CurtainUp
CurtainUp
The Internet Theater Magazine of Reviews, Features, Annotated Listings
HOME PAGE

SITE GUIDE

SEARCH


REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
DC
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
Writing for Us
A CurtainUp Review
Dance of the Vampires


Maybe the ghost of Sigmund Freud helped the Viennese musical version of Roman Polanski's 1967 flick The Fearless Vampire Killers version find the right balance between camp and horror. That show has been a hit for five years. The same longevity is unlikely for the vampires now frenziedly dancing to the thum-thump-thump rock beat and inane lyrics of Jim Steinman's score at the Minskoff. It's campy but not good camp. The only horror is that so much money and talent has been thrown at this project.

It would be easy to blame my reaction to Dance of the Vampires on a week of seeing one new show after another -- but I've had non-stop show going weeks before without losing my ability to separate the dross from the gold. This is simply a bad show that doesn't seem to know what it wants to be, probably because the creative team has allowed too many cooks to stir this broth into a mishmash without a clear focus.

DOTV's very respectable advance sales are no doubt due to chief Vampire, Michael Crawford. Sad to say, the Phantom of the Opera star as Count von Krolock (rhyme that with schlock) is not so much a shadow of his glamorous former self, as a puffed up cartoon. His European accent is flinge inducing, the vamipirish mullet hairdo and masklike cosmetics make him barely recognizable. His voice isn't in top form either.

In a show that starts with the ushers and ticket takers wearing Vampire capes and a major production number called "Garlic "in an ugly garlicky gingerbread house setting (one of many overly busy scenic disasters by the usually masterful David Gallo), you can't put all the burden on Crawford's padded shoulders. The supporting cast, even the excellent Rene Aubjonois, as his nemesis Professor Abronsius, can't keep things from going from bad to worse as fast as a bat out of hell. John Carrafa's choreography makes you wonder if this can indeed be the same Carrafa responsible for the witty dances of Urinetown and Into the Woods. Ann Hould-Ward's costumes are in tune with the overall ugliness.

I could go on about what's wrong with this anemic but loud retread of the story which can be summed up as over-aged vampire killer meets young virgin whom boy loves and sets out to rescue. But why beat a dead horse or, to be more precise, a dead bat?

If you love schlock and think I'm being too harsh, get a ticket soon. These bats are unlikely tol be dancing at the Minskoff for very long.

DANCE OF THE VAMPIRES
Book: David Ives, Jim Steinman and Michael Kunze -- based on Roman Polanski film The Fearless Vampire Killers
Music & English Lyrics by Jim Steinman
Choreography by John Carrafa.
Directed by John Rando
Cast: Starring Michael Crawford (Count von Krolock); with (in alphabetical order) René Auberjonois (Professor Abronsius), E. Alyssa Claar (Nadja), Edgar Godineaux (Dream Vampire, Mandy Gonzalez (Sarah), , Liz McCartney (Rebecca), Leah Hocking (Magda), Ron Orbach (Chagal), Erin Leigh Peck (Zsa-Zsa), Mark Price (Boris), Jonathan Sharp (Dream Alfred), Dame Edith Shorthouse (Madame Von Krolock), Asa Somers (Herbert), Max von Essen (Alfred)
Set Design: David Gallo
Costume Design: Ann Hould-Ward
Lighting Design: Ken Billington
Sound Design:Richard Ryan
Music Supervision/Vocal and Dance Arrangements: Michael Reed
Running time:
Minskoff, 200 W. 45th St. (7th/8th Avs) 212-398-838
From October 14, 2002; opening December 9, 2002.
Mon-Sat at 8pm, with matinees on Wednesday and Saturday at 2pm -- $25-$95.
Reviewed by Elyse Sommer based on December 12th performance.
Musical Numbers
Act One

  • Overture
  • Angels Arise/Sarah. Nadia. Zsa Zsa
  • God Has Left thc Building/Vampires and Sarah,Nadia. Zsa Zsa
  • Original Sin/Krolock, Sarah, Vampires
  • Garlic/Chagal, Rebecca, Magda, Boris and the Peasants
  • Logic/Abroosius, Alfred, Chaga, Magda, aml Rebecca
  • Theres' Never Been a Night Like This/Alfred, Sarah,Chagal, Rebecca
  • Don't Leave Daddy/Chagall
  • A Good Nightmare Comes so Rarely/Krolock
  • Death is Such an Odd Thing/Rebecca, Magda
  • Braver Than We Are/Sarah, Alfred
  • Red Boots Ballet/Sarah, Company, Krolock
  • Say a Prayer/Company
  • Come With Me/Krolock
Act Two

  • Vampires in Love/ Sarah, Krolock, Company
  • Books, Books/ Abronsiusus/. Krolock
  • Carpe Noctem/Company
  • For Sarah/Alf'rcd
  • Death Is Such an Odd Thing (reprise)/Rebecca, Magda, Chagal
  • When Love Is Inside You/Alfred, Herbert
  • Eternity/Vampires
  • Confession of a Vampire/Krolock
  • Thc Ba!l: The Minuet/Abronsius, Alfred, Herbert, Boris and Vampires
  • Never Be Enough/Krolock and Vampi ires
  • Come With Me (reprise}/Krolock
  • Braver Than We Are (reprise)/Sarah, Alfred
  • Dance of the Vampires/ Company
Theater Books Make Great Gifts
At This Theater Cover
At This Theater


Ridiculous! The Theatrical Life and Times of Chales Ludlam
Ridiculous!The Theatrical Life & Times of Charles Ludlam


The New York Times Book of Broadway: On the Aisle for the Unforgettable Plays of the Last Century
The New York Times Book of Broadway: On the Aisle for the Unforgettable Plays of the Last Century



metaphors dictionary cover
6, 500 Comparative Phrases including 800 Shakespearean Metaphors by CurtainUp's editor.
Click image to buy.
Go here for details and larger image.



broadwaynewyork.com


The Broadway Theatre Archive


amazon


©Copyright 2002, Elyse Sommer, CurtainUp Check valvereturn valve high pressure valvemanual valvevalvesvalve company motorized valvegate Valve .
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com