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A CurtainUp London Review
Broken Space Season
The lights are off but everyone's home.— The Broken Space Season's motto
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After a leaking ceiling threatened to cancel the Bush Theatre's press night of 2000 Feet Away, it became obvious that the tiny theatre's electrics were in serious need of refurbishment. However, instead of shutting the theatre and submitting to the apparent dictates of a seeping fate, the Bush has come up with The Broken Space Season. A real tribute to its ingenuity and resourcefulness on a shoe-string budget, they have commissioned a series of short plays which are played in a darkened auditorium and related in some way to the theme of darkness or falling light. The theatre's walls have crumbled plaster and exposed wires, and windows are flung open to admit shafts of light from Shepherd's Bush Green. The result is a season of poignant, intimate dramas endowed with a feeling of authenticity, as well as a further demonstration of the Bush's trademark parade of exciting new writing.
The Broken Space Season is formed of three pieces played each night in an allotted slot. At 7.30pm, Falling Light is a newly commissioned monologue connected to the abstract theme of descent into darkness, echoing the more tangible experience of the audience. Opening the season in Falling Light is Simon Stephens' Sea Wall, directed by George Perring and performed by Andrew Scott with an exquisite balance of charm, wit and grief. Centring on a man with "a hole running through him" after his world is fractured by sudden tragedy, the monologue navigates between domestic minutiae and metaphysical magnitude with finely-executed humour, poetry and calamity.
At 8.30pm, the centrepiece of the season and the only play to run every night throughout Broken Space is the world premiere of Declan Feenan's St Petersburg. The naturalistic, meandering dialogue conceals depths of memory exploration, a lost past and fear of recriminations. The two protagonists are the garrulous, elderly John (Geoffrey Hutchings) and his daughter Kate (Mairead McKinley), who engagingly perform the text's small everyday focus and grainy, earthy texture.
What the Dark Feels Like is the final instalment of the evening, commencing at 9.30pm each night. Performed in total darkness (with perhaps an usher shining a torch on the stage only), the plays have taken "ghost stories" as their starting point. Anthony Weigh's excellent The Flooded Grave is the first piece, focussing on fanatic faith, exorcism, madness, hysteria and shattered love within an evangelical, Norfolk parochialism. Expertly played by John Ramm, the audience enjoy comedy and warmth in what is, in bald narrative terms, a nasty tale of delusion and murder.
Later highlights in the season include new plays or monologues from playwrights such as Neil LaBute, Bryony Lavery and Mike Bartlett. Such a concentrated wealth of new talent is proof that the theatre is still both nurturing and showcasing the best of original writing. Galvanised rather than constrained by crippling financial and practical obstacles, The Bush's The Broken Space Season should be held up as a model for how theatre should be: fresh, inventive and inspirational.
The Broken Space Season 6 - 25 October 2008
Each evening is divided into three themes with different plays performing in each week.
7.30pm: FALLING LIGHT
Simon Stephens, Bryony Lavery and Neil LaBute present three short new monologues performed just as it goes dark, lit by the street lights of Shepherd's Bush Green through the uncovered windows of the theatre.
8.30pm: ST PETERSBURG
The only play performing consistently throughout the three week season. The world premiere of a short play by Irish playwright, Declan Feenan, directed by The Bush Theatre's new Associate Director, James Grieve, with Geoffrey Hutchings, Mairead McKinley, Bradley Ford and Zak Bann-Murray in the cast. This will be the first professional production of this writer's work.
9.30pm: WHAT THE DARK FEELS LIKE
Six ghostly new plays, commissioned by The Bush, from some of the most exciting new voices in theatre today - Mike Bartlett, Nancy Harris, Lucy Kirkwood, Ben Schiffer, Jack Thorne and Anthony Weigh. These will play in rep in near, or total, darkness.
Week 1
Monday 6 October to Saturday 11 October
Falling Light
SEA WALL by Simon Stephens
Directed by George Perrin
Cast: Andrew Scott.
St Petersburg by Declan Feenan
Directed by James Grieve
Cast includes: Geoffrey Hutchings, Mairead McKinley, Bradley Ford and Zac Bann-Murray
What The Dark Feels Like
6 October to 8 October
THE FLOODED GRAVE by Anthony Weigh
Directed by Josie Rourke
9 October to 11 October
HE SAID by Mike Bartlett
Directed by Anthony Weigh
WEEK 2
Monday 13 October to Sat 18 October
Falling Light
BUFONIDAE by Bryony Lavery
Directed by Nathan Curry
St Petersburg by Declan Feenan
Directed by James Grieve
Cast includes: Geoffrey Hutchings, Mairead McKinley, Bradley Ford and Zak Bann-Murray
What The Dark Feels Like
13 October to 15 October
TWO CIGARETTES by Jack Thorne
Directed by Anthea Williams
16 October to 18 October
HIS GHOSTLY HEART by Ben Schiffer
Directed by Hamish Pirie
WEEK 3
Monday 20 October to Saturday 25 October
Falling Light
THE WAR ON TERROR by Neil LaBute
Directed by Neil LaBute
Cast: Michelle Terry
St Petersburg by Declan Feenan
Directed by James Grieve
Cast includes: Geoffrey Hutchings, Mairead McKinley, Bradley Ford and Zak Bann-Murray
What The Dark Feels Like
20 October to 22 October
PSYCHOGEOGRAPHYby Lucy Kirkwood
23 October to 25 October
LITTLE DOLLSby Nancy Harris
Directed by Charlotte Gwinner
Plays Written by Neil la Bute, Anthony Weigh, Lucy Kirkwood, Nancy Harris, Declan Feenan, Ben Schiffer, Bryony Lavery, Simon Stephens, Mike Bartlett
Directed by Josie Rourke, Neil laBute, Charlotte Gwinner, James Grieve, Anthea Williams, Hamish Pirie, Nathan Currie, George Perrin
With: Joseph Fiennes, Ian Hart, Roger Sloman, Phyllis Logan, Kirsty Bushell, Kevin Trainor, Joe Ashman, Oliver Coopersmith, Miranda Princi, Charlotte Beaumont
Design: Brien Vahey
Lighting design: John Comiskey
Costume design: Joan Bergin
Running time: Two hours 45minutes with two intervals
Box Office: 020 7610 4224
Booking to 25th October 2008
Reviewed by Charlotte Loveridge based on 7th October 2008 performance at The Bush Theatre, Shepherds Bush Green, London, W12 8QD (Tube: Shepherd's Bush)
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