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A CurtainUp Los Angeles Review
First Monday In October
This 1976 play is the slightest of Jerome Lawrence and Robert E. Lee famed political works (Inherit The Wind, The Night Thoreau Spent In Jail) and it seems downright tame compared to the issues and strife-torn Supreme Court we see today. But, as Spencer Tracy once said, "What there is, is choice." The issues dividing fierce liberal Justice Dan Snow (Ralph Waite) and newly appointed conservative Justice Ruth Loomis (Laurie O'Brien) are less generational than the 30-something years dividing them. Snow is dedicated to the First Amendment rights of the individual, even for the producer of such painfully sleazy porn films as The Naked Nymphomaniac. Loomis, devoted to the big picture, expresses the welfare of society at large. They each have a grudging admiration for the other and their being worthy adversaries gives their duels a heightened relish. The playwrights use role-playing to enliven the script. Loomis grills Snow as he sits in the witness chair playing porn producer Mahoney and Snow turns the tables, interrogating her in the person of the evasive Richards, the corporate figure who he suspects is dead. This leads to the play's climactic question: conflict of interest. Lawrence and Lee's dialogue is always a joy, as they crisply clash swords and mine humor that goes beyond one-liners. Director Allan Miller finds the integrity in each of his characters and is well served by an excellent cast. Ralph Waite is strong and sly as Snow, the justice more wedded to the law than to his wife. O'Brien's silky determination makes Loomis more likeable than she's written. Although both Snow and Loomis are written more as attitudes than characters, the actors in this case bring them to heartfelt life, abetted by Miller's care in using their passion to keep the play moving without overpowering the dialogue. Kent Minault plays the Chief Justice with easy sophistication and his scenes with Waite have chemistry overlaying shared old boys' club humor. Victoria Profitt designed the excellent set. Tthe two justices' offices flank a pillared court façade that is garnished by Kathi O'Donohue's mellow lighting design. The play, with its firmly held liberal/conservative viewpoints, still has much relevance but it makes you feel the time is right for an update. Unfortunately a 21st century play about the Supreme Court would be unlikely to find the sophisticated wit and fractious charm of this Tracy/Hepburn style encounter.
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Stage Plays
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Stage Plays
The Internet Theatre Bookshop "Virtually Every Play in the World" --even out of print plays |