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A CurtainUp Review
Beasley's Christmas Party

The Hunchbergs had recently moved to Wainwright from Constantinople, I learned. They had decided to live in town, however, having purchased a little farm out in the country. . .—Booth
Beasley's Christmas Party
Christa Scott-Reed, Tony Ward and Joseph Collins
(Photo: Suzi Sadler)
Anyone who wants a change from the usual productions of How the Grinch Stole Christmas or Charles Dickens's A Christmas Carol, might want to consider Keen Company's Beasley's Christmas Party. Based on a story by Booth Tarkington, adapted by CW Munger and directed by Carl Forsman, the show is a heartwarming tribute to the holiday spirit.

Beasley's Christmas Party is narrated by a journalist, named Booth (Tony Ward), who no doubt represents the author. It tells about what happens when Booth becomes the neighbor of a taciturn Midwestern gubernatorial candidate, named Beasley (Joseph Collins) who was once jilted by the attractive girl-next-door. Miss Apperthwaite (Christa Scott-Reed) had decided at the time that Beasley lacked the imagination she desired in a mate.

Booth soon observes that there are strange goings-on in the Beasley residence. After meeting several acquaintances of both Apperthwaite and Beasley (all played by the amazing Collins and Scott-Reed) and visiting the Beasely household, the mystery is solved.

Beasley has become the guardian of a sickly young boy, the orphaned child of a college friend. Together Beasely and young Hamilton (played with great sensitivity by Scott-Reed) have created a troupe of imaginary friends to fill the lonely boy's life with pleasure. But Beasley is not without enemies. Corrupt politicians want to bring him down, and Beasley is only saved by his own goodness. In the remarkable penultimate scene, the entire imaginary cast (all portrayed by the astonishing Collins) attend Beasley's Christmas party and dance an enthusiastic quadrille, after which Beasley makes the only speech of his life — a dissertation on the meaning of Christmas.

The play suffers from far too much narration. In a misguided fidelity to Tarkington's story, Munger tells the audience more than it really needs to enjoy and understand the okat. However, once the talented cast gets its hands on the script, the play takes off, only occasionally stymied by the narrator's reappearance. Using excellent miming skills and the transformative power of their faces, Scott-Reed and Collins give each of their characters a distinct personality. Even the invisible characters come to life through the mock serious dialogue.

Beowulf Boritt's set of four towers of trunks, suitcases and the kind of bric-a-brac one finds in musty attics is perfect for this sentimental comedy, as is Josh Bradford's subdued lighting.

It remains to be seen whether or not this newcomer to the field of Christmas shows will eventually enter the cannon remains to be seen. But it certainly adds a new touch of warmth and cheer to the Christmas season in these difficult times.

Beasley's Christmas Party
By Booth Tarkington
Adapted by CW Munger
Directed by Carl Forsman
Cast: Tony Ward, Joseph Collins, Christa Scott-Reed
Scenic Designer: Beowulf Boritt
Costume Designer: Theresa Squire
Lighting Designer: Josh Bradford
Sound Designer: Will Pickens
Running Time: 75 minutes, no intermission
Keen Company at Clurman Theater 410 W. 42nd St. (212) 279-4200. www.KeenCompany.org
From 12/02/08; opening 12/07/08; closing 1/03/09
Tuesday at 7pm, Wednesday through Saturday at 8pm, and Sunday at 3pm.
Please note: Tickets are $41.25
Reviewed by Paulanne Simmons Dec. 6, 2008
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