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A CurtainUp
Review
Marathon 2000: Series C
Ensemble Studio Theatre's 23rd Annual Festival of One-Act
Plays
"Cannibals", "The Final Interrogation of Ceausescu's Dog", "Birth Marks",
"Alien Boy" and "Proof"
by Les Gutman
E.S.T. brings its Marathon season to a close with five short plays with
lots of supremely comic moments but an overall sense that we are nonetheless
treading in more serious waters. Some particularly fine acting is also
on display.
The first two offerings make their points with simple elegance. "Cannibals,"
the curtain raiser, finds Jane (Diana LaMar) performing carpooling duties
for her kids, Sierra (Miranda Black) and Max (Lou Carbonneau), as well
as two other girls, Persephone (Annie Meisels) and Rachel (Anna Antonia
Li). Jane is a lawyer on the "mommy track," married to a lawyer and now
carting around the children of other lawyers. Her incredulity at her upper
middle class suburban existence, which leaves her unhappy, frustrated and
short-tempered, is trumped when the rewards of motherhood come into sharp
relief. LaMar is terrific in several out-of-body monologues that punctuate
the ride, and Meisels is especially notable among the kids in this piece,
all smartly staged by India Cooper.
Warren Leight's fanciful "The Final Interrogation of Ceausescu's Dog"
goes precisely where the title would suggest. In the days following the
Romanian despot's execution, his canine friend is given due process. It's
a clever rumination on the nature of man, the mind and the sometimes illusive
powers they can wield. Ean Sheehy is fine as the young interrogator, but
Alexander R. Scott's baronial pet is sublime, seizing the somber humor
from the smugness of the animal without letting it generate his own.
Leslie Caputo's "Birth Marks" is an entirely predictable, virtually
interminable treatment of the plight of a new young mother, Terry (Jenna
Lumia), whose husband is, in the words of her father (Martin Shakar, who
is splendid in the sole redeeming performance here), "a bum". Terry is
Irish, her husband Latino. The father comes to her hospital room bearing
letters from his disgraced wife as he tries to balance his devotions to
both. Terry is in denial regarding the state of her marriage, and confused
about what to do with her new baby girl. Her spicy sister-in-law, Yvonne
(Nicole Gomez), is anxious for them to take the baby home; the hospital
seems to think she would be better off put up for adoption. Gomez is oddly
restrained and slightly off-key, as is Ramón de Ocampo as her brother,
Luis, a character who is also unfortunate for having been written "slow,"
for no reason other than, I suppose, its perceived comic potential. The
discomfort of labor is supposed to be erased by what follows. Here, the
pain clearly persists, and regrettably the audience also has little cause
for celebration.
David Greenspan
(Photo: Carol Rosegg)
|
We've seen David Greenspan's evocation of enough gay men onstage (Boys
in the Band, The Wax and Small Craft Warnings, to name
the most memorable) that his portrayal of the two ends of a thirty year
arc in the life of the unnamed one in Will Scheffer's monologue, "Alien
Boy," seems both familiar and, well, alien. We first find him at age 13,
the year he canceled his Bar Mitzvah and insisted his mother take him from
Bloomfield, NJ to New York City to see Boys in the Band (the movie).
Later, he morphs into the older, wiser gay New Yorker he is today, his
"polite relationship" with his mother reaching an indescribable conclusion.
Scheffer manages to seriously consider a broad range of issues, and Greenspan
never ceases to entertain.
"Proof" (not to be confused with the full length play currently on display
at Manhattan Theatre Club) begins with an intemperate (and exceptionally
funny) lecture by a post-doctoral neuroscience fellow, Nathan Simpson (Brad
Bellamy), and ends, less auspiciously, with his multi-level confrontation
with his mentor, Norman P. Carver (Forest Compton). There's a lot of good
material here, but even the two strikingly good performances unfortunately
can't overcome the repetitiveness that takes the wind out of its sails
by the end.
LINKS TO PRIOR MARATHON REVIEWS
97 Series C
98 Series A B
C
99 Series A B
00 Series A B
CANNIBALS
by Heather Dundas
Directed by India Cooper
with Miranda Black, Lou Carbonneau, Diana LaMar, Anna Antonia Li and
Annie Meisels
THE FINAL INTERROGATION OF CEAUSESCU'S DOG
by Warren Leight
Directed by Jack Hofsiss
with Alexander R. Scott and Ean Sheely
BIRTH MARKS
by Leslie Caputo
Directed by Abigail Zealey Bess
with Martin Shakar, Nicole Gomez, Ramón de Ocampo and Jenna
Lamia
ALIEN BOY
by Will Scheffer
Directed by Mark Roberts
with David Greenspan
PROOF
by Jeff Reich
Directed by Kevin Confoy
with Brad Bellamy and Forest Compton
Set Designs by Carlo Adinolfi
Costume Designs by Bruce Goodrich
Lighting Designs by Greg MacPherson
Sound Designs by Robert Gould
Ensemble Studio Theatre 549 West 52nd Street (10/11 AV) (212) 247-
4982
May 31 - June 11 , 2000
Time: approximately 1 hour, 55 minutes with one intermission
Reviewed by Les Gutman June 2, 2000 |
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