embodies and lampoons the role of the lonesome hero. What really makes this show work is Iconis's lively and melodious score. Numbers like "Shoot 'Em Up" and "The Friendship Song" will stick with you for days after seeing the show. That's not to say there's no room for improvement — for example, some of the songs like an out-of-nowhere number about sailing, feel a little out of place or overlong. But Iconis is clearly a talented composer who knows exactly how to tell a story in a original and appealing manner. Bloodsong of Love was a commissioned work from Ars Nova and is the product of two years of development and collaboration. It's nice to see a writer as deserving as Iconis being given this kind of support, and one would hope he will ultimately be as successful as other Ars Nova vets like Lin-Manuel Miranda, John Gallagher Jr. and Jack McBrayer.
|
|