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A CurtainUp Los Angeles Review
Victory


My subject has always been the desperate individual and, tragically, there are more than enough of them in the new South Africa. — Athol Fugard
For several years Athol Fugard has bequeathed his plays to The Fountain Theatre in Los Angeles for their American premieres. We are fortunate in having his latest, a one-hour drama based on a true experience when he still lived in South Africa.

Its title has a double meaning. It signifies that glorious day when Nelson Mandela was released from prison and also marked the birth of Victoria (Tinashe Kajese), the heroine of this play.

Vicky's parents worked for many years for Lionel (Morlan Higgins) and his late wife Sara. Lionel is a retired schoolteacher, now living alone with only the books lining the cozy wood-paneled room designed by Travis Gale Lewis as his beloved companions. One night a young black couple break into his house. Their desperation is palpable as they plunder the place, looking for the money Vicky has told Freddie (Lovensky Jean-Baptiste) the old man has there.

Lionel turns on the lights, gun in hand, and discovers the couple. His sorrow as he discovers Vicky is not only thief but instigator becomes reproachfu , as he reprimands her for not bringing her school transcripts so he could help her further her education.

When Freddy captures the gun, Lionel wryly tells him " The hand that holds the gun is the master" As Freddy leaves the house to load the loot into Lionel's car, Vicky shrieks at Lionel that he never listened to what she was telling him about the horrors of her life but grudgingly gave her money so she wouldn't bother him.

Under Stephen Sachs' taut direction, the play singes with suspense and fear. Fugard deftly uses it as a vehicle to express the obtuseness of both blacks and whites. Lionel's insensitivity is just as oblique as is bright Vicky's inability to further her education and make something of herself.

Morlan Higgins turns in his usual sensitive performance as the gentle Lionel. Freddy's part is written as one-dimensional rage which Jean-Baptiste has the power to express. This character gives the play a consistently pulsing menace, but it would be even better if it were more nuanced. It's Ms. Kajese's performance that gives the play its throbbing heart. She fully inhabits the poignant and frustrating Vicky with passion, fear and a charming ability to wheedle. Like Vicky, she has what it takes to fulfill her destiny as a heroine.

VICTORY
Playwright: Athol Fugard
Director: Stephen Sachs
Cast: Lovensky Jean-Baptiste (Freddie), Tinashe Kajese (Vicky), Morlan Higgins (Lionel)
Sets & Properties Design: Travis Gale Lewis
Lighting Design: Christian Epps
Costume Design: Shon Le Blanc
Sound Design: David B. Marling
Running Time: One hour
Running Dates: January 25-March 9, 2008
Where: The Fountain Theatre, 5060 Fountain Avenue, Los Angeles, Reservations: (323) 663-1525
Reviewed by Laura Hitchcock on January 25.
broadway musicals: the 101 greatest shows of all time
Easy-on-the budget super gift for yourself and your musical loving friends. Tons of gorgeous pictures.


Leonard Maltin's Classic Movie Guide
Leonard Maltin's 2007 Movie Guide


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