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A CurtainUp Review
Henry V
David Lohrey
When we have matched our rackets to these balls, We will in France (by God's grace) play a set Shall strike his father's crown into the hazard.
---Henry
Jason  Crowl as Henry V
Jason Crowl as Henry V
Jean Cocteau Repertory under the guidance of David Fuller enters its 32nd season both alive and well. Their new season, as in the past, promises new and old classics in traditional and subversive productions. This fall, audiences have the chance to see Shakespeare's Henry V and Wilde's The Importance of Being Earnest (which I'll be reviewing shortly) in rotating repertory.

The season opener directed by Fuller himself is a bold, perhaps controversial take on Henry V. Set in Vietnam, this Henry draws parallels between the English campaign in France and the American effort to defeat the communist advance into South Vietnam. Whether such a comparison makes good historical sense is perhaps best left to the informed viewer. As an occasion for theatrical invention, however, Fuller and his artistic staff largely succeed. This production stimulates contemporary memory while finding a new context for Shakespeare's poetic text.

. Scenic and lighting designs by Giles Hogya go a long way toward fulfilling Fuller's vision. The stark bamboo forest reminds one of staged versions of the Japanese classic Rashomon. The simplicity of Hogya's design combined with stage smoke and red spots can't help but remind audiences of such filmic evocations of the Vietnam experience as Apocolypse Now and The Deer Hunter. We are in recognizable territory, haunted at once by the exotic and the familiar. The storm trooper entrances, the GI Joe costumes, and the amplified gunfire remind us that we are not far from our collective mid-60s' nightmare.

Harris Berlinsky as the Chorus, Abe Goldfarb as Pistol, and Michael Surabian as Canterbury do well in their respective parts. Christopher Black's Bardolph made a strong impression, as did the rest of the cast, who by and large fulfill their task of speaking Elizabethan English while wearing contemporary dress to create a coherent cultural whole.

The burden of the production falls on the shoulders of Jason Crowl as young King Henry the Fifth. Crowl performed brilliantly last year in the Tennessee Williams and was impressive in the Strindberg. He has a modern temper and a magnificent stage voice: a rare combination. He plays his Henry as the quiet American. There is little flair, no bombast, and no histrionics. Oddly, while this performance no doubt fits Fuller's larger vision, it flattens a role otherwise known for its capacity to raise the roof. One wishes to be stirred and shaken; here we are left unmoved. Perhaps this is the effect sought by this fine actor, but some like myself may feel disappointed.

Henry V begins Cocteau's season with a literal bang. One looks forward to seeing what further surprises this courageous theatre company has in store for the rest of the year.

LINKS TO OTHER HENRY V PRODUCTIONS REVIEWED AT CurtainUp
Henry v(London --2001) 
Henry V Shakespeare & Co., (Berkshires

Henry V
Written by William Shakespeare.
Director: David Fuller.

Cast: Harris Berlinsky, Christopher Black, Christopher Browne, Stafford Clark-Price, Abe Goldfarb, Edward Griffin, Brian Lee Huynh, Amanda Jones, Marlene May, Rebecca Robinson, Michael Surabian, Jason Crowl.
Lighting Design: Giles Hogya.
Costume Design: Susan Soetaert.
Running Time: 3 Hours which includes one 15-minute intermission
Jean Cocteau Repertory, 330 Bowery, NYC, (212) 677-0060.
Opens 9/22/2002 thru 1/05/03. In Repertory, check schedule with theatre.
Reviewed by David Lohrey based on performance of 10/13/02.

metaphors dictionary cover
6, 500 Comparative Phrases including 800 Shakespearean Metaphors by CurtainUp's editor.
Click image to buy.
Go here for details and larger image.



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