Google
 
Web    
www.curtainup.com
The Treatment, a CurtainUp review
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE

SITE GUIDE

REVIEWS

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
DC
Philadelphia
Elsewhere

QUOTES

On TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us


Globe Valves,China valve, valve Manufacturer, valve supplier, link check valves, ball valves, Butterfly Valves,valves Butterfly valves 2011.06.05, Gate valves, Ball Valves,Gate Valves,Check Valves Plug Valvesglobe valves, butterfly valves, Zhejiang sedelon valve co.,ltd.
valve factory,valve corporation,valve company China Valve manufacturer and Supplier




A CurtainUp Review
The Treatment


New war, soldier. New rules.
---Woman


Dylan McDermott and Portia
D. McDermott and Portia (Photo: Bruce Glikas)


With The Treatment, The Culture Project kicks off its ambitious Impact Festival, a six week multi-disciplinary effort to bring "human rights, social justice and political action" squarely into the lens of arts patrons. Other festival events are scheduled around the city, and further details are available at the Festival website, www. impactfestival.org. The scope and depth of programming is astonishing, and should have a substantial impact on, if nothing else, the rest of the cultural community, if not the deaf ears to which it is ultimately directed.

Eve Ensler's play considers the recent subject of Iraqi prison abuse from the personalized circumstances of an un-named army sergeant (Dylan McDermott), who served as a military interrogator at the prisons, and the army psychologist assigned, putatively, to provide him counseling for post-traumatic stress disorder and other consequences of his service. It's a subject laden with minefields of its own, though Ms. Ensler mostly skirts its underlying explosiveness. There is no trenchant exploration of the essential culture that gave birth to the headline-grabbing atrocities; the play's potential is undercut by jokes, overly-glib dialogue and a heavy dose of sexual energy.

In the end, one feels subjected to a bait-and-switch: having been lured into a drama about a topic worthy of our close attention, we are rewarded by its trivialization. One gets the rather distinct impression that the playwright has little to say as to how these roundly-condemned actions were seemingly routinely undertaken without being stopped. Why, the, are we here?

Leigh Silverman's direction is functionally sound and, though its pacing is fast -- bordering on frantic at times -- it becomes redundant and tedious. The action, such as it is, takes place in the psychologist's office (in which, for reasons not at all clear, she seems to live). In reality, isolated sessions don't always bear fruit, but dramatically they must build. After the third static one we sit through, more is need by those not being paid by the hour.

There is a sense that the actors are searching hard for their characters, but neither rises above the physical language cues that are abundantly on display. Mr. McDermott in particular seems awfully busy creating a persona that doesn't sit easily on his shoulders. One hopes both of them will become more settled with time.

The sergeant reveals a generalized skepticism of the process, and a discomfort with the mantle of "PTSD freak" that has been placed on him. The therapist pushes and pulls all the right buttons and, not surprisingly, gets results. After much resistance, when that breakthrough comes, it's with a false alacrity. Things then take a bizarre turn, for reasons that bring us full circle to trying to divine Ensler's purpose, before shifting yet again, back in a more interesting but no more explored direction.

Design elements are of a piece. From Richard Hoover's military interior design (lots of metal and vinyl) to Justin Townsend's lighting (which features some particularly nice effects) to Jill duBoff's clanky, insistent sound design, they are all well-executed.

But without some sort of insight, beyond an observer's point-of-view, what transpires onstage doesn't have much "impact".

The Treatment
by Eve Ensler
Directed by Leigh Silverman
with Dylan McDermott and Portia
Set Design: Richard Hoover
Costume Design: Candice Donnelly
Lighting Design: Justin Townsend
Sound Design: Jill BC DuBoff
Running time: 1 hour, 10 minutes with no intermission
The Culture Project, 45 Bleecker (@Lafayette)
Telephone (212) 307-4100
Opening September 12, 2006, closes October 22, 2006
TUES - SAT @8, SAT - SUN @3; $55 (student rush tickets 1 hour before show time, $21)
Reviewed by Les Gutman based on 9/10/06 performance

Playbill Broadway Year Book
The new annual to dress up every Broadway lover's coffee table



Leonard Maltin's Classic Movie Guide
Leonard Maltin's 2006 Movie Guide


Leonard Maltin's Classic Movie Guide
Leonard Maltin's Classic Movie Guide


                  metaphors dictionary cover
6, 500 Comparative Phrases including 800 Shakespearean Metaphors by our editor.
Click image to buy.
Go here for details and larger image.



                  broadwaynewyork.com



The Broadway Theatre Archive



amazon



©2006  Elyse Sommer.