CurtainUp
CurtainUpTM

The Internet Theater Magazine of Reviews, Features, Annotated Listings
www.curtainup.com


HOME PAGE

SEARCH CurtainUp

REVIEWS

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

BOOKS and CDs

OTHER PLACES
Berkshires
London
LA/San Diego
Philadelphia
Elsewhere

QUOTES

On TKTS

LETTERS TO EDITOR

FILM

LINKS

MISCELANEOUS
Free Updates
Masthead
NYC Weather
A CurtainUp Review

Fraulein Else
By Kathryn Osenlund

Francesca Faridany
Francesca Faridany (Photo: T. Charles Ericks)
In Francesca Faridany's adaptation of Arthur Schnitzler's novella, Fraulein Else nineteen-year old Else (Francesca Faridany) is vacationing in a resort hotel in Northern Italy. She likes that she has been described as "high spirited," which is a nice 1912 alternative to saying she's strung out on uppers. She has been "medicating" herself, flirting, and having a fine time.

A letter from her mother in Vienna tells her that her prominent lawyer father has once again achieved near ruin due to gambling and a touch of family trust embezzlement. The mother asks Else to approach an art dealer and family friend, Herr von Dorsday (Julian Lopez-Morillas), r who is a guest at the same hotel, to get him to bail out the family and avoid jail for her father. The mother (Mary Baird), who is seen seated behind a scrim in "Vienna," reads parts of her letter.

Else suspects that her parents understand full well the strings that a lecherous older man would attach to such a request. Although jarring initially, the request doesn't appear overly upsetting to the flirty young woman who longs for handsome men and loves to be seen as a bit shocking.

Else's imaginings spill out in non-stop, very funny prattle. She's in turn retiring, aggressive, coquettish. She fantasizes and regrets things she said. She describes scenarios; she poses. She minces then prances across the stage making pronouncements. She humorously criticises von Dorsday 's word choices when he attempts to seduce her.

Else's "medication" easily accounts for her manic stream of consciousness delivery, and masks possible underlying neuroses. The audience can be forgiven if it doesn't quite understand that this girl is not going to deal well with the parents' request and von Dorsday's condition for lending funds. Else comes across as more terminally silly than crazy or tragic, and ominous overtones that are in fact there in the music and the staging can be missed or overlooked.

This is not quite a one-woman show. Other cast members definitely help round it out. Lopez-Morillas's treatment of von Dorsday is just right. There is an instance where the mother and the maid are woven together in an actor-challenging scene of great intricacy as the maid dresses Else and the mother recites from her letter. The addition of the attractive cousin, Paul (Michael Tisdale) and his married lover, Cissy (Lauren Lovett) makes things more interesting. Director Stephen Wadsworth is successful in establishing alternate realities, where sometimes people are not where they are, but he is less successful with an inexplicable series of ponderous, stagey silences.

The set by Thomas Lynch evidently is the same one used for previous productions, adapted to the new stage. It is a visual melange, with a backdrop consisting of the facade of a hotel; an area in front of that which serves as both indoors and outside; a large intervening scrim of the Alps; and a foreground serving as a hotel lobby, private room, outdoor grass area, and hotel halls all mixed together as if on a game board. The amazing thing about the set is that it works! The meshing of spaces is not confusing. It's completely clear where the characters are at any given moment. Joan Arhelger's lighting design contributed to the clarity. The costumes by Anna Ruth Oliver are beautiful and appropriate.

The show has come from the Berkeley Repertory Theatre and La Jolla Playhouse and the Sundance Theatre Laboratory, and most recently Long Wharf, which is also associated with this production. Perhaps due to Ms. Faridany's intense involvement in creating this theatre piece from the original Schnitzler, and her inhabiting of Else in several productions, her character does not appear to have a single spontaneous moment. The performance is gasping for air. Every word and every gesture, once inspired, now seems set. I am reminded of a story Michael York tells of Zefferelli's approach to his film, Romeo and Juliet. He rehearsed the Tybalt-Romeo swordplay with York and Leonard Whiting exhaustively, until they had it down pat. Then on shooting day, to the alarm of the actors, he staged the sword fight on an incline to keep it fresh and dangerous. Wadsworth might have employed that sort of strategy to good effect.

It is questionable whether even the gamine Faridany, who is energetic and truly entertaining, should be playing the part of a nineteen-year old. As attractive as she is, she does not pass as nineteen --shades of Mary Pickford playing the ingenue for years.

Audience reaction was mixed on opening night. Perhaps this is because comedy and tragedy are difficult to mix, or because the main character's problems --run together and of somewhat confusing origin-- seem arranged to set up the ending. Nevertheless, Fraulein Else is an unusual, lively and intriguing theatre piece.

FRAULEIN ELSE
Adapted by Francesca Faridany from Arthur Schnitzler's novella
Directed by Stephen Wadsworth

Cast: Omid Abtahi, Mary Baird, Francesca Faridany, Julian Lopez-Morillas, Lauren Lovett, Michael Tisdale
Set Design: Thomas Lynch
Lighting Design: Joan Arhelger
Costume Design: Anna Ruth Oliver
Sound Design: Bill Williams
Running time: 90 mins with no intermission
Berlind Theatre, Princeton, NJ
1/06/04- 2/15/04
Reviewed by Kathryn Osenlund based on 1/15/04 performance at the

Mendes at the Donmar
Our Review


At This Theater Cover
At This Theater


Leonard Maltin's 2003 Movie and Video Guide
Leonard Maltin's 2003 Movie and Video Guide


Ridiculous! The Theatrical Life and Times of Charles Ludlam
Ridiculous!The Theatrical Life & Times of Charles Ludlam


Somewhere For Me, a Biography of Richard Rodgers
Somewhere For Me, a Biography of Richard Rodgers


The New York Times Book of Broadway: On the Aisle for the Unforgettable Plays of the Last Century
The New York Times Book of Broadway: On the Aisle for the Unforgettable Plays of the Last Century


metaphors dictionary cover
6, 500 Comparative Phrases including 800 Shakespearean Metaphors by CurtainUp's editor.
Click image to buy.
Go here for details and larger image.



broadwaynewyork.com


The Broadway Theatre Archive


amazon


valve suppliers,factory,valves corporation,company check Valve suppliers,china valveChina valve Manufacturer, ©Copyright 2004, Elyse Sommer, CurtainUp.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com