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A CurtainUp Review
Jimmy Carter was a Democrat


by Les Gutman
Do you want the rush? Or do you want serenity?
---Rinne Groff


Steven Rattazzi
S. Rattazzi
Strangely enough, it was just 21 or so years ago, but 1981 has taken on the feel of ancient history. There were two genuinely "wow"-inducing events that year, the sorts of things that takes your breath away. The first was the January 20 television image of Ronald Reagan's first inauguration, the screen split between the routine and orderly transfer of power in a strong but hobbling nation and the take-off of the plane releasing American hostages from Iran, the coda to perhaps America's most humiliating experience in the last quarter of the 20th Century. The second occurred on August 5, when Reagan fired 11,345 striking air traffic controllers, judging the enforcement of the ban on strikes by Federal employees worth the potential risks to aviation safety.

Rinne Groff's new play treads in the run-up to these events, set in the mind of a labor historian, Dr. Samuel D. Shostakovitz (Steven Rattazzi), who becomes a tour guide of sorts to his own musings. It's a brilliant, quirky, hilarious performance, and I wouldn't be at all surprised to learn that Groff wrote the play with Rattazzi in mind. Unfortunately, it's difficult to figure out what else she might have had in mind: the rest of the play seems to bypass every opportunity to be interesting, missing the runway on air safety and labor issues as it is pointlessly diverted by a trio of sexual relationships.

In the Laguardia tower, we meet two air traffic controllers, Emily (Carla Harting), a PATCO partisan, and Bill (David Stewart), a reluctant union follower but an enthusiastic beer drinker. (There are several good scenes depicting life in the control tower, with Rattazzi as Dr. Sammy, sitting on his bed impersonating an array of pilots checking in from their cockpits.) There is also their FAA supervisor, Mike (Tim McGeever), who tows the company line. Emily spends a lot of time hopping in and out of bed with both; she must have some elusive appeal because Shostakovitz is also infatuated with her. Bill also occasionally hops home to his wife Louise (Molly Powell), who ends up leaving him over some combination of fooling around with Emily and agreeing to go on strike.

Emily has a long poetic monologue in which Groff deftly develops a cross-metaphor involving the natural force of gravity and the unnatural phenomenon of flight. It's one of several times that an engaging theme peeks out of her script, only to be quickly banished. The basic structure of her effort, radiating from Shostakovitz's dingy, very lived-in apartment (nicely designed by Laura Hyman) holds forth promise, and Michael Sexton stages it exceptionally well, but there's little else there to redeem it. The four actors (Rattazzi excluded) don't have much to work with, and they probably can't be blamed for not making more of their roles than they do.

Rinne Groff has shown herself capable of much more than is on display here. Let's hope she gets her radar screen back in working order.

LINK TO ANOTHER PLAY BY RINNE GROFF
The Five Hysterical Girls Theorem

Jimmy Carter was a Democrat
by Rinne Groff
Directed by Michael Sexton
with Steven Rattazzi, Carla Harting, Tim McGeever, Molly Powell and Daniel Stewart
Set Design: Laura Hyman
Costume Design: Elizabeth Niemczyk
Lighting Design: Heather Carson
Sound Design: Jill Du Boff
Original song by Richard Maxwell (music) and Ms. Groff (lyrics)
Running Time: 1 hour, 20 minutes with no intermission
P.S. 122, 150 First Avenue (@9th St)
Telephone (212) 477 - 5288
P.S. 122 website: www.ps122.org
Opening March 28, 2002, closing April 21, 2002
reopening at the Kitchen to May 27th. THURS - SUN @7:30; $15
Reviewed by Les Gutman based on 3/30/02 performance

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