CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com



HOME PAGE

SITE GUIDE

SEARCH

ADVERTISING AT CURTAINUP

REVIEWS

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us

A CurtainUp Los Angeles Review
Romeo et Juliette


Charles Gounod's opera, based on Shakespeare's play debuted in 1875. It's not well-known, is rarely done and is receiving a superlative production, directed by Ian Judge, at the Los Angeles Opera.

John Gunter did the breathtaking scenic design, Tim Goodchild the costumes and Kitty McNamee the choreography, assisted by Ed Douglas as Fight Choreographer. This deserves special mention as those dancers are all over the stage all the time, whirling, dancing, strutting their stuff.

Placido Domingo directed the orchestra with passion and flare in this glittering extravaganza. The story of these, if you'll pardon the cliche, star-crossed lovers is so familiar it hardly bears repeating but this production makes it new. The warring families vividly clash from the beginning with Douglas's fight choreography joyously starring. Juliette (Nino Machaidze) sings the familiar Waltz Song, the best-known aria in the opera, with a lyric lilt.

Machaidze and Vittorio Grigolo who plays Romeo are well-matched, both dark and good-looking. Machaidze has a superb mezzo-soprano and has sung Romeo et Juliette all over the world. Grigolo's tenor, once he's warmed up in the Second Act, is a ringing match. He overcame the initial lag with superb acting skills and skillfully dances a step or two, thanks to the choreographers.

Elena Belfiore sings the trouser part of Stephano, Romeo's friend, in her LA Opera debut. Her rich mezzo-soprano and boyish charm do justice to this feisty role. One thing leads to another and, before we know it, Mercutio (Museop Kim), Romeo's quick-tempered best friend, jumps in and becomes embroiled with Tybalt (Alexey Sayapin). A moustachioed baritone, Kim a dashing Mercutio but no match for Russian tenor Sayapin, also making his LA Opera debut. Mercutio's death infuriates his friend Romeo who snatches up a convenient dagger and runs the dastard through.

Bass Vitalij Kowaljow makes a sonorous and imposing Friar Laurence who turns the play towards its inevitable and tragic conclusion. The Nurse is sung by mezzo-soprano Ronnita Nicole Miller heard in Eugene Onegin. Here the role is larger, giving Miller more acting and singing scope, which she accomplished with elan.

This opera gives R&J a moving duet at the end, as opposed to the play. Musical prowess aside, it's a beautiful and moving finale with a well-earned nod to the leading characters. There are a number of arias throughout the opera spotlighting characters whom we barely remember from the play, such as Stephano, Lord Capulet (Vladimir Chernov who sings the role with distinction) and Philip Cokorinos as the Duke of Verona, another noble.

The Los Angeles Opera has done this little-known work by Charles Gounod proud. Despite its lilting if not memorable score, the performance was unforgettable.

Share
Title: Romeo et Juliette
Libretto by Jules Barbier and Michel Carre, after William Shakespeare's Romeo and Juliet
Director: Ian Judge
Conductor: Placido Domingo
Cast: Romeo (Vittorio Grigolo), Juliet (Nino Machaidze), Mercutio (Museop Kim), Friar Laurence (Vitalij Kowaljow), Lord Capulet (Vladimir Chernov), Tybalt (Alexey Sayapin), The Duke of Verona (Philip Cokorinos), Stephano (Elena Belfiore), The Nurse (Ronnita Nicole Miller), Gregorio (Michael Dean), Benvolio (Ben Bliss), Count Paris (Daniel Armstrong), Friar John (Erik Anstine).
When: Nov. 6-26, 2011
Where: Los Angeles Opera, Music Center, Dorothy Chandler Pavilion, Los Angeles. Reservations: (213) 972-7211.
Reviewed by Laura Hitchcock on November 6.
Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to CurtainUp and from what part of the country.

Visit Curtainup's Blog Annex
For a feed to reviews and features as they are posted add http://curtainupnewlinks.blogspot.com to your reader
Curtainup at Facebook . . . Curtainup at Twitter


REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of Romeo et Juliette
  • I disagree with the review of Romeo et Juliette
  • The review made me eager to see Romeo et Juliette
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email. . .also the names and emails of any friends to whom you'd like us to forward a copy of this review.

In the Heights
In the Heights


broadwaynewyork.com


amazon



©Copyright 2011, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com