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A CurtainUp Review
An Evening with Quentin Crisp

by Les Gutman

The aging process brings on, it is true, a few wrinkles. It also seems to nurture a candor that is suppressed in earlier years by some sort of editing device in the human brain. If this device stops functioning while the rest of the brain continues to operate at full force, vivid insights can be revealed. When, as is the case with Quentin Crisp, this scenario is married with a sharp wit, great things can happen.

Crisp's solo Evening, presented on the occasion of his 90th birthday, is a reprise of his 1978 Drama Desk Award-winning show. (It had a brief but popular revival this past summer downtown.) Although his penchant for quotable quotes might lead one to expect an evening of entertaining but free-form Wildean epigrams, Crisp has a very precise, distinct message for his audience. The philosophy it expresses leads to little admiration of Wilde. It could be summarized: to thine own self be true, and to others, too.

The show is divided into two parts. Before the intermission, Crisp sits in a comfortable chair and astutely imparts his wisdom. Part preacher, part professor and part camp counselor, his humor is the glue that holds the audience's attention. After the intermission, he returns to answer audience questions, which audience members have either written on cards and may ask from their seats.

Having lived most of this century and, until twenty years ago, in England, Crisp possesses a particularly intriguing perspective. He seems perplexed -- but not surprised -- that America's unbounded freedom has not been a recipe for happiness. He insists that, for such happiness, we must look inward, and create an honest self-image. "All concealment," he tells us, "is wrong". By all accounts, he is living proof of his theory.

Crisp's approach makes exuberant praise of his work seem hyperbolic. When told he is witty, he demurs. He says his portfolio of ideas is a limited one; if he seems clever and glib, he would say, it is from practice. Perhaps so, but then practice indeed makes perfect. In the first half of the show, he has the audience laughing as he instructs in the fine art of controlling an interview -- turning any question around to suit a prepared anecdote. Then, in the question-and-answer period, he nimbly answers anything asked of him, with clever responses he probably concocted years before the questioner was born.

Seems he also practices what he preaches.

Crisp has crafted a harmonious balance that seems to propel him ever forward and upward. He can be brutally opinionated without being hurtful, naughty but not unwholesome, honest yet mannered. He exudes a warmth of spirit that's contagious. Small wonder his audience leaves smiling and a bit uplifted, even on a blisteringly cold winter night.

AN EVENING WITH QUENTIN CRISP 
by and starring Quentin Crisp 
Set Design: Rob Wolin 
Lighting Design: Scott Davis 
Music: Thomas Hasselwander 
Intar Theater, 420 West 42nd Street (9th/10th AV) (212) 330-7200 
opened December 25, 1998; closing January 31, 1999. 
Seen January 2, 1999 and reviewed by Les Gutman January 4, 1999


©Copyright 1999, Elyse Sommer, CurtainUp.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com