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A CurtainUp Review
Eastern Standard

By Jenny Sandman
Utopian scenarios tend to fall apart in the second act.
---Eastern Standard
Richard Greenberg has had two plays nominated for the Pulitzer Prize for Drama (Three Days of Rain in 1998 and Take Me Out in 2003. Take Me Out, last year's Tony Award winner for Best Play, is still running on Broadway and his newest play, The Violet Hour will shortly open at MTC's Biltmore Theater. In keeping with the recent wave of Greenberg popularity, T. Schreiber Studio has elected to begin their new season with a revival of his 1988 play Eastern Standard.

Eastern Standard is set in 1987 Manhattan, and deals with all the flashpoints therein--yuppies, AIDS, the stock market, trendy restaurants, homelessness, and urban malaise. The first act is set in one of those uber-trendy restaurants, with a relentlessly black-and-white motif and grouper tortellini as the lunch special. Stephen, a disenchanted architect, is lunching with his gay friend Drew. At the next table, Phoebe finds out her gay brother Peter has AIDS. Then a strident homeless lady causes a scene, and the four find themselves thrown together in an odd way.

During the second act, at Stephen's house in the Hamptons, the two new couples try to find a way to interact. It's not easy. Everyone is nursing wounds, and they are all distant and cautious, though the mutual attraction is evident. Phoebe and Stephen are in love, though Phoebe's ex is causing some problems, and Peter refuses to let Drew get close because he doesn't want his secret revealed. Drew, of course, only thinks Peter is being aloof, and so feels hurt and bitter. As Stephen tells him, "Your irony keeps you inert." The flaky waitress and the homeless lady from Act One return, forcing everyone to reevaluate their priorities.

This is s witty, incisive writing, everything we've come to expect from Greenberg. The characters are delicately drawn, rather like Fitzgerald's characters, and the story has a graceful arc. The most interesting relationship is between Drew and Peter since the straight couple lacks sparkle.

The acting, while earnest, is tame; Stephen, played by Jack Reiling, and Phoebe, by Michelle Bagwell, have no real chemistry. Part of that could have something to do with the direction, which seemed less concerned with the story than with the set which is designed with care but involves some overly long and complicated changes.

While the production itself starts off slowly, it picks up steam as the actors warm up, making for a much more exciting second act. Shane Jacobsen and Jason Salmon put in a memorable performance as Drew and Peter, the doomed lovers, and Andrea Marshall-Money as the homeless woman, May, is simultaneously hilarious and disturbing. Greenberg fans shouldn't miss this one.

EASTERN STANDARD
Written by Richard Greenberg
Directed by Glenn Krutoff
With Michelle Bagwell (Phoebe), Shane Jacobsen (Drew), Debbie Jaffe (Ellen), Andrea Marshall-Money (May), Conor T. McNamara (Ensemble), Jack Reiling (Stephen), Jason Salmon (Peter), and Diane Varisco (Ensemble)
Set Design by Tal Goldin
Lighting Design by Joe Saint
Costume Design by Eden Miller
Sound Design by Joseph Furnari
Running time: Two and a half hours with one intermission
T. Schreiber Studio, 151 West 26th Street, 7th Floor, 212-352-3101
10/02/03-10/26/03; opening 10/11/03
Reviewed by Jenny Sandman based on October 12th performance

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metaphors dictionary cover
6, 500 Comparative Phrases including 800 Shakespearean Metaphors by CurtainUp's editor.
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