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A CurtainUp Review
The Silent Concerto


This is a play he begins over and over again. Scene One. ---Naldo


silent concerto
Susan Louise O'Connor and Julian Stetkevych (Photo: Scott Ebersold)
Scene One. Scene One. Scene One. Naldo (Drew Hirschfeld) the central character of Alejandro Morales' The Silent Concerto is trying to write a play about himself and his two best friends, but he is hobbled by a major writer's block. He can't manage to get past the first scene. Years pass, and Naldo still cannot move past the opening moments of his play.

Naldo's failed attempts at playwrighting frame the story of this new play from Packawallop Productions in which three friends — Naldo, Mallory (Susan Louise O'Connor) and Benny (Julian Stetkevych)— try to overcome a whole bunch of false starts in life. These false starts cover career, love or friendship. Though the blocked playwright conceit is a clever and appropriate framework for the story.but it's a dangerous structure since it makes the play inherently repetitive. Scene One. Scene One. Scene One.

For the most part, the repetition overpowers the story, leaving us with lots of poetic language but not much dramatic effect. As the play begins Naldo and Mallory are best friends and roommates, both starry-eyed and ambitious college graduates. Maldo is an actress just cast in The Seagull and Naldo is going to write a play for her. They continually quote lines from Chekhov' to each other and sound l as if they're characters in The Seagull. With the nonstop Chekhovian references, it's probably a good idea to be familiar with The Seagull to appreciate The Silent Concerto. The third character is Naldo's old flame Benny, a hard drinking, promiscuous young man who on a whim has decided to move to New York, become an actor and mooch off Naldo and Mallory.

Ten years pass during which we watch these three become disillusioned, take more medication (be it prescribed or alcoholic), grow apart, and get lonelier. Unfortunately these characters aren't quite compelling enough for us to put with with ten years of their refusals to grow up. And the script doesn't live up to its occasional promise: the jokey climactic scene was a real cop-out, given the characters' problems.

While O'Connor is winning and charmingly neurotic as Mallory, Stetkevych and Hirschfeld as the two ex-lovers: both characters seem a mite too overdone to be convincing. Adding to the negatives is Scott Ebersold's fairly static direction. He relies a little too heavily on the device of having his actors stand near a ghost light and deliver their lines directly to the audience.

On the plus side, we do enjoy flashes of vitality. Wendy Seyb's choreography makes a goofy, drunken lipsync dance into a hilarious and theatrical salute to Tori Amos. Best of all are Morales's evocative, poetic monologues. They are the most rewarding aspects of his play and would make the script's weaknesses seem irrelevant if we didn't have to sit through quite so much repetition.

THE SILENT CONCERTO
Playwright: Alejandro Morales
Directed by Scott Ebersold
Cast: Susan Louise O'Connor (Mallory), Drew Hirschfeld (Naldo), Julian Stetkevych (Benny)
Choreography: Wendy Seyb
Set Design: Nicholas Vaghan
Costume Design: Jessica Watters
Lighting Design: Douglas Filomena
Sound Design: Ryan Maeker

Running time: 2 hours, includes one intermission
14th Street Theater, 344 East 14th Street (between 1st and 2nd Avenue)
From 1/26/07 to 2/17/07; opens 1/29
Mondays & Thursdays at 7pm, Firday & Saturdays at 8pm
Tickets: $18
Reviewed by Julia Furay based on January 26th performance.
broadway musicals: the 101 greatest shows of all time
Easy-on-the budget super gift for yourself and your musical loving friends. Tons of gorgeous pictures.


Leonard Maltin's Classic Movie Guide
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