CurtainUp
CurtainUp
The Internet Theater Magazine of Reviews, Features, Annotated Listings
HOME PAGE

SITE GUIDE

SEARCH


REVIEWS

REVIEW ARCHIVES

ADVERTISING AT CURTAINUP

FEATURES

NEWS
Etcetera and
Short Term Listings


LISTINGS
Broadway
Off-Broadway

NYC Restaurants

BOOKS and CDs

OTHER PLACES
Berkshires
London
California
New Jersey
Philadelphia
Elsewhere

QUOTES

TKTS

PLAYWRIGHTS' ALBUMS

LETTERS TO EDITOR

FILM

LINKS

MISCELLANEOUS
Free Updates
Masthead
A CurtainUp Los Angeles Review
bobrauschenbergamerica


Look, everything overlaps, doesn't it? Is connected some kind of way. Once you put it all together, it's just obvious. I mean, tie a string to something, and see where it takes you.
bobrauschenbergamerica
Jennifer Etienne Eckert and Eric Bunton
(Photo: Debi Landrie)
When you think about it, this was really a match made in mashed-up paradise. Robert Rauschenberg, the American collageist as seen through the eyes of Charles L. Mee, a playwright who borrows everything from everywhere — mythology, current events, soap opera strands — and tosses it all up on stage in a big crazy quilt that somehow fashions itself into a play.

Director Bart DeLorenzo of the Evidence Room and the members of the SpyAnts Theatre Co. all clearly have the bug, and have brought the L.A. premiere of Mee's bobrauschenbergamerica to the Ford Amphitheatre's inside space. The play is Mee's take on how Rauschenberg, who died in 2008, might have seen the world had he been a playwright instead of a sculptor. The results are delightful if seriously quirky, — a series or largely unrelated musings on love, life, art, existence, the cosmos and cornball chicken jokes, not necessarily in that order of importance.

There is a script (it's up on Mee's (re)making project website, www.charlesmee.com), but DeLorenzo's cast makes you feel like the universe could tilt ever so slightly and some things would end up differently. Indeed, here's betting that the group of elderly barbershop singers who came in for a parade sequence might give way to different roadside entertainment at a subsequent performance.

Our players are a derelict (played by Brett Hren),. . .a stargazer (Eric Bunton) and his dancer lover (Mark Slater) . . . a trucker (Danny Parker-Lopes) and his bathing beauty girlfriend (Maria Tomas) . . . a fickle love-seeking woman dressed up in Jackie O regalia (Jennifer Etienne Eckert) and the man she dumped (Adam Dornbusch). . . a disturbing pizza delivery guy (John Charles mother) named Bob and Bob's Mom (Mari Marks). Bob's Mom is either supposed to be Rauschenberg's mother or the pizza delivery boy's. I'm not sure which. I'm not sure Mee intends us to know for certain.

Rasuchenberg is honored in the title, and there are various slideshow musings by Bob's Mom that frequently end with "art was not a part of our life." Otherwise, it's not difficult to see where Rauschenberg ends and Mee begins. Many of the playwright's signature oddities — spontaneous dance numbers, non sequiter emoting, extended musing on love — play giddily across DeLorenzo's staging. That said, the spirit of Rauschenberg is duly honored by DeLorenzo and company.

Props and set pieces, curios of all sorts dot Marina Mouhibian's set. The trucker's girl plays checkers from a rusty bathtub bearing a "No Parking" sign. A door frame, with a stuffed heron perched atop, evokes an empty and decidedly surreal landscape. Plaudits to prop master Hal Perry for finding a 12 foot bowling pin that never even gets used.

Mee's plays are not for the shy, and the cast members attack their roles with gleeful abandon. Particularly fetching is Eckert's Susan, defending her romantic choices while devouring the contents of a cake pan, and Tomas pouring out the ingredients for a martini on a plastic floor canvas and then proceeding to slosh through it. Parker-Lopes, sporting a trucker's beard, smoothly handles an assortment of wince-inducing chicken jokes, and everyone moves gracefully or with appropriate abandon to Ken Roht's choreography.

Praise also is due Breeze Braunschweig as the always skating, never speaking Roller Girl, a vision in 70s era beach shorts and tube socks who proves that you don't need lines to have an impact. What Braunschweig's Roller Girl is doing sitting at the same picnic table as Becker, Carl, Susan and the rest is anybody's guess. In the landscape of Mee's Rauschenberg, everything kind of melds even as it clashes. That's kind of the point.

bobrauschenbergamerica
By Charles L. Mee
Directed by Bart DeLorenzo
Choreography: Ken Roht
Cast: Breeze Braunschweig (Roller Girl), Eric Bunton (Allen) Adam Dornbusch (Wilson), Jennifer Etienne Eckert (Susan), Brett Hren (Becker), Mari Marks (Bob's Mom), John Charles Meyer (Bob, the Pizza Boy), Danny Parker-Lopes (Phil, the Trucker), Mark Slater (Carl), Maria Tomas (Phil's Girl)
Stage Manager: Hahnah Jackson
Set Design: Marina Mouhibian
Costume Design: Leah Piehl
Lighting Design: Christopher Kuhl
Sound Design: Cricket Myers
Prop Master: Hal Perry
Running Time: 1 hours and 35 minutes with no intermission
[Inside th] the Ford Amphitheatre, 2580 Cahuenga Blvd. East, Hollywood. (323)461-3673, www.FordTheatres.org.
From January 21 to February 28
Thu-Sat. @ 8pm, Sun @ 3 pm and 7 pm.
Reviewed by Evan Henerson, based on Jan. 28 performance
> Subscribe to our FREE email updates with a note from editor Elyse Sommer about additions to the website -- with main page hot links to the latest features posted at our numerous locations. To subscribe, E-mail: esommer@curtainup.comesommer@curtainup.com
put SUBSCRIBE CURTAINUP EMAIL UPDATE in the subject line and your full name and email address in the body of the message -- if you can spare a minute, tell us how you came to CurtainUp and from what part of the country.
REVIEW FEEDBACK
Highlight one of the responses below and click "copy" or"CTRL+C"
  • I agree with the review of bobrauschenbergamerica
  • I disagree with the review of bobrauschenbergamerica
  • The review made me eager to see bobrauschenbergamerica
Click on the address link E-mail: esommer@curtainup.com
Paste the highlighted text into the subject line (CTRL+ V):

Feel free to add detailed comments in the body of the email. . .also the names and emails of any friends to whom you'd like us to forward a copy of this review.

You can also contact us at Curtainup at Facebook or Curtainup at Twitter and at Curtainup's /Blog Annex
a list of all book reviews, see our,
VALVESGate valvePRESSURE VALVESGlobe valveCHECK VALVES
South Pacific  Revival
South Pacific


In the Heights
In the Heights


Playbillyearbook
Playbill Broadway Yearbook


broadwaynewyork.com


amazon




©Copyright 2010, Elyse Sommer.
Information from this site may not be reproduced in print or online without specific permission from esommer@curtainup.com