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A CurtainUp Review
Jackie Mason: The Ultimate Jew


What could you do for $5000 that you wouldn't do for $4000?— Jackie Mason, launching into his latest political rent by questioning the substantive call girl services that cost Eliot Spitzer not only $4000 but his job.
With a heated, colorful presidential contest making political headlines and a fair share of those who've won the battle of the polls indulging in spicy sexual misconduct, there's no shortage of targets for rabbi-cum-standup comic Jackie Mason's latest solo show. And sure enough, he wastes no time spearing the just deposed Governor Eliot Spitzer sexual misadventures as well as his successor's announcement that his marriage also wasn't so true blue. As for the Presidential hopefuls, Mason-ic wisdom on Hillary Clinton's claim to experience as spending her whole life "as defense attorney to a sex maniac." In his, as usual, outspoken manner of dealing with ethnic identity, he insists that Barak Obama is not really black. Using the analogy of a furniture purchase, he declares that if you ordered a black couch and it arrive in the shade of Obama's skin you'd say that you didn't order a tan couch.

The "ultimate Jew" continues in the politically incorrect vein that's his strongest suit for about forty minutes. Though he paces the stage a bit less frenetically these days and provides less of the caricatures underscored with robotic facial and body movements, he proves that he can still do it with a quite funny spin on Governor Arnold Schwarzenegger. He also does a rapper riff. The less said about that, the better

Once the political segment is finished, Mason recycles the material from his previous Broadway outings (most of which we've reviewed) that comprise the red, white and blue stage design of the current show. It's in a smaller Off-Broadway venue than past shows, which begs a paraphrase pf Mason's question about $4000 call girls: Can you expect a $41 ticket to buy as many laughs as a $90 Broadway ticket? ($41 seems more than sufficient). At any rate, Mason believes in the tried and true principle and applies it once again even to the patriotic color scheme and the bio that epitomizes his super-sized ego. So, besides politics, expect insults aimed at those sitting in the front row, cell phones and the differences between Jews and Gentiles. The all-inclusive ethnic insults include Indian taxi drivers though there's also an almost impassioned defense of undocumented Mexicans whose restaurant owning bosses he would send to Mexico in their place. If there's anything that's new here, it's that Mason seems to rely more heavily than previously on vulgarisms which somehow makes the insult humor more mean-spirited.

Actually, for many in the current audience the recycled material may not be all that old-hat. Though fortuitously timed in terms of current headline material to work with, this show it opens when most of Mason's core audience —older Jewish suburbanites who live dangerously by flouting dietary guidelines for cholesterol awareness — has left New York for Florida, though he may catch them for the latter part of the run.

Depending on whether you've seen Mason before or not, Jackie Mason, the Ultimate Jew, maybe your first or last chance to visit this controversial but popular New York theater staple since he's declared it to be his final solo. On the other hand, don't be surprised if this is a Frank Sinatra type of final show. After all as long as public figures continue to misbehave, their peccadillos are likely to be too tempting for Mason to resist another farewell.

Reviews of Other Mason Shows:
Jackie Mason Freshly Squeezed 2005
1999 Much Ado About Everything
Jackie Mason's Laughing Room Only 2003
Prune Danish/Mason, Jackie 2002

JACKIE MASON The Ultimate Jew
Written, directed and performed by Jackie Mason
Sets" Brian Webb
Lighting: Paul Miller
Sound: Ryan Powers
New World Stages/Stage 3, 340 West 50th Street,212/239-6200
From 3/18/08; closing 8/31 (2nd extension, despite generally so-so reviews)
Tuesday through Saturday at 8 PM, with matinees Saturday at 2 and Sunday at 3 PM Tickets from $46
Running time: Approx. 2 hours, including one intermission
Reviewed by Elyse Sommer based on March 20th performance


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Elyse Sommer.
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