CurtainUp
CurtainUp

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE

SITE GUIDE

SEARCH

ADVERTISING AT CURTAINUP

REVIEWS

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us

A CurtainUp Los Angeles Review
My Fair Lady


Just you wait! — Eliza Doolittle
Revisiting the stage production of My Fair Lady is like going to your high school reunion and finding that high school sweetheart really deserved to be your first love and that there was more to her than met the eye. The 50th anniversary celebration of this delicious musical was produced by Cameron Mackintosh, directed by Trevor Nunn and choreographed by Matthew Bourne.

review continues below


You might say the only American contributers to this quintessentially English work were Frederick Loewe & Alan Jay Lerner who simply provided the unforgettable music and haunting clever words. Lerner had a hard act to follow, adapting Bernard Shaw's Pygmalion which was itself inspired by Ovid's poem about a sculptor whose statue of a beautiful woman comes to life.

MFL worships words more than sculpture as a metaphor for life best lived and those who treasure memories of the wonderful movie version will find new delights in the stage production. It's particularly apparent in the character of Alfred Doolittle, Eliza's father, played here with roguish élan by Tim Jerome. A wily con man, when his talents are appreciated and he inherits some money, it pretty well ruins his life, which he keeps on living with his customary what-the-hell flair. Shaw's dialogues between Doolittle and Higgins were slyly strewn with class and political allusions, many of which didn't make it to the movie version. It's surprising how Shaw this musical is.

Bourne makes him the centerpiece for two great dance numbers, "With A Little Bit Of Luck", in which the dancers use ashcans for everything from dance shoes to cymbals and "Get Me To The Church On Time", a breathtaking cross between something too spontaneous for a bachelor party and too bawdy for a boy's night out.

Lisa O'Hare gives a vivid professional performance as Eliza and what she does with her exquisite voice is amazing. Her flair for comic timing is superbly revealed in the Ascot teacup scene. As Higgins, Christopher Cazanove's face is deceptively angelic and his bullying of Eliza which turns her from a Cockey guttersnipe into an elegant lady is obtusely brutal. We get a glimpse of his inner child when Eliza leaves him at his mother's house and he calls "Mother"on a desperate note of infant abandonment. Trevor Nunn underlines the chemistry between the two from the very beginning by highlighting musical chords when feelings start to simmer between the professor who is afraid of being bossed by women and the flower-girl who trusts him through her angry tears.

The supporting cast includes Walter Charles as a wry Colonel Pickering with a deliciously understated sense of humor; Justin Bohon as a rather over-the-top Freddy Eynsford-Hill; Barbara Marineau as Higgins' housekeeper, Mrs. Pearce, whose few singing lines make one wish to hear more from her; and Marni Nixon, who sang Eliza for Audrey Hepburn in the movie version, among many other Hollywood stars, as Mrs. Higgins, in an acerbic but welcome apostrophe.

Anthony Ward's scenic and costume design is for the most part irreproachable, though the choice of unrelieved black gowns for the Ascot Gavotte seems unlikely and depressing, despite the exquisite opulence of the concepts. All things considered, this is a production worthy of a 50th Anniversary celebration.

MY FAIR LADY
Book & Lyrics: Alan Jay Lerner; Music: Frederick Loewe
Director: Trevor Nunn
Choreography: Matthew Bourne
Cast: Lisa O'Hare (Eliza Doolittle), Christopher Cazenove (Professor Henry Higgins), Walter Charles (Colonel Pickering), Justin Bohon (Freddy Eynsford-Hill), Tim Jerome (Alfred Doolittle), Marni Nixon (Mrs. Higgins), Barbara Marineau (Mrs. Pearce), Michael J. Farina (Zolton Karpathy), Debra Cardona (Queen of Transylvania), Harlan Bengel (Prince of Transylvania), Jesse Swimm (Dance Captain) Set & Costume Design: Anthony Ward
Lighting Design: David Hersey
Sound Design: Paul Groothuis
Running Time: Three Hours, one intermission
Running Dates: April 9-27, 2008
The Ahmanson Theatre, Center Theatre Group, 135 N. Grand Ave. Los Angeles, Reservations: (213) 972-7564.
Reviewed by Laura Hitchcock on April 10.
Google
 
Web    
www.curtainup.com
broadway musicals: the 101 greatest shows of all time
Easy-on-the budget super gift for yourself and your musical loving friends. Tons of gorgeous pictures.


Leonard Maltin's Classic Movie Guide
Leonard Maltin's 2007 Movie Guide


broadwaynewyork.com


The Broadway Theatre Archive>


amazon


©Copyright 2008,

GUCCI

|

Aluminium Chronograph

|

PEAK new fashion ladies venting air spring heighten casual sport shoes P8004E

|

Tiffany & Co Hook and Eye Ring

|

mbt shoes

|

MBT Shoes

|

Tiffany&Co Daisy 925 sterling silver rings

|

Rolex

|

Louis Vuitton

|

Affliction Boots

|

Nike Shoes

|

Nike Dunk

|

MP5 Wholesale

|

Atlanta Falcons

|

Abercrombie Pants Wholesale 002

|

Louis Vuitton

|

UGG Boots Mulberry Genuine Australia classic Tall Ugg Boots

|

GUCCI Handbags

|

UGG Boots Classic Argyle Knit Chocolate 5879

|

Louis Vuitton Business Card Holder Ebony

|

MBT Men's Kisumu Tan Sandals

|

MBT Chapa

|

ugg boots

|

MBT Kisumu 2 White Men's Sandals

|

Nike Shoes

|

Louis Vuitton Monogram Denim Messenger Bag PM m95865

|

Bailey Button Uggs

|

Sexy Costume QS0169

|

Phone Wholesale

|

Bikinis Sets

|

Wholesale

|

Car DVD Player

|

LV

|

Tourbillon

|

Tiffany tiffany replica ring

|

Superleggera J12 White

|

Tiffany

|

rolex

|

Mouse Wholesale

|

Nike Air Max 2003

|

Monogram Groom

|

GUCCI

|

Wholesale

|

Nike Air Max LTD (dark blue/white) No.372340

Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com