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A CurtainUp Review
Sonia Flew


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Operation Pedro Pan ("Peter Pan") was one of the CIA's most cynical attempts to overthrow Castro. Beginning in 1960, they spread rumors among middle-class Cubans that the new regime meant to take their children to provincial labor camps for indoctrination. Some 14,000 children between 5 and 18 were hurriedly (some would say, opportunistically) given visas to the U.S., many never to see their parents again in this political mini-diaspora. These Peter Pans never flew back to their nurseries.



That's the larger tragedy behind the domestic trauma in Melinda Lopez' Sonia Flew. In 2001 the title character, a 55-year-old Minneapolis matron, is mired in emotional exile, still very dramatically haunted by her hatred of the mother for supposedly abandoned her 40 years before. Unready to lose another family, she turns on her 18-year-old son Zak who wants to fight in Afghanistan. She was betrayed by one country and won't let her son be taken in by a second. Of course, her protectiveness will backfire.

The second act, set in 1961, details how Sonia became a true-believing Young Pioneer even as Havana teems with political repression and accusations of treason against the revolution. Finally, Sonia "flew" —in a traumatic plane ride to Miami during which she repudiates her past by stupidly flushing an heirloom, a gold ring that links the women of her family, down the toilet. It's as empty a phony gesture as in Titanic when old Rose throws the "Heart of the Ocean"diamond into the sea. (Never take a name literally.)

Strangely, we learn nothing about Sonia's foster family in America; for her it's as if 1961 was yesterday. Sadly, Lopez focuses monomaniacally and formulaically on Sonia's denial and despair. Despite Sandra Marquez' and Sandra Delgado’s stellar portrayals of the mature and young Sonia, it's hard to sympathize with this recrimination machine. Her tough love for her son (a very needy Andrew Perez) looks too much like her own mother’s cold rejection.

Jessica Thebus' staging of this Steppenwolf local premiere, which anchors the predictable emotions in a very real Minneapolis and Havana, makes fresh what the writing left stale—the underwhelming discovery that children must learn from their parents' follies, if not to forgive then to avoid them.

SONIA FLEW
Playwright: Melinda Lopez
Dirrected by Jessica Thebus

Cast: Vilma Silva (Nina and Pilar), Sandra Marquez (Sonia and Marta), Sandra Delgado (Jen and Young Sonia), Andrew Perez (Zak and Jose), Jeff Still (Daniel and Tito), Alan Wilder (Sam and Orfeo)
Sets: Stephanie Nelson
Lighting: J. R. Lederle
Costumes: Janice Pytel
Sound: Andrew Pluess and Ben Sussman
Running time: 2 hours with intermission
Steppenwolf Theatre, 1650 N. Halsted St., Chicago; (312) 335-1650.
From November 30, 2996 to February 4, 2007; opening December 9.
Tues to Sun 7:30pm; Sat and Sun at 3pm
Reviewed by Lawrence Bommer based on December 9th performance
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©Copyright 2006, Elyse Sommer.
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